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Showing 42 results for Komiya Yasutaka

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Square, Komiya Yasutaka, Silk, Japan — Square
Komiya Yasutaka
20th century

Case (Inrō ) with Design of a Gourd Vine, Koma Yasutada Japanese, Case: gold, colored lacquer, gold leaf, and gold foil on red lacquer; Fastener (ojime): metal with design of flowers and insects; Toggle (netsuke): ivory and lacquer carved in the shape of a Noh dancer, Japan — Case (Inrō ) with Design of a Gourd Vine
Koma Yasutada
18th century

Case (Inrō) with Design of Clamshells and Fireflies, Koma Yasutada Japanese, Case: powdered gold and silver (maki-e) and gold foil on red lacquer with mother-of-pearl inlay; Fastener (ojime): silver with design of bird and flowers in gold; Toggle (netsuke): carved ivory and colored lacquer with design of Daikoku in ivory and carnelian inlays, Japan — Case (Inrō) with Design of Clamshells and Fireflies
Koma Yasutada
late 18th century

Inrō with Peacocks and Flowers, Koma Yasutada Japanese, Black lacquer and nashiji ground with gold and silver iroe togidashi and hiramaki-e<br/>Netsuke: Kintarō with forest animals on peach stone; ivory, mother-of-pearl, tortoise shell <br/>Ojime: melon; red bronze with iron and gilding, Japan — Inrō with Peacocks and Flowers
Koma Yasutada
19th century

Inrō with Bird on a Blossoming Plum Tree, Koma Yasutada Japanese, Black lacquer and nashiji ground with gold and silver iroe togidashi maki-e<br/>Netsuke: box with plovers; red lacquer ground with gold and brown hiramaki-e<br/>Ojime: bead with flowers; shibuichi and enamel, Japan — Inrō with Bird on a Blossoming Plum Tree
Koma Yasutada
19th century

Vessel with dripping black ink patterns (Sumi nagashi tsubo), Kondō Yutaka Japanese, Stoneware with white slip and black glaze, Japan — Vessel with dripping black ink patterns (Sumi nagashi tsubo)
Kondō Yutaka
1964

Girl and Parrot (Ōmu to shōjo)
, Kamiya Kokei Japanese, Hanging scroll; ink, color, and gofun (shell white) on silk, Japan — Girl and Parrot (Ōmu to shōjo)
Kamiya Kokei
1927

Kosode Patterns, Fuji of the Capital (Hiinagata Miyako no Fuji)

, Omiya Sōshichi Japanese, Second volume from a set of three woodblock-printed books; ink on paper, Japan — Kosode Patterns, Fuji of the Capital (Hiinagata Miyako no Fuji)
Omiya Sōshichi
1760

Vessel with Impressed Cherry Blossoms, Kondō Yutaka Japanese, Stoneware with black and white glazes, Japan — Vessel with Impressed Cherry Blossoms
Kondō Yutaka
ca. 1970–75

Vase, Kondō Yutaka Japanese, Stoneware with stamped design and black glaze, Japan — Vase
Kondō Yutaka
1982

Samurai and Courtesan Seated; A Servant Beside Them, Sugimura Jihei Masataka Japanese, Monochrome woodblock print; ink on paper, Japan — Samurai and Courtesan Seated; A Servant Beside Them
Sugimura Jihei Masataka
ca. 1685

Waka poems from the Collection of Poems of a Thousand Years, Continued, Kojima Sōshin Japanese, Handscroll; ink on decorated silk with color and gold, Japan — Waka poems from the Collection of Poems of a Thousand Years, Continued
Kojima Sōshin
Ogata Sōken
1651

Two Sample Letters on the Chinese Lantern Festival and a Poem about Plum Blossoms, Kojima Sōshin Japanese, Handscroll: ink on decorated paper, Japan — Two Sample Letters on the Chinese Lantern Festival and a Poem about Plum Blossoms
Kojima Sōshin
1657

Dress, Issey Miyake Japanese, polyester, Japanese — Dress
Issey Miyake
Yasumasa Morimura
fall/winter 1996–97

Case (Inrō) with Design of God of Longevity (Jurōjin) Seated beside His Stag (obverse) Hotei (Putai) Asleep (reverse)

Yasumasa Ekisei

late 19th century

Jane Fonda 1 (Barbarella)

Yasumasa Morimura

1995

Audrey Hepburn 1 (Tiffany's)

Yasumasa Morimura

1995

Silvia Kristel 4 (Emmanuelle)

Yasumasa Morimura

1995

In praise of Velasquez: Distinguished ones in confinement

Yasumasa Morimura

2013

Case (Inrō) with Design of Weeping Willow and Cherry Blossoms, Nakayama Komin Japanese, Hiramaki-e with nashiji on black lacquer, roiro, nashiji, gold and silver hiramakie, gold and silver foil; Interior: nashiji and fundame; Ojime: ivory bead with vines and grasses in gold lacquer; Netsuke: woven basket with shell and gold lacquer), Japan — Case (Inrō) with Design of Weeping Willow and Cherry Blossoms
Nakayama Komin
19th century

Writing Box (Suzuribako) with Episodes from the Tales of Ise (Ise monogatari), Nakayama Komin Japanese, Gold maki-e with inlaid silver on lacquer, Japan — Writing Box (Suzuribako) with Episodes from the Tales of Ise (Ise monogatari)
Nakayama Komin
19th century

Case (Inrō) with Design of the Seven Gods of Good Fortune Fording a River, Nakayama Komin Japanese, Gold lacquer with gold hiramkie sprinkled and polished lacquer, nashiji (pear skin) lacquer, and mother-of-pearl, ivory, and wood inlay; Interior: nashiji and fundame; Netsuke: wood-framed ivory plaque with bird and flower inlay; Ojime: lacquer Daikoku's hammer, Japan — Case (Inrō) with Design of the Seven Gods of Good Fortune Fording a River
Nakayama Komin
late 19th century

