Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,999 results for Luca Guarinoni

Sort by:

The Massacre of the Innocents

Martino Rota

Luca Guarinoni

1569

The Martyrdom of Saint Peter, Martino Rota Italian, Engraving — The Martyrdom of Saint Peter
Multiple artists/makers
ca. 1560

The Tribute Money: two Pharisees, one holding out a coin in his right hand, approach Christ from the left, Martino Rota Italian, Engraving — The Tribute Money: two Pharisees, one holding out a coin in his right hand, approach Christ from the left
Multiple artists/makers
after ca. 1560–68

The Martyrdom of Saint Peter

Multiple artists/makers

1560–80

The Massacre of the Innocents, with a townscape behind with the Flight into Egypt at right

Multiple artists/makers

1569

The Molo, Venice, from the Bacino di San Marco, Luca Carlevaris Italian, Oil on canvas — The Molo, Venice, from the Bacino di San Marco
Luca Carlevaris
ca. 1709

The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio, Luca Carlevaris Italian, Oil on canvas — The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio
Luca Carlevaris
ca. 1709

Piazza San Marco, Venice, Luca Carlevaris Italian, Oil on canvas — Piazza San Marco, Venice
Luca Carlevaris
ca. 1709

The Molo, Venice, Looking West, Luca Carlevaris Italian, Oil on canvas — The Molo, Venice, Looking West
Luca Carlevaris
ca. 1709

Head of a Man in Profile

Luca Signorelli (Luca d'Egidio di Luca di Ventura)

1490s

Madonna and Child, Luca Signorelli (Luca d'Egidio di Luca di Ventura) Italian, Oil and gold on wood — Madonna and Child
Luca Signorelli (Luca d'Egidio di Luca di Ventura)
ca. 1505–7

Virgin and Child in a niche, Luca della Robbia Italian, Glazed terracotta with gilt and painted details, Italian, Florence — Virgin and Child in a niche
Luca della Robbia
ca. 1460

Madonna and Child with Scroll, Luca della Robbia Italian, Glazed terracotta, Italian, Florence — Madonna and Child with Scroll
Luca della Robbia
ca. 1455

Saint Matthew and the Angel, Luca Cambiaso (?) Italian, Pen and brown ink, brown wash over traces of brown chalk (?); squared in red chalk — Saint Matthew and the Angel
Luca Cambiaso
1583–85

The Almighty with Angels, Luca Giordano Italian, Pen and brown ink, brown wash, over black chalk sketch. — The Almighty with Angels
Luca Giordano
ca. 1650–69

A Glory of Angels, Luca Giordano Italian, Pen and brown ink, brown wash, over black chalk sketch. — A Glory of Angels
Luca Giordano
ca. 1650–69

Fame, Luca Cambiaso (?) Italian, Pen and brown ink, brown wash, over traces of black chalk. — Fame
Luca Cambiaso
mid- to late 16th century

The Assumption of the Virgin with Saints Michael and Benedict, Luca Signorelli and Workshop Italian, Oil and gold on wood — The Assumption of the Virgin with Saints Michael and Benedict
Luca Signorelli
ca. 1493–96

The Annunciation, Luca Giordano Italian, Oil on canvas — The Annunciation
Luca Giordano
1672

The Flight into Egypt, Luca Giordano Italian, Oil on canvas — The Flight into Egypt
Luca Giordano
1701

Saint Philip, Spinello Aretino (Spinello di Luca Spinelli) Italian, Tempera and gold on wood — Saint Philip
Spinello Aretino (Spinello di Luca Spinelli)
1384–85

A Saint, Possibly James the Greater, Spinello Aretino (Spinello di Luca Spinelli) Italian, Tempera and gold on wood — A Saint, Possibly James the Greater
Spinello Aretino (Spinello di Luca Spinelli)
1384–85

Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation, Spinello Aretino (Spinello di Luca Spinelli) Italian, Tempera on canvas, gold ground; photographic facsimile (Christ’s face on reverse) — Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation
Spinello Aretino (Spinello di Luca Spinelli)
ca. 1395–1400

Design for a Circular Border with Nine Female Figures (the Muses?), Luca Penni Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; circular outlines done with compass, and the paper is sectioned into five fragments. — Design for a Circular Border with Nine Female Figures (the Muses?)
Luca Penni
1525–35

Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
Vincenzo Scamozzi
1703

Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 14: View of the facade of St. Moses church, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 14: View of the facade of St. Moses church, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
Alessandro Tremignon
1703

Plate 96: View of the facade of the Pisani Palace in Campo Santo Stefano, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 96: View of the facade of the Pisani Palace in Campo Santo Stefano, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
Sebastiano Serlio
1703

Christ kneels and writes on the pavement at center and a woman taken in adultery by three soldiers at right, Luca Giordano Italian, Etching — Christ kneels and writes on the pavement at center and a woman taken in adultery by three soldiers at right
Luca Giordano
1653

The Triumph of Amphitrite, Luca Cambiaso Italian, Woodcut — The Triumph of Amphitrite
Luca Cambiaso
ca. 1550–1580

Venus and the Nymphs Lamenting the Death of Adonis, Luca Cambiaso Italian, Woodcut — Venus and the Nymphs Lamenting the Death of Adonis
Luca Cambiaso
1560–65

Apollo Driving the Chariot of the Rising Sun, Luca Cambiaso Italian, Pen and brown ink, brush and brown wash, over black chalk; squared in red chalk — Apollo Driving the Chariot of the Rising Sun
Luca Cambiaso
1527–85

Resurrection, Luca Cambiaso ?? Italian — Resurrection
Luca Cambiaso
16th century

Cardinal Lorenzo Magalotti receiving homage of arts and sciences, Luca Ciamberlano Italian, Engraving — Cardinal Lorenzo Magalotti receiving homage of arts and sciences
Luca Ciamberlano
1628

Five Legs and Three Feet, Luca Ciamberlano Italian, Engraving — Five Legs and Three Feet
Luca Ciamberlano
Agostino Carracci
17th century