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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 48 results for Kamen

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Mules, Kamen American, suede, American — Mules
Kamen
1946–48

Somber & Tall the Forest of Oaks

Judith Kamen

1953

Of Glory in the Flower

Judith Kamen

1965

Begin these wood-birds but to couple now

Judith Kamen

1960s

Armor (<i>Gusoku</i>), Bamen Tomotsugu Japanese, Iron, lacquer, copper-gold alloy (shakudō), silver, silk, horse hair, ivory, Japanese, Toyohara, Echizen province — Armor (Gusoku)
Bamen Tomotsugu
18th century

Jar and lid, Karen Karnes American, Wood-fired stoneware — Jar and lid
Karen Karnes
1980s

Untitled, David Klamen American, Graphite on paper — Untitled
David Klamen
1993

Untitled, David Klamen American, Oil on canvas — Untitled
David Klamen
1994

Vase, Karen Karnes American, Stoneware — Vase
Karen Karnes
post WWII

Hpà-si ("frog drum"), bronze, Thai (Karen) — Hpà-si ("frog drum")
Thai (Karen)
mid 19th–19th century

A Major Romance

Karen Kilimnik

1998

Salt-glaze Vessel

Karen Karnes

1978

Burmese, Karen

19th century

Head of a Girl, Irving Amen American, Monotype — Head of a Girl
Irving Amen
early 20th–mid 20th century

Seated Girl, Irving Amen American, Monotype — Seated Girl
Irving Amen
early 20th–mid 20th century

Woman in green and black and white, Irving Amen American, Color woodcut — Woman in green and black and white
Irving Amen
early 20th century

Man and woman fleeing, Irving Amen American, woodcut — Man and woman fleeing
Irving Amen
early 20th century

Indian Bride, Irving Amen American, Color woodcut — Indian Bride
Irving Amen
1954

Seasons Greetings Irving Amen, Irving Amen American, Color woodcut — Seasons Greetings Irving Amen
Irving Amen
1954

Bird in the Wood, Irving Amen American, Color woodcut — Bird in the Wood
Irving Amen
1961

Spindled and Spun, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves", Karen J. Revis American, Linocut and screenprint — Spindled and Spun, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Karen J. Revis
Black Women of Print
2022

Shield, Wood, paint, fiber, seeds, feathers, Asmat, Damen or Kaimo — Shield
Asmat, Damen or Kaimo
mid-20th century

Na Dhi, Wood, wire, Karen or Lahu people — Na Dhi
Karen or Lahu people
19th century

Irving Amen

1956

Irving Amen

1948

Cavalier du Baton

Irving Amen

ca. 1950

Irving Amen

1954

Irving Amen

ca. 1950

Triptych: Eve, Lilith, and Adam

Irving Amen

1957

Irving Amen

1955

Piazza San Marco

Irving Amen

1954

Irving Amen

1954

Irving Amen

ca. 1945

Karen Hansen Carson

Cirrus Editions

1973

Lore: What We Were Told / What We Saw / What We Tell Ourselves

Multiple artists/makers

2022–23

Trinity: Tall Box Leaning, Box With Dot, Long Flower Box, Kate Shepherd American, Etching and soft-ground etching printed on Somerset Velvet paper — Trinity: Tall Box Leaning, Box With Dot, Long Flower Box
Kate Shepherd
Karen McCready Fine Art
1999

Four screenprints: Eraser; Post-It, Rectangular; Post-it, Square; Rock, Kate Shepherd American, Four screenprints — Four screenprints: Eraser; Post-It, Rectangular; Post-it, Square; Rock
Kate Shepherd
Karen McCready Fine Art
1997

Backdrops Circa 1940s, Lorna Simpson American, Screenprint diptych on felt panels — Backdrops Circa 1940s
Multiple artists/makers
1998

Al de Kinderliederen

J. P. Heije

P. N. van Kampen

1861

Collected Haiku Poems (Hokku shū) 発句集, Genki 源琦 (Komai Ki 駒井琦 Japanese, Woodblock printed book (orihon, accordion-style); ink and color on paper, Japan — Collected Haiku Poems (Hokku shū) 発句集
Multiple artists/makers
1793