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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 307 results for Maxim Gorky

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Creatures That Once Were Men

Maxim Gorky

1918

The Armatonov Business

Maxim Gorky

1948

Water of the Flowery Mill, Arshile Gorky American, born Armenia, Oil on canvas — Water of the Flowery Mill
Arshile Gorky
1944

Virginia Landscape, Arshile Gorky American, born Armenia, Graphite and colored wax crayons on paper — Virginia Landscape
Arshile Gorky
1943

Untitled, Arshile Gorky American, born Armenia, Graphite and colored crayons on paper — Untitled
Arshile Gorky
1944

Self-Portrait at the Age of Nine, Arshile Gorky American, born Armenia, Oil on canvas — Self-Portrait at the Age of Nine
Arshile Gorky
1928

Untitled, Arshile Gorky American, born Armenia, Graphite and wax crayon on paper (recto); graphite on paper (verso) — Untitled
Arshile Gorky
1946

Landscape, Arshile Gorky American, born Armenia, Oil on canvas — Landscape
Arshile Gorky
1933

Portrait, Arshile Gorky American, born Armenia, Pastel, charcoal, and watercolor on board — Portrait
Arshile Gorky
ca. 1931

Study for "Year After Year", Arshile Gorky American, born Armenia, Graphite and colored wax crayons on paper — Study for "Year After Year"
Arshile Gorky
1947

Study after an Antique Sculpture, Arshile Gorky American, born Armenia, Charcoal and watercolor on paper — Study after an Antique Sculpture
Arshile Gorky
ca. 1926–29

Sketchbook, Arshile Gorky American, born Armenia, Sketchbook of pen and black ink and graphite on paper — Sketchbook
Arshile Gorky

Sketchbook, Arshile Gorky American, born Armenia, Sketchbook of pen and black ink, pen and brown ink, and graphite on paper — Sketchbook
Arshile Gorky
ca. 1930–37

Sketchbook page, Arshile Gorky American, born Armenia, Graphite on paper — Sketchbook page
Arshile Gorky

Sketchbook page, Arshile Gorky American, born Armenia, Graphite on paper — Sketchbook page
Arshile Gorky

Chess set for 10x10 variant chess, Wm. F. Drueke & Co., Grand Rapids, Michigan, Wood, American, Grand Rapids, Michigan — Chess set for 10x10 variant chess
Wm. F. Drueke & Co., Grand Rapids, Michigan
Hudson Maxim
1910

Young Cherry Trees Secured Against Hares (Jeunes cerisiers garantis contre les lièvres)

Multiple artists/makers

1946

Beauty: Illustrated by an Analysis and Classification of Beauty in Woman...

Multiple artists/makers

1852

Are there Ghosts in my House?, Gory Cuban, Acrylic on canvas — Are there Ghosts in my House?
Gory
1994

Female Head, Robert Gordy American, Monotype — Female Head
Robert Gordy
1984

Nubie. Temple et Village de Débôd. Parembole de l'itinéraire d'Antonin, Maxime Du Camp French, Salted paper print (Blanquart-Évrard process) from paper negative — Nubie. Temple et Village de Débôd. Parembole de l'itinéraire d'Antonin
Maxime Du Camp
Imprimerie photographique de Blanquart-Évrard, à Lille
1850

Nubie. Temple de Déböd. Parembole de l'itinéraire d'Antonin, Maxime Du Camp French, Salted paper print (Blanquart-Évrard process) from paper negative — Nubie. Temple de Déböd. Parembole de l'itinéraire d'Antonin
Maxime Du Camp
Imprimerie photographique de Blanquart-Évrard, à Lille
1850

Nubie. Kalabscheh. Sculptures de la Facade postérieure du Temple, Maxime Du Camp French, Salted paper print (Blanquart-Évrard process) from paper negative — Nubie. Kalabscheh. Sculptures de la Facade postérieure du Temple
Maxime Du Camp
Imprimerie photographique de Blanquart-Évrard, à Lille
April 8, 1850

Nubie. Hémi-Spéos de Sébour. Pylônes, Maxime Du Camp French, Salted paper print (Blanquart-Évrard process) from paper negative — Nubie. Hémi-Spéos de Sébour. Pylônes
Maxime Du Camp
Imprimerie photographique de Blanquart-Évrard, à Lille
1850

Haute-Égypte. Girgeh. Mosquèe d'Aly-Bey, Maxime Du Camp French, Salted paper print (Blanquart-Évrard process) from paper negative — Haute-Égypte. Girgeh. Mosquèe d'Aly-Bey
Maxime Du Camp
Imprimerie photographique de Blanquart-Évrard, à Lille
1850

Nubie. Forteresse D'Ibrym (Ancienne Premmis). Vue prise au sud., Maxime Du Camp French, Salted paper print (Blanquart-Évrard process) from paper negative — Nubie. Forteresse D'Ibrym (Ancienne Premmis). Vue prise au sud.
Maxime Du Camp
Imprimerie photographique de Blanquart-Évrard, à Lille
March 31,1850

Palestine. Jérusalem. Mosquée d'Omar, Maxime Du Camp French, Salted paper print (Blanquart-Évrard process) from paper negative — Palestine. Jérusalem. Mosquée d'Omar
Maxime Du Camp
Imprimerie photographique de Blanquart-Évrard, à Lille
August 20, 1850

Jérusalem, partie occidentale des murailles, Maxime Du Camp French, Salted paper print — Jérusalem, partie occidentale des murailles
Maxime Du Camp
1849–51

Palais de Karnak, grands pilones du sud-ouest, Maxime Du Camp French, Salted paper print — Palais de Karnak, grands pilones du sud-ouest
Maxime Du Camp
1849–51

Gournah, Nécropole de Thèbes, Maxime Du Camp French, Salted paper print — Gournah, Nécropole de Thèbes
Maxime Du Camp
1849–51

Maxime Du Camp French, Salted paper print — Maxime Du Camp
1849–51

Maxime Du Camp French, Salted paper print — Maxime Du Camp
1849–51

Maxime Du Camp French, Salted paper print — Maxime Du Camp
1849–51

Gournah, les colosses, Maxime Du Camp French, Salted paper print — Gournah, les colosses
Maxime Du Camp
1849–51

Maxime Du Camp French, Salted paper print — Maxime Du Camp
1849–51

Grand Temple d'Isis, à Philae. Toth Ibiocéphale (Dieu des lettres), Maxime Du Camp French, Salted paper print — Grand Temple d'Isis, à Philae. Toth Ibiocéphale (Dieu des lettres)
Maxime Du Camp
1849–51

Maxime Du Camp French, Salted paper print — Maxime Du Camp
1849–51

Palais de Karnak, pilier devant le sanctuaire de granit, Maxime Du Camp French, Salted paper print — Palais de Karnak, pilier devant le sanctuaire de granit
Maxime Du Camp
1849–51

Kalabcheh, sculptures de la facade postérieure du temple, Maxime Du Camp French, Salted paper print — Kalabcheh, sculptures de la facade postérieure du temple
Maxime Du Camp
1849–51

Palais de Karnak, pilier devant le sanctuaire de granit, Maxime Du Camp French, Salted paper print — Palais de Karnak, pilier devant le sanctuaire de granit
Maxime Du Camp
1849–51