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Showing 81 results for Meizhi

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Old Man and Children, Meizhi Chinese, Hanging scroll; ink and color on silk, China — Old Man and Children
Meizhi
19th century

Quatrain on spring’s radiance, Empress Yang Meizi Chinese, Round fan mounted as an album leaf; ink on silk, China — Quatrain on spring’s radiance
Empress Yang Meizi
early 13th century

Plate, Charles Meigh British, Earthenware, transfer-printed, British (American market) — Plate
Charles Meigh
ca. 1835–ca. 1849

A Snowy Day
, Takeuchi Meihō 竹内鳴鳳 Japanese, Hanging scroll; ink and color on silk, Japan — A Snowy Day
Takeuchi Meihō 竹内鳴鳳
1920s–30s

Quatrain on yellow roses, Empress Yang Meizi , r. 1202–24; Chinese, Round fan mounted as an album leaf; ink on silk, China — Quatrain on yellow roses
Empress Yang Meizi
early 13th century

Spring Ablutions at the Orchid Pavilion, Wang Wenzhi Chinese, Hanging scroll; ink and color on silk, China — Spring Ablutions at the Orchid Pavilion
Wang Wenzhi

Mountains in Cloud and Mist, Song Wenzhi Chinese, Hanging scroll; ink and color on bark paper, China — Mountains in Cloud and Mist
Song Wenzhi
dated 1961

Calligraphy, Wang Wenzhi Chinese, Hanging scroll; ink on paper, China — Calligraphy
Wang Wenzhi
dated 1801

Small Bowl with Design of Diagonally Banded Millefleurs on Exterior and Butterflies on the Interior
, Yabu Meizan Japanese, Porcelain; exterior, spiral millefleurs bands in a variety of enamels and gold; geometric bands in black and rust enamels and gold on lower part of bowl; interior, closely covered with tiny butterflies in red, black, yellow and pale blue enamels, with gold; gold lip rim (Satsuma ware), Japan — Small Bowl with Design of Diagonally Banded Millefleurs on Exterior and Butterflies on the Interior
Yabu Meizan
late 19th century

Breaking a Plum Branch on a Snowy Night;
Bamboo in Snow, Reizei Tamechika Japanese, Two folding fans mounted on panels; ink, color and gold on paper, Japan — Breaking a Plum Branch on a Snowy Night; Bamboo in Snow
Reizei Tamechika
19th century

Emperor Enyū’s Outing to Funaokayama on the First Day of the Rat in the New Year, Reizei Tamechika Japanese, Hanging scroll; ink and color on paper, Japan — Emperor Enyū’s Outing to Funaokayama on the First Day of the Rat in the New Year
Reizei Tamechika
19th century

The Hills of Kuaiji, Unidentified artist, Handscroll; ink and color on silk, China — The Hills of Kuaiji
Unidentified artist
Gu Kaizhi
18th cenury or later

An Emperor with Two Ladies, Unidentified artist, Album leaf; ink and color on silk, China — An Emperor with Two Ladies
Unidentified artist
Gu Kaizhi

Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei), Chōbunsai Eishi Japanese, Diptych of woodblock prints; ink and color on paper, Japan — Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei)
Chōbunsai Eishi
1797–99

Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi), Chōbunsai Eishi Japanese, Polychrome woodblock ōban print; ink and color on paper, Japan — Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi)
Chōbunsai Eishi
ca. 1796–98

Three Beauties Viewing Cherry Blossoms, Chōbunsai Eishi Japanese, Hanging scroll; ink and color on silk, Japan — Three Beauties Viewing Cherry Blossoms
Chōbunsai Eishi
late 18th–19th century

Ono no Komachi Praying for Rain, Chōbunsai Eishi Japanese, Monochrome woodblock print; ink on paper, Japan — Ono no Komachi Praying for Rain
Chōbunsai Eishi
ca. 1791

Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge
, Chōbunsai Eishi Japanese, Pentaptych of woodblock prints; ink and color on paper, Japan — Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge
Chōbunsai Eishi
ca. 1792

A Man and a Girl Walking in the Rice Fields, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — A Man and a Girl Walking in the Rice Fields
Chōbunsai Eishi
ca. 1780

On the Seventeenth Day, Wang Xizhi Chinese, Album of thirty leaves; ink on paper, China — On the Seventeenth Day
Wang Xizhi
13th century rubbing of a 4th century text

Odes of the State of Bin

, Ma Hezhi , and Assistants Chinese, Handscroll; ink, color, gold and silver on silk, China — Odes of the State of Bin
Ma Hezhi
Emperor Gaozong
mid-12th century

Courtly Odes, Beginning with "Wild Geese"

, Ma Hezhi and Assistants Chinese, Handscroll; ink and color on silk, China — Courtly Odes, Beginning with "Wild Geese"
Ma Hezhi
mid-12th century

A Girl with a Fan, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — A Girl with a Fan
Chōbunsai Eishi
ca. 1780

Fuji no Uraha, Chōbunsai Eishi Japanese, Two sheets from a triptych of woodblock prints; ink and color on paper, Japan — Fuji no Uraha
Chōbunsai Eishi
ca. 1790

Geisha Preparing for an Entertainment, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Geisha Preparing for an Entertainment
Chōbunsai Eishi
ca. 1794

The Yoshiwara Parade in Autumn, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — The Yoshiwara Parade in Autumn
Chōbunsai Eishi
ca. 1793

Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara, Chōbunsai Eishi Japanese, Triptych of woodblock prints (trimmed); ink and color on paper, Japan — Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara
Chōbunsai Eishi
ca. 1794

A Cherry-Viewing Excursion by a Noble Lady and Attendants, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Cherry-Viewing Excursion by a Noble Lady and Attendants
Chōbunsai Eishi
ca. 1797

Excerpt from “Song of Leyou Park”, Zhang Jizhi Chinese, Section of a handscroll mounted as a hanging scroll; ink on paper, China — Excerpt from “Song of Leyou Park”
Zhang Jizhi
13th century

Karakoto of Chojiya on Parade, Chōbunsai Eishi Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Karakoto of Chojiya on Parade
Chōbunsai Eishi
ca. 1790

Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons), Chōbunsai Eishi Japanese, Triptych of hanging scrolls; ink, color, and gold on silk, Japan — Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons)
Chōbunsai Eishi
early 19th century

Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen)
Chōbunsai Eishi
1790s

Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase)
Chōbunsai Eishi
ca. 1794–95

Young Woman Painting a Screen, Chōbunsai Eishi Japanese, Monochrome woodblock print; ink on paper, Japan — Young Woman Painting a Screen
Chōbunsai Eishi

Konosato of Takeya Seated, Holding an Incense Burner, Chōbunsai Eishi Japanese, Monochrome woodblock print; ink on paper, Japan — Konosato of Takeya Seated, Holding an Incense Burner
Chōbunsai Eishi

A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”
Chōbunsai Eishi
ca. 1794

Courtesan District of Edo, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Courtesan District of Edo
Chōbunsai Eishi
1756–1829

The Courtesan Hinazuru of the Chōjiya Brothel (Chōjiya Hinazuru), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — The Courtesan Hinazuru of the Chōjiya Brothel (Chōjiya Hinazuru), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen)
Chōbunsai Eishi
ca. 1795

Thirty-Six Poets, Chōbunsai Eishi Japanese, Woodblock printed album; ink and color on paper, Japan — Thirty-Six Poets
Chōbunsai Eishi
ca. 1795

Courtesan with a Letter in Her Mouth, Chōbunsai Eishi Japanese, Hanging scroll; ink and color on silk, Japan — Courtesan with a Letter in Her Mouth
Chōbunsai Eishi
1756–1815