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Showing 9,620 results for Lodewijk Toeput (called Pozzoserrato)
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View of the Gardens of a Palace, Lodewijk Toeput (called Pozzoserrato)  Netherlandish, Pen and brown ink, brush and brown wash, traces of black chalk
Lodewijk Toeput (called Pozzoserrato)
mid-16th–early 17th century
Lodewijk Toeput (called Pozzoserrato)
Raphael Sadeler I
ca. 1599
Multiple artists/makers
Lodewijk Toeput (called Pozzoserrato)
Raphael Sadeler I
1599
Landscape with Figures Trimming Trees, an Allegory of the Month of March; Verso: Mountainous Landscape with Two Men Crossing a Bridge, Anonymous Netherlandish, Pen and brown ink, brush and gray wash, over traces of black chalk<br/><br/>Verso: pen and brown ink, brush and gray wash, over traces of black chalk, heightened with pinkish white bodycolor
Anonymous
Lodewijk Toeput (called Pozzoserrato)
16th century (?)
Pieter de Jode I
Lodewijk Toeput (called Pozzoserrato)
17th century
Multiple artists/makers
ca. 1656–60
Rothschild lamp, Andrea Briosco, called Riccio  Italian, Bronze, on a later wood base, Italian, Padua
Andrea Briosco, called Riccio
ca. 1510–20
Striding Pan, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
1530–1539
Detached Flintlock alla Fiorentina, Sebastiano Cecchi, called Acquafresca  Italian, Steel, Italian, Bargi
Sebastiano Cecchi, called Acquafresca
Matteo Cecchi, called Acquafresca
dated 1679
Autumn from a set of the Four Seasons, Lodewijk van Schoor  Flemish, Wool, silk (19-21 warps per inch, 7-9 per cm.), Flemish, Brussels
Multiple artists/makers
1690–1720
Mobile, Lodewijk Karel Bruckman  Dutch, Oil on canvas
Lodewijk Karel Bruckman
1955
The Ark, Lodewijk Tieling (active ca. 1695-1700)  American, Oil on canvas, American
Lodewijk Tieling (active ca. 1695-1700)
ca. 1700
Margaret of Austria, Jean Hey (called Master of Moulins)  Netherlandish, Oil on oak panel
Jean Hey (called Master of Moulins)
ca. 1490
The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Oil on canvas
Jusepe de Ribera (called Lo Spagnoletto)
1648
Saint John on Patmos, Hans Baldung (called Hans Baldung Grien)  German, Oil, gold, and white metal on spruce
Hans Baldung (called Hans Baldung Grien)
ca. 1511
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia)  Italian, Tempera, silver, and gold on wood
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449
Mechanical table, Jean-François Oeben  French, born Germany, Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk, French
Jean-François Oeben
Roger Vandercruse, called Lacroix
ca. 1761–63
Candelstand and worktable (table à ouvrage en guéridon), Roger Vandercruse, called Lacroix  French, Oak veneered with tulipwood, boxwood, holly and ebonized holly, sycamore, and other woods; soft-paste porcelain, gilt bronze, silk, French, Sèvres
Multiple artists/makers
ca. 1785
Commode, Roger Vandercruse, called Lacroix  French, Oak veneered with tulip-, rose-, and end cut kingwood, gilt bronze, rouge griotte marble, French, Paris
Roger Vandercruse, called Lacroix
ca. 1755–60
Writing table, Roger Vandercruse, called Lacroix  French, Oak, veneered with rosewood, endcut kingwood, banding of holly, gilt-bronze, French, Paris
Roger Vandercruse, called Lacroix
ca. 1760–70
Seated satyr with a shell, Andrea Briosco, called Riccio  Italian, Bronze, Italian
Andrea Briosco, called Riccio
after 1600
Roundel with Nude Woman Supporting a Heraldic Shield, Jan Gossart (called Mabuse)  Netherlandish, Colorless glass, vitreous paint and silver stain, South Netherlandish
Jan Gossart (called Mabuse)
ca. 1515–30
Christ Carrying the Cross, Jan Gossart (called Mabuse)  Netherlandish, Oil on oak
Jan Gossart (called Mabuse)
ca. 1520–25
The Entombment of Christ, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
probably early 16th century
Triton and Nereid, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
after 1532–before ca. 1550
Wine cooler, Joseph Gegenbach, called Canabas  French, Oak veneered with mahogany; gilt bronze, tinned copper liner, French, Paris
Joseph Gegenbach, called Canabas
ca. 1780–90
Small oval writing table (one of a pair), Roger Vandercruse, called Lacroix  French, Oak veneered with satiné wood, tulipwood; leather; gilt bronze, French, Paris
Roger Vandercruse, called Lacroix
ca. 1775
Seated satyr with silvered eyes, Andrea Briosco, called Riccio  Italian, Bronze, silver inlay (eyes), Italian, Padua
Andrea Briosco, called Riccio
second quarter of the 16th century
Pair of Snaphaunce Pistols, Matteo Cecchi, called Acquafresca  Italian, Steel, silver, wood (ebony), Italian, Bargi
Matteo Cecchi, called Acquafresca
Giovan Battista Francino
ca. 1690
Winter Landscape with Frozen River, Lodewijk Johannes Kleijn  Dutch, Watercolour, framing line in graphite
Lodewijk Johannes Kleijn
Pieter Rudolph Kleyn
19th century
Forest Landscape, Lodewijk de Vadder  Flemish, Black chalk, brush and gray wash; framing lines in pen and brown ink
Lodewijk de Vadder
early 17th–mid 17th century
The Wagonner, Lodewijk de Vadder  Flemish, Watercolor, graphite and black ink
Multiple artists/makers
1620 (?)
Paolo Giordano II Orsini, Duke of Bracciano, Johann Jakob Kornmann (called Cormano), Bronze, partially silvered, Italian, Rome
Johann Jakob Kornmann (called Cormano)
ca. 1632
Barbute, Jacopo da Cannobio, called Bichignola  Italian, Brescia, Steel, Italian, Brescia
Jacopo da Cannobio, called Bichignola
ca. 1460
The Entombment of Christ, Luisa Roldán, called La Roldana  Spanish, Polychrome terracotta, Spanish, Madrid
Luisa Roldán, called La Roldana
1700–1701
Ecstatic Christ, Hans Baldung (called Hans Baldung Grien)  German, Pen and two shades of carbon black ink, traces of black chalk underdrawing
Hans Baldung (called Hans Baldung Grien)
ca. 1510–11
Figure of Louis XVI and Benjamin Franklin, Charles-Gabriel Sauvage, called Lemire pere, Porcelain
Charles-Gabriel Sauvage, called Lemire pere
1780–85
Altar candlestick, Andrea di Alessandri, called Il Bresciano  Italian, Copper alloy with a thick black varnish patina.
Andrea di Alessandri, called Il Bresciano
ca. 1565
Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano  Italian, Copper alloy with a thick black varnish patina.
Andrea di Alessandri, called Il Bresciano
ca. 1565