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Showing 23 results for Kikuchi Tsunesada

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Blade and Mounting for a Short Sword (<i>Wakizashi</i>), Kawachino Kamifujiwara Rai[...] Japanese, Steel, wood, lacquer, gold, abalone shell, iron, silver, copper-gold alloy (<i>shakudō</i>), copper, silk, Japanese — Blade and Mounting for a Short Sword (Wakizashi)
Multiple artists/makers
blade, 18th century; mounting, 18th–early 19th century

Cuttle Fish, Kikuchi Yōsai Japanese, Woodblock print (surimono); ink and color on paper, Japan — Cuttle Fish
Kikuchi Yōsai
early 19th century

Cherry Flowers, Kikuchi Yōsai Japanese, Woodblock print (surimono); ink and color on paper, Japan — Cherry Flowers
Kikuchi Yōsai
19th century

Two Carp, Kikuchi Yōsai Japanese, Hanging scroll; ink and color on silk, Japan — Two Carp
Kikuchi Yōsai

Eaves Decorated with Irises for the Tango Festival, Kikuchi Yōsai Japanese, Hanging scroll; ink and color on silk, Japan — Eaves Decorated with Irises for the Tango Festival
Kikuchi Yōsai
dated 1867

Woman with a Cat, Kikuchi Keigetsu Japanese, Woodblock print; ink and color on paper, Japan — Woman with a Cat
Kikuchi Keigetsu
ca. 1910

Lady Iga, Kikuchi Yōsai Japanese, Hanging scroll; ink and color on silk, Japan — Lady Iga
Kikuchi Yōsai
1860s

Maiko, Kikuchi Keigetsu Japanese, Hanging scroll; ink and color on silk, Japan — Maiko
Kikuchi Keigetsu
mid 1920s

Purifying Sound (Seirai), Kikuchi Keigetsu Japanese, Hanging scroll; ink and color on silk, Japan — Purifying Sound (Seirai)
Kikuchi Keigetsu
ca. 1915

Metaphoto (No. 210), Alan Kikuchi-Yngojo American, Instant dye diffusion transfer print (Polaroid) with attached media — Metaphoto (No. 210)
Alan Kikuchi-Yngojo
1981

Blades and Mountings for a Pair of Swords (<i>Daishō</i>), Yokoyama Kōzukedaijō Sukesada Japanese, Steel, wood, lacquer, copper-gold alloy (<i>shakudō</i>), gold, copper-silver alloy (<i>shibuichi</i>), ray skin (<i>same</i>), silk, Japanese — Blades and Mountings for a Pair of Swords (Daishō)
Yokoyama Kōzukedaijō Sukesada
乙柳軒政信 Otsuryūken Masanobu
blades, 17th century; mountings, early 19th century

Two Girls Catching Fireflies, Kawamata Tsunemasa Japanese, Hanging scroll; ink, color, and gold on silk, Japan — Two Girls Catching Fireflies
Kawamata Tsunemasa
first half of the 18th century

The Actor, Arashi Otohachi, 1695–1769 in an Unidentified Role, Tsunegawa Shigenobu Japanese, Woodblock print; ink and color on paper, Japan — The Actor, Arashi Otohachi, 1695–1769 in an Unidentified Role
Tsunegawa Shigenobu

"Evening Faces" chapter from The Tale of Genji (Genji monogatari), Kawamata Tsunemasa Japanese, Hanging scroll; ink and color on paper, Japan — "Evening Faces" chapter from The Tale of Genji (Genji monogatari)
Kawamata Tsunemasa
18th century

虫尽金具大小拵 Blade and Mounting for a Sword (<i>Katana</i>), Yokoyama Kōzukedaijō Sukesada Japanese, Steel, wood, lacquer, copper-gold alloy (<i>shakudō</i>), gold, copper-silver alloy (<i>shibuichi</i>), ray skin (<i>same</i>), silk, Japanese — 虫尽金具大小拵 Blade and Mounting for a Sword (Katana)
Yokoyama Kōzukedaijō Sukesada
乙柳軒政信 Otsuryūken Masanobu
blade, 17th century; mounting, early 19th century

Blade and Mounting for a Short Sword (Wakizashi), Yokoyama Kōzukedaijō Sukesada Japanese, Steel, wood, lacquer, ray skin (samé), thread, copper-gold alloy (shakudō), copper, gold, copper-silver alloy (shibuichi), iron, Japanese — Blade and Mounting for a Short Sword (Wakizashi)
Yokoyama Kōzukedaijō Sukesada
乙柳軒政信 Otsuryūken Masanobu
blade, late 17th century; mounting, 19th century

Blade for a Sword (<i>Katana</i>) with Mounting (<i>Shikomizue</i>), Yokoyama Kōzukedaijō Sukesada Japanese, Steel, wood, cherry-blossom bark, brass, lacquer, Japanese — Blade for a Sword (Katana) with Mounting (Shikomizue)
Yokoyama Kōzukedaijō Sukesada
blade, dated February 1677; mounting, 19th century

Artificial Moon Trail, Tokyo, Kikuji Kawada Japanese, Gelatin silver print — Artificial Moon Trail, Tokyo
Kikuji Kawada
1969, printed 1989

“Azuma Bridge from Komagatadō Temple,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Komagatadō Azumabashi)

, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan — “Azuma Bridge from Komagatadō Temple,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Komagatadō Azumabashi)
Utagawa Hiroshige
Uoya Eikichi
1857

Collection of Thirty-six Kyōka Poems (Roku roku kyōka sen) 六々狂歌撰, Fukuchi Hakuei 福智白瑛 Japanese, Woodblock printed book; ink and color on paper, Japan — Collection of Thirty-six Kyōka Poems (Roku roku kyōka sen) 六々狂歌撰
Fukuchi Hakuei 福智白瑛
1814, January (Bunka 11)

Taiko, Nambuya Keikichi, Tokyo, Asakuja, Kamejima-cho Japanese, Wood, hide, metal, Japanese — Taiko
Nambuya Keikichi, Tokyo, Asakuja, Kamejima-cho
19th century

Hatsune Riding Ground, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 名所江戸百景), Utagawa Hiroshige 歌川広重 Japanese, Polychrome woodblock printed book; ink and color on paper, Japan — Hatsune Riding Ground, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 名所江戸百景)
Utagawa Hiroshige 歌川広重
Uoya Eikichi 魚屋栄吉
1856–58

Chizu (The Map), Kikuji Kawada Japanese — Chizu (The Map)
Kikuji Kawada
1965