Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 111 results for Mauro Gandolfi
Sort by:
A Sheet of Heads, Mauro Gandolfi  Italian, Pen and brown ink
Mauro Gandolfi
late 18th–mid-19th century
Vignette with an Allegorical Figure of Astronomy, Mauro Gandolfi  Italian, Pen and brown ink, watercolor, over black chalk; framing lines in pen and brown ink
Mauro Gandolfi
ca. 1798
Judith holding the head of Holofernes and a sword, her maid behind her at right, Mauro Gandolfi  Italian, Engraving
Multiple artists/makers
1819
The Virgin suckling the infant Christ, the young Saint John the Baptist standing at left, after Reni, Mauro Gandolfi  Italian, Engraving
Mauro Gandolfi
Guido Reni
1812
Mauro Gandolfi
Gaetano Gandolfi
ca. 1810–35
Mauro Gandolfi
Pelagio Palagi
ca. 1800–34
Mauro Gandolfi
Pelagio Palagi
ca. 1800–34
Holy Roman Emperor Henry IV at Canossa, Ubaldo Gandolfi  Italian, Terracotta, Italian, Bologna
Ubaldo Gandolfi
ca. 1770–75
Head of a Bishop, Gaetano Gandolfi  Italian, Oil on canvas
Gaetano Gandolfi
ca. 1770
The Execution of Saint John the Baptist, Ubaldo Gandolfi  Italian, Oil on canvas
Ubaldo Gandolfi
ca. 1770
The Sacrifice of Iphigenia, Gaetano Gandolfi  Italian, Oil on canvas
Gaetano Gandolfi
1789
Adoration of the Shepherds, Ubaldo Gandolfi  Italian, Pen and brown ink and wash, traces of black chalk
Ubaldo Gandolfi
mid-to late 18th century
Three Female Heads, Gaetano Gandolfi  Italian, Pen and brown ink
Gaetano Gandolfi
1734–1802
Rape of Persephone, Gaetano Gandolfi  Italian, Etching
Gaetano Gandolfi
ca. 1755–90
Judith with the Head of Holofernes, Ubaldo Gandolfi  Italian, Pen and brown ink, brush and brown wash
Ubaldo Gandolfi
18th century
Reclining Male Nude (recto); Seated Male Nude (verso), Ubaldo Gandolfi  Italian, Red chalk, highlighted with white (recto); red and black chalk, highlighted with white (verso)
Ubaldo Gandolfi
1728–81
Seated Male Nude, Ubaldo Gandolfi  Italian, Red chalk, highlighted with white
Ubaldo Gandolfi
1728–81
Decapitation of Saint James the Greater, Ubaldo Gandolfi  Italian, Pen and brown ink, brush and brown wash, over slight traces of black chalk
Ubaldo Gandolfi
1728–81
The Presentation of the Virgin Mary in the Temple, Ubaldo Gandolfi  Italian, Pen and brown ink, brush and pale brown wash, over black chalk
Ubaldo Gandolfi
1728–81
Christ in Glory with Saint Lawrence, Saint Anthony of Padua, Saint Ignatius of Loyola, and Saint Eligius., Ubaldo Gandolfi  Italian, Pen and brown ink, brush and brown wash, over traces of graphite
Ubaldo Gandolfi
ca. 1766
A Dying Ecclesiastic Supported by an Angel, Gaetano Gandolfi  Italian, Pen and brown ink, brush and gray wash, over traces of black chalk
Gaetano Gandolfi
1760–70
A Martyr Saint Reading, Gaetano Gandolfi  Italian, Pen and brown ink, brush and wash
Gaetano Gandolfi
1734–1802
The Holy Family, Gaetano Gandolfi  Italian, Red chalk, highlighted with white, on beige paper
Gaetano Gandolfi
1734–1802
The Royal Family of Troy Mourning the Death of Hector, Gaetano Gandolfi  Italian, Black chalk
Gaetano Gandolfi
1734–1802
Marcus Curtius Leaping into the Chasm, Gaetano Gandolfi  Italian, Black chalk
Gaetano Gandolfi
1734–1802
Saint Margaret of Cortona, Saint James of the March, and Saint Didacus, Gaetano Gandolfi  Italian, Pen and brown ink, brush and brown wash, over black chalk
Gaetano Gandolfi
1734–1802
Alexander the Great Offering His Concubine Campaspe to the Painter Apelles, Gaetano Gandolfi  Italian, Black chalk (stumped), highlighted with white, on brownish paper
Gaetano Gandolfi
1793–97
The Dutch Microscopist Anton van Leeuwenhoek, Gaetano Gandolfi  Italian, Pen and black and brown ink, brush and brown and gray wash; framing lines in pen and black ink
Gaetano Gandolfi
1734–1802
Seated Prophet, Gaetano Gandolfi  Italian, Black chalk (stumped), brush and gray wash, highlighted with white, on beige paper
Gaetano Gandolfi
1779
Joshua, Gaetano Gandolfi  Italian, Black chalk (stumped), brush and gray wash, highlighted with white chalk, on beige paper
Gaetano Gandolfi
1779
Half Figure of a Female Saint, Ubaldo Gandolfi  Italian, Pen and brown ink, brush and gray-brown wash
Ubaldo Gandolfi
1728–81
The Adoration of the Shepherds, with God the Father overhead, Gaetano Gandolfi  Italian, Engraving
Gaetano Gandolfi
Niccolò dell' Abate
1754–1802
The Christ Child sleeping on a cross in a landscape, crown of thorns in the foreground, after Reni, Gaetano Gandolfi  Italian, Engraving
Gaetano Gandolfi
Guido Reni
1765–80
Drawing for a Frontispiece, Mauro Soderini  Italian
Mauro Soderini
1704–39
Framed Design for a Stage Set, Mauro Berti  Italian, Pen and brown ink, brush and gray and brown wash, over graphite
Mauro Berti
1772–1842
Framed Design for a Stage Set with Arches, Stairs, Human Figure and Sphinx Statue, Mauro Berti  Italian, Pen and brown ink, brush with brown and gray wash
Mauro Berti
1792–1842
Alfabeto Di Lettere Iniziale, Mauro Poggi  Italian, Engraving
Mauro Poggi
Lorenzo Lorenzi
before 1760
Alfabeto Di Lettere Iniziale, Mauro Poggi  Italian, Engraving
Mauro Poggi
Lorenzo Lorenzi
before 1760
Design for a Festival Gondola, Alessandro Mauro (Mauri)  Italian, Pen and brown ink, over graphite; framing lines in pen and brown ink
Alessandro Mauro (Mauri)
? – 1737
Left Half Design for an Architectural Project, Mauro Antonio Tesi  Italian, Pen and brown ink, brush and brown wash
Mauro Antonio Tesi