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Showing 4,666 results for Kay Khusrau II

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Dirham of Ghiyath al-Din Kai Khusrau II (r. 1237–46), Kay Khusrau II Turkish, Silver — Dirham of Ghiyath al-Din Kai Khusrau II (r. 1237–46)
Kay Khusrau II
dated 641 AH/1243 CE

"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper — "A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Miskin
1597–98

"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: ink, opaque watercolor, and gold on paper<br/>Margins: gold on dyed paper — "Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Miskin
1597–98

"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Ink, opaque watercolor, and gold on paper — "The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Multiple artists/makers
1597–98

"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Image: Ink, opaque watercolor, and gold on paper<br/>Margins: Gold on dyed paper — "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Multiple artists/makers
1597–98

"Alexander is Lowered into the Sea", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, watercolor, gold on paper<br/>Margins: Gold on dyed paper — "Alexander is Lowered into the Sea", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Mukunda
1597–98

"Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paperg<br/>Margins: Gold on dyed paper — "Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Basawan
1597–98

Wallowa Mountains Memory, Variation, Kay WalkingStick American and Citizen of the Cherokee Nation of Oklahoma, Oil and gold leaf on wood panel — Wallowa Mountains Memory, Variation
Kay WalkingStick
2004

Stove, David II Pfau, Faience (tin-glazed earthenware), Swiss, Winterthur — Stove
Multiple artists/makers
ca. 1684–85

"Khizr Comes to the Ascetic's Cell", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Ink and opaque watercolor on paper — "Khizr Comes to the Ascetic's Cell", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
ca. 1450

"A Bathhouse Keeper is Consumed by Passion for his Beloved", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor and gold on paper<br/>Margins: Gold on dyed paper — "A Bathhouse Keeper is Consumed by Passion for his Beloved", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Nar Singh
1597–98

"Alexander Fights a Sea Battle", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper — "Alexander Fights a Sea Battle", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Dharmadas
1597–98

"Entertainment in a Garden", Folio from a Khamsa of Amir Khusrau Dihlavi, Matla' al-Anvar
, Amir Khusrau Dihlavi Indian, Opaque watercolor and gold on paper — "Entertainment in a Garden", Folio from a Khamsa of Amir Khusrau Dihlavi, Matla' al-Anvar
Amir Khusrau Dihlavi
second half 16th century

Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Ink, opaque watercolor, and gold on paper — Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
17th century

Paint box with nude study, Helena de Kay, Oil on wood, American — Paint box with nude study
Helena de Kay
ca. 1871

Ikat Shadow Box, Kay Sekimachi American, Natural and dyed linen — Ikat Shadow Box
Kay Sekimachi
1988

Genesis/Violent Garden, Kay WalkingStick American and Citizen of the Cherokee Nation of Oklahoma, Acrylic and wax over ink with modeling paste, broken seashells and metallic particles on canvas — Genesis/Violent Garden
Kay WalkingStick
1981

Tomorrow is Never, Kay Sage American, Oil on canvas — Tomorrow is Never
Kay Sage
1955

Mandel Mandorla, Kay Kurt American, Graphite on paper — Mandel Mandorla
Kay Kurt
1983

The Man Who Never Laughed, Kay Nielsen Danish, Pen and ink and watercolor with gold paint on mat board — The Man Who Never Laughed
Kay Nielsen
1912

Untitled (figure study), Kay Hillman American, Charcoal on paper — Untitled (figure study)
Kay Hillman
ca. 1951

Sisyphus, Kay Rosen American, Single-channel analog video, recreated as digital video; black-and-white; sound; 7 min., 30 sec. — Sisyphus
Kay Rosen
1991/2011

"Laila Visiting Majnun in the Desert", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Ink, opaque watercolor, and gold on paper — "Laila Visiting Majnun in the Desert", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25

"Muslim Pilgrim to Mecca Meets a Brahman on the Road", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Ink, opaque watercolor, and gold on paper — "Muslim Pilgrim to Mecca Meets a Brahman on the Road", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25

"Khusrau Arriving at Shirin's Palace", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Opaque watercolor and gold on paper — "Khusrau Arriving at Shirin's Palace", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25

Circular tureen with cover, Hermann Neupert II German, Silver, German, Norden (Ostfriesland) — Circular tureen with cover
Hermann Neupert II
ca. 1765

Panel with grotesques, from a set of bed hangings, Cornelis Floris II Netherlandish, Silk, wool, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Netherlandish, Brussels — Panel with grotesques, from a set of bed hangings
Cornelis Floris II
ca. 1550–60

The Agony in the Garden (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges — The Agony in the Garden (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century

The Crucifixion (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges — The Crucifixion (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century

The Resurrection (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges — The Resurrection (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century

Christ Bearing the Cross, Jean II Pénicaud French, Painted enamel on copper, partly gilt, French, Limoges — Christ Bearing the Cross
Jean II Pénicaud
Valerio Belli (Il Vicentino)
mid-16th century

Square salver, David Willaume II British, Silver, British, London — Square salver
David Willaume II
1730

Standing cup with cover, Matthäus Baur II, Gold-ruby glass, silver-gilt mounts, German glass with Augsburg silver mounts — Standing cup with cover
Matthäus Baur II
1695–1700

The Last Supper (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges — The Last Supper (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century

Christ Saying Farewell to His Mother (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges — Christ Saying Farewell to His Mother (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century

The Betrayal (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges — The Betrayal (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century

The Ascension of Christ (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges — The Ascension of Christ (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century

Tureen with cover (part of a set), Pierre Chapelle II, Faience (tin-glazed earthenware), French, Sceaux — Tureen with cover (part of a set)
Pierre Chapelle II
ca. 1760

Tureen tray (part of a set), Pierre Chapelle II, Faience (tin-glazed earthenware), French, Sceaux — Tureen tray (part of a set)
Pierre Chapelle II
ca. 1760

Bishop Saint, Pierre Legros II Italian, born France, Terracotta, Italian, Rome — Bishop Saint
Pierre Legros II
late 17th–early 18th century