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Showing 506 results for Leopoldo Cuellar

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A townscape, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Leopoldo Cuellar Mexican, Woodcut — A townscape, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Leopoldo Cuellar
ca. 1924

Serpon En Metallo, Leopoldo Franciolini Italian, metal (lead-tin alloy?), Italian — Serpon En Metallo
Leopoldo Franciolini
19th century

Serpent, Leopoldo Franciolini Italian, Wood, leather, brass, ivory, Italian — Serpent
Leopoldo Franciolini
18th century (?)

"Basso", Leopoldo Franciolini Italian, brass, Italian — "Basso"
Leopoldo Franciolini
second half of the 19th century

Trombone (Non-functional), Leopoldo Franciolini Italian, Brass, Italian — Trombone (Non-functional)
Leopoldo Franciolini
ca. 1800–1889

Tournebout, Leopoldo Franciolini Italian, Wood, leather, Italian — Tournebout
Leopoldo Franciolini
19th century

Portative Organ, Leopoldo Franciolini Italian, Wood, various materials, Italian — Portative Organ
Leopoldo Franciolini
late 19th century

Leopoldo Franciolini

19th century

Bell Lyre (chime)

Leopoldo Franciolini

ca. 1895

Political Piñata, Leopoldo Méndez Mexican, Wood engraving — Political Piñata
Leopoldo Méndez
1935

'What May Come' (Danger Over Mexico): the artist lies on top of an open book surrounded by recognisable scenes and symbols pertaining to Mexico (cactus, eagle etc), Leopoldo Méndez Mexican, Wood engraving — 'What May Come' (Danger Over Mexico): the artist lies on top of an open book surrounded by recognisable scenes and symbols pertaining to Mexico (cactus, eagle etc)
Leopoldo Méndez
1945

Plate 9: an allegory relating to the lack of freedom in the press efffected during the presidency of Porfirio Díaz , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Leopoldo Méndez Mexican, Woodcut — Plate 9: an allegory relating to the lack of freedom in the press efffected during the presidency of Porfirio Díaz , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 33: The American amabassador Lane Wilson playing with toy figures referring to his meddling in the affairs of Mexico, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Leopoldo Méndez Mexican, Linocut — Plate 33: The American amabassador Lane Wilson playing with toy figures referring to his meddling in the affairs of Mexico, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 2: The dispossesion of the land of the Yaquis, the result of President Porfirio Díaz collaborating with American companies, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Leopoldo Méndez Mexican, Linocut — Plate 2: The dispossesion of the land of the Yaquis, the result of President Porfirio Díaz collaborating with American companies, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 27: 'The White President' Francisco León de la Barra sheltering with this cronies under an umbrella, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Leopoldo Méndez Mexican, Linocut — Plate 27: 'The White President' Francisco León de la Barra sheltering with this cronies under an umbrella, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 54: the starving people in Mexico City, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Leopoldo Méndez Mexican, Linocut — Plate 54: the starving people in Mexico City, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Calaveras' symphony concert, Leopoldo Méndez Mexican, Wood engraving — Calaveras' symphony concert
Leopoldo Méndez
1934

Men building a school, from "El Maestro Rural", Leopoldo Méndez Mexican, Wood engraving — Men building a school, from "El Maestro Rural"
Leopoldo Méndez
1931

Political piñata, Leopoldo Méndez Mexican, Linocut — Political piñata
Leopoldo Méndez
1935

Portrait of Antonio Gramsci used in 'El Libro Negro del Terror Nazi' (The Black Book of Nazi Terror), Leopoldo Méndez Mexican, Woodcut (photo-mechanical offset?) — Portrait of Antonio Gramsci used in 'El Libro Negro del Terror Nazi' (The Black Book of Nazi Terror)
Leopoldo Méndez
1943

Skeleton on horseback trampling others beneath him (Corrido of Stalingrad), Leopoldo Méndez Mexican, Linocut — Skeleton on horseback trampling others beneath him (Corrido of Stalingrad)
Leopoldo Méndez
1942

Poster advertising a convention of the Friends of USSR, Leopoldo Méndez Mexican, Lithograph in black and red, letterpress, backed with linen — Poster advertising a convention of the Friends of USSR
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1941

Poster calling for more equitable treatment for tram workers, Leopoldo Méndez Mexican, Linocut and letterpress printed in black and red, backed with linen — Poster calling for more equitable treatment for tram workers
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1943

25 prints by Leopoldo Méndez, Leopoldo Méndez Mexican, Linocuts, woodcuts, housed in a burlap cover — 25 prints by Leopoldo Méndez
Leopoldo Méndez
La Estampa Mexicana
1943

Cuauhtemoc, Plate 1 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Leopoldo Méndez Mexican, Offset lithograph — Cuauhtemoc, Plate 1 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1960

