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Showing 2,361 results for Leonardo da Vinci
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A Bear Walking, Leonardo da Vinci  Italian, silverpoint on light buff prepared paper
Leonardo da Vinci
ca. 1482–85
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci  Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Leonardo da Vinci
1480–85
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci  Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
Leonardo da Vinci
1510–13
Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum", Leonardo da Vinci  Italian, Aquatint and etching
Leonardo da Vinci
1786
Traitté de la Peinture, Leonardo da Vinci  Italian, Printed book
Multiple artists/makers
1651
Divina proportione, Leonardo da Vinci  Italian, Book with woodcut illustrations
Multiple artists/makers
June 1, 1509
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso), Leonardo da Vinci  Italian, Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
Leonardo da Vinci
ca. 1506–8
The Head of a Grotesque Man in Profile Facing Right, Leonardo da Vinci  Italian, Pen and brown ink, on off-white paper (now darkened)
Leonardo da Vinci
after 1500
Head of a Man in Profile Facing to the Left, Leonardo da Vinci  Italian, Pen and brown ink, over soft black chalk
Leonardo da Vinci
1490–94
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso), Leonardo da Vinci  Italian, Pen and brown ink (recto and verso)
Leonardo da Vinci
1496
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
before 1521
The Rape of Ganymede, Caradosso (Cristoforo Caradosso Foppa), Bronze, remains of gilding, Italian, Milan
Caradosso (Cristoforo Caradosso Foppa)
Leonardo da Vinci
16th century
Leonardo da Vinci
Giovanni Antonio da Brescia
ca. 1580–1620
The Last Supper, with a Spaniel, Giovanni Pietro da Birago  Italian, Engraving
Giovanni Pietro da Birago
Leonardo da Vinci
ca. 1500
Embroidery Pattern with an Amazon Shield in its Center, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
before 1521
Embroidery Pattern with Round Medallion in its Center, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
before 1521
“The Sixth Knot”. Interlaced Roundel with Seven Wreaths, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
before 1521
Embroidery Pattern with an Oblong Panel in its Center, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
before 1521
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
before 1521
“The Second Knot”. Interlaced Roundel with an Amazon Shield in its Center, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
1521 before
“The First Knot”. Interlaced Roundel with an Oblong Panel in its Center, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
1521 before
“The Fourth Knot”. Interlaced Roundel with a Round Medallion in its Center, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
1521 before
“The Sixth Knot”. Interlaced Roundel with Seven Wreaths, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
1521 before
“The Third Knot”. Interlaced Roundel with Eight Wreaths and a Scalloped Shield in its Center, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
1521 before
“The Fifth Knot”. Interlaced Roundel with Seven Six-pointed Stars, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
1521 before
Embroidery Pattern with an Oblong Panel in its Center, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
1521 before
“The Fourth Knot”, Interlaced Roundel with a Round Medallion in its Center, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
before 1521
Embroidery  Pattern with Seven Wreaths and Four Corner Pieces, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
before 1521
Two deformed heads, Wenceslaus Hollar  Bohemian, Engraving (rejected)
Wenceslaus Hollar
Leonardo da Vinci
1645–50
Head of a muscular old man in profile to left with flowing hair, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1644–52
Bust of a deformed old woman with one tooth, facing left, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1665
Title page to Diversae Probae, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1645
Heads of two young women, Wenceslaus Hollar  Bohemian, Etching; second state of two; later printing
Wenceslaus Hollar
Leonardo da Vinci
1645
Head studies, Wenceslaus Hollar  Bohemian, Etching; second state of two; later printing
Wenceslaus Hollar
Leonardo da Vinci
1645
Rex et Regina de Tunis, Wenceslaus Hollar  Bohemian, Etching; second state of two; later impression
Wenceslaus Hollar
Leonardo da Vinci
1645
A large man with a bald head facing a grotesque female, Wenceslaus Hollar  Bohemian, Etching; second state of two
Wenceslaus Hollar
Leonardo da Vinci
1645
Two deformed heads (the figure on the left is possibly a caricature of Dante), Wenceslaus Hollar  Bohemian, Etching; second state of two
Wenceslaus Hollar
Leonardo da Vinci
1645
Two deformed heads facing inwards, Wenceslaus Hollar  Bohemian, Etching; second state of two
Wenceslaus Hollar
Leonardo da Vinci
1645
Two deformed heads facing each other, Wenceslaus Hollar  Bohemian, Etching; second state of two
Wenceslaus Hollar
Leonardo da Vinci
1645
A deformed couple facing each other, Wenceslaus Hollar  Bohemian, Etching; second state of two
Wenceslaus Hollar
Leonardo da Vinci
1645