Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 2,867 results for Julian Jackson

Sort by:

April Study 7, Julian Jackson American, Inkjet print — April Study 7
Multiple artists/makers
2012

Congressional Presentation Sword and Scabbard of Major General John E. Wool (1784–1869), Samuel Jackson American, Steel, gold, brass, diamonds, rubies, American, probably Baltimore — Congressional Presentation Sword and Scabbard of Major General John E. Wool (1784–1869)
Samuel Jackson
1854–55

Autumn Rhythm (Number 30), Jackson Pollock American, Enamel on canvas — Autumn Rhythm (Number 30)
Jackson Pollock
1950

Black-on-Black Jar, Maria Martínez Native American, San Ildefonso Pueblo, Clay and slip, San Ildefonso, Native American — Black-on-Black Jar
Maria Martínez
Julián Martínez
1919–20

Composed Armor, Julian Arrechia Spanish, Steel, copper alloy (latten), leather, Italian — Composed Armor
Julian Arrechia
Raymond