Design for Announcement of Newspaper “Change”, Iraida Ivanova Fomina Russian, Black ink, opaque watercolor, and watercolor over graphite on paper — Design for Announcement of Newspaper “Change”
Iraida Ivanova Fomina
1928

Case (Inrō) with Design of People Catching Fireflies, Koma Kōryū Japanese, Roiro (waxen) lacquer with decoration in togidashi sprinkled and polished lacquer and nashiji (pear-skin) lacquer; Interior: nashiji and fundame; Ojime: metal (zogan) inlay with spider; Netsuke: carved wood with stone inlay of snail on broken roof tile, Japan — Case (Inrō) with Design of People Catching Fireflies
Koma Kōryū
19th century

Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior), Koma Sadahide Japanese, Sheath shape; lacquered wood with gold and silver togidashimaki-e on black lacquer ground Netsuke: sage lashing his back with a fly whisk; wood with coral and ivory inlay Ojime: bronze bead with metal inlay of flowers, Japan — Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior)
Koma Sadahide
second half of the 18th century

Case (Inrō) with Design of Sheaves of Rice in Boats, Koma School Japanese, Gold maki-e with mother-of-pearl inlay and black lacquer <br/>Ojime: ivory <br/>Netsuke: carved bone with moon and goose, Japan — Case (Inrō) with Design of Sheaves of Rice in Boats
Koma School
19th century

Case (Inrō) with Design of Curtains of State and a Woman's Fan, Koma Kōryū Japanese, Roiro (waxen) lacquer with decoration in togisashi sprinkled and polished lacquer; Ojime: gold lacquer bead; Netsuke: ivory "Dream of a Clam", Japan — Case (Inrō) with Design of Curtains of State and a Woman's Fan
Koma Kōryū
late 18th–19th century

Incense Box with Scene from Noh Play Kokaji

, Koma School Japanese, Black lacquer with gold, silver, and red hiramaki-e and togidashimaki-e, Japan — Incense Box with Scene from Noh Play Kokaji
Koma School
second half of the 19th century

Inrō with Hawks on Perches, Koma Kōryū Japanese, Black lacquer ground with gold and silver togidashi, takamaki-e and hiramaki-e, red lacquer, and applied gold and silver foil<br/>Netsuke: gourd; guri lacquer, silver ring and stopper in chrysanthemum shape<br/>Ojime: butterfly and flower; cloisonné bead, Japan — Inrō with Hawks on Perches
Koma Kōryū
19th century

Case (Inrō) in Shape of Tea Caddy in Its Brocade Cover, Koma Kōryū Japanese, Lacquer, silver ground, gold, black and red togidashi, ivory lid; Interior: nashiji and fundame, Japan — Case (Inrō) in Shape of Tea Caddy in Its Brocade Cover
Koma Kōryū
19th century

The Chinese Poet Pan Lang on a Donkey, Kano Kōya Japanese, Hanging scroll; ink on paper, Japan — The Chinese Poet Pan Lang on a Donkey
Kano Kōya
17th century

Footprint of the Buddha (Bussokuseki), Kondō Yutaka 近藤豊 Japanese, Stoneware with gray-black slip and impressed patterning with white slip inlay, Japan — Footprint of the Buddha (Bussokuseki)
Kondō Yutaka 近藤豊
1979

Inrō with Inrō and Fan, Koma Kyūhaku V Japanese, Four cases; lacquered wood with gold, black, red lacquer takamaki-e, hiramaki-e, tgidashimaki-e on red lacquer ground; Netsuke: carved ivory; beans; Ojime: metal bead with insects, Japan — Inrō with Inrō and Fan
Koma Kyūhaku V
late 18th century

Inrō with Cranes and Pines, Koma Kyūhaku V Japanese, Gold togidashi lacquer ground with gold and silver takamaki-e and hiramaki-e, and black and red lacquer<br/>Netsuke: hat and mask; lacquer on wood <br/>Ojime: jade bead, Japan — Inrō with Cranes and Pines
Koma Kyūhaku V
18th century

Inrō with Autumn Ivy

, Koma Kyūhaku VI Japanese, Four cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e on black lacquer ground<br/>Netsuke: ivory; folded letter decorated with paulownia and Genji incense symbols <br/>Ojime: oblong bead; gilt bronze with openwork design of autumn flowers, Japan — Inrō with Autumn Ivy
Koma Kyūhaku VI
early 19th century

Peach Blossom Spring Utopia, Tomita Keisen 冨田溪仙 Japanese, Hanging scroll; ink and color on silk, Japan — Peach Blossom Spring Utopia
Tomita Keisen 冨田溪仙
Tomita Yoshiko 冨田芳子
early 20th century

Flower Vessel "Chuyo", Ozawa Kōmin 大澤光民 Japanese, Metal casting (yakigata) and cast-wrapping (igurumi) with copper, bronze, and stainless steel, Japan — Flower Vessel "Chuyo"
Ozawa Kōmin 大澤光民
2015

Three Scrolls Containing a Reproduction of 14th-Century Pictorial Records of the 6th-Century Gosannen Battle, Korehisa Hidanokami Japanese, Ink on paper, Japanese — Three Scrolls Containing a Reproduction of 14th-Century Pictorial Records of the 6th-Century Gosannen Battle
Multiple artists/makers
1913

Jagannatha shrine

Eastern India, Puri, Odiya

early 20th century

The Far East: A Monthly Journal, Illustrated with Photographs, William Thomas Saunders British, Albumen silver prints — The Far East: A Monthly Journal, Illustrated with Photographs
Multiple artists/makers
1870s