José Guadalupe Posada, Plate 39 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Leopoldo Méndez Mexican, Offset lithograph — José Guadalupe Posada, Plate 39 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1960

The situation of the campesino (La situacion del campesino), Plate 43 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Leopoldo Méndez Mexican, Offset lithograph — The situation of the campesino (La situacion del campesino), Plate 43 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1960

Dispossion of the land to the yankees. Don Porfirio's army at the service of yankees companies (Despojo De La Tierra A Los Yaquis (El Ejercito De Don Porfirio Al Servicio De Las Empresas Yanquis)), Plate 47 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Leopoldo Méndez Mexican, Offset lithograph — Dispossion of the land to the yankees. Don Porfirio's army at the service of yankees companies (Despojo De La Tierra A Los Yaquis (El Ejercito De Don Porfirio Al Servicio De Las Empresas Yanquis)), Plate 47 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1960

Freedom of the press (Libertad de prensa ('Adoptamos una politica patriarcal', Porfirio Diaz)), Plate 54 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Leopoldo Méndez Mexican, Offset lithograph — Freedom of the press (Libertad de prensa ('Adoptamos una politica patriarcal', Porfirio Diaz)), Plate 54 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1960

Brute (El Bruto), plate 1 from "Hidden River" (Río Escondido), Leopoldo Méndez Mexican, Linocut — Brute (El Bruto), plate 1 from "Hidden River" (Río Escondido)
Leopoldo Méndez
Editorial 'La Estampa Mexicana'
1948

Master of Everything (El Dueño de Todo), plate 2 from "Hidden River" (Río Escondido), Leopoldo Méndez Mexican, Linocut — Master of Everything (El Dueño de Todo), plate 2 from "Hidden River" (Río Escondido)
Leopoldo Méndez
Editorial 'La Estampa Mexicana'
1948

I Thirst (Tengo Sed), plate 3 from "Hidden River" (Río Escondido), Leopoldo Méndez Mexican, Linocut — I Thirst (Tengo Sed), plate 3 from "Hidden River" (Río Escondido)
Leopoldo Méndez
Editorial 'La Estampa Mexicana'
1948

The earth, too, drinks thy blood (También la tierra bebe tu sangre), plate 4 from "Hidden River" (Río Escondido), Leopoldo Méndez Mexican, Linocut — The earth, too, drinks thy blood (También la tierra bebe tu sangre), plate 4 from "Hidden River" (Río Escondido)
Leopoldo Méndez
Editorial 'La Estampa Mexicana'
1948

León de la Barra 'the white president' (León de la Barra, 'el presidente blanco', 1911), Plate 67 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Leopoldo Méndez Mexican, Offset lithograph — León de la Barra 'the white president' (León de la Barra, 'el presidente blanco', 1911), Plate 67 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1960

Francisco Madero entering Mexico City, June 7, 1911 (La entrada de Francisco I, Madero en la ciudad de Mexico, 7 de junio de 1911), Plate 68 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Leopoldo Méndez Mexican, Offset lithograph — Francisco Madero entering Mexico City, June 7, 1911 (La entrada de Francisco I, Madero en la ciudad de Mexico, 7 de junio de 1911), Plate 68 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1960

Solitude (Soledad), plate 5 from "Hidden River" (Río Escondido), Leopoldo Méndez Mexican, Linocut — Solitude (Soledad), plate 5 from "Hidden River" (Río Escondido)
Leopoldo Méndez
Editorial 'La Estampa Mexicana'
1948

Bestias (Beasts!), plate 6 from "Hidden River" (Río Escondido), Leopoldo Méndez Mexican, Linocut — Bestias (Beasts!), plate 6 from "Hidden River" (Río Escondido)
Leopoldo Méndez
Editorial 'La Estampa Mexicana'
1948

Little school teacher, how immense is thy will (Pequeña maestra que inmensa es tu voluntad!), plate 7 from "Hidden River" (Río Escondido), Leopoldo Méndez Mexican, Linocut — Little school teacher, how immense is thy will (Pequeña maestra que inmensa es tu voluntad!), plate 7 from "Hidden River" (Río Escondido)
Leopoldo Méndez
Editorial 'La Estampa Mexicana'
1948

First lights (Las primeras luces), plate 8 from "Hidden River" (Río Escondido), Leopoldo Méndez Mexican, Linocut — First lights (Las primeras luces), plate 8 from "Hidden River" (Río Escondido)
Leopoldo Méndez
Editorial 'La Estampa Mexicana'
1948

Torches (Las antorchas), plate 9 from "Hidden River" (Río Escondido), Leopoldo Méndez Mexican, Linocut — Torches (Las antorchas), plate 9 from "Hidden River" (Río Escondido)
Leopoldo Méndez
Editorial 'La Estampa Mexicana'
1948