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Showing 386 results for Ludovico Corazzari
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Apollo Belvedere, from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1783
The River-God, Nile, from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1791
Ganymede, from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1781
Bathing Venus, from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1785
Spinario [Boy with Thorn], from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1785
Flora, from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1784
The Ludovisi Gaul Killing Himself and His Wife [The Galatian Suicide], from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1792
The Ludovisi Ares [Mars], from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1783
The Medici Apollo [Apollino], from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1781
Arrotino, from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1785
The Barberini Faun [Sleeping Faun], from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1790
Discobolus, from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1791
Cincinnato, from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1785
Germanic Cesare in the guise of Mercury with a turtle, from "Classical Statues in Rome"
Francesco Piranesi
Ludovico Corazzari
1769
Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata, Ludovico Ariosto Italian
Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata
Multiple artists/makers
1584
The Lamentation, Ludovico Mazzolino Italian, Oil on wood
The Lamentation
Ludovico Mazzolino
ca. 1514–16
Madonna and Child with Saints, Ludovico Carracci Italian, Oil on copper
Madonna and Child with Saints
Ludovico Carracci
1607
The Lamentation, Ludovico Carracci Italian, Oil on canvas
The Lamentation
Ludovico Carracci
ca. 1582
The Denial of Saint Peter, Ludovico Carracci Italian, Oil on canvas
The Denial of Saint Peter
Ludovico Carracci
ca. 1616
Candlestick (one of a pair), Ludovico Barchi, Silver, Italian, Rome
Candlestick (one of a pair)
Ludovico Barchi
1716–30
Candlestick (one of a pair), Ludovico Barchi, Silver, Italian, Rome
Candlestick (one of a pair)
Ludovico Barchi
1716–30
Snuffers and tray, Ludovico Barchi, Silver, Italian, Rome
Snuffers and tray
Ludovico Barchi
1716–30
Angel, Ludovico del Duca Italian, Rome, Copper alloy, with brown patina under a grayish lacquer and various spots of<br/>bright green corrosion
Angel
Ludovico del Duca
ca. 1590–1600
The Adoration of the Shepherds with Saint Catherine of Alexandria, Cigoli (Ludovico Cardi) Italian, Oil on canvas
The Adoration of the Shepherds with Saint Catherine of Alexandria
Cigoli (Ludovico Cardi)
1599
Il Modo de temperare le Penne..., Ludovico Arrighi Italian, Woodcuts
Il Modo de temperare le Penne...
Multiple artists/makers
1523
Landscape, after Lorrain, Ludovico Caracciolo Italian, Etching and aquatint
Landscape, after Lorrain
Ludovico Caracciolo
Claude Lorrain (Claude Gellée)
19th century
The Last Communion of Saint Jerome, Ludovico Carracci Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in red chalk
The Last Communion of Saint Jerome
Ludovico Carracci
1555–1619
Allegory of Religion (God the Father above, Faith, Hope, and Charity below), Ludovico Lana Italian, Pen and brown ink, brush and brown and rose-brown wash, highlighted with white, on brownish paper
Allegory of Religion (God the Father above, Faith, Hope, and Charity below)
Ludovico Lana
1597–1646
Study for Ex-voto Picture, Ludovico Lana Italian, Pen and brown ink, brush and brown wash with faint lavender
Study for Ex-voto Picture
Ludovico Lana
1597–1646
The Conversion of Saint Paul, Ludovico Carracci Italian, Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash
The Conversion of Saint Paul
Ludovico Carracci
ca. 1587–89
Roland Furieux, Poëme Héroique de l'Arioste, Ludovico Ariosto Italian, Engraving
Roland Furieux, Poëme Héroique de l'Arioste
Multiple artists/makers
1775–76
Seascape, after Claude Lorrain's "Liber Veritatis", Ludovico Caracciolo Italian, Etching and aquatint printed in brown ink
Seascape, after Claude Lorrain's "Liber Veritatis"
Ludovico Caracciolo
Claude Lorrain (Claude Gellée)
1815
Plate with Saint Matthew, Workshop of Ludovico and Angelo Picchi Italian, Maiolica (tin-glazed earthenware), Italian, Castel Durante
Plate with Saint Matthew
Workshop of Ludovico and Angelo Picchi
ca. 1550–60
Drawing for Buontalenti's Model for the Facade of S. Maria del Fiore of Florence, Cigoli (Ludovico Cardi) Italian, Pen and brown ink, brush with brown and blue-green washes
Drawing for Buontalenti's Model for the Facade of S. Maria del Fiore of Florence
Cigoli (Ludovico Cardi)
Bernardo Buontalenti (Bernardo delle Girandole)
1589
Turkish Camp Before a Christian City, Ludovico Ottavio Burnacini Italian, Engraving
Turkish Camp Before a Christian City
Ludovico Ottavio Burnacini
second half 17th century
Standing Male Figure Holding a Sword (King Otto of Hungary; recto); Sketch of Standing Male Figure (verso), Cigoli (Ludovico Cardi) Italian, Pen and brown ink, brush and brown wash, over black chalk; squared in pen and brown ink; accidental white paint stains (recto); pen and brown ink (verso)
Standing Male Figure Holding a Sword (King Otto of Hungary; recto); Sketch of Standing Male Figure (verso)
Cigoli (Ludovico Cardi)
n.d.
Study for a Male Figure Lowered into a Grave (recto); Kneeling Female Figure in Profile to Left (verso), Cigoli (Ludovico Cardi) Italian, Point of brush and blue wash, heightened with white, over black chalk, on blue paper
Study for a Male Figure Lowered into a Grave (recto); Kneeling Female Figure in Profile to Left (verso)
Cigoli (Ludovico Cardi)
1607–13
Head of Christ, Cigoli (Ludovico Cardi) Italian, Oil paint on a sheet of paper that had previous writing by the artist in pen and brown ink (surface varnished)
Head of Christ
Cigoli (Ludovico Cardi)
1559–1613
Religion Kneeling before a Monstrance, Attended by Putti, Cigoli (Ludovico Cardi) Italian, Pen and brown ink, brush and brown wash, over black chalk
Religion Kneeling before a Monstrance, Attended by Putti
Cigoli (Ludovico Cardi)
1559–1613
Design in Elevation for the Façade of a Building, Cigoli (Ludovico Cardi) Italian, Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk
Design in Elevation for the Façade of a Building
Cigoli (Ludovico Cardi)
1590–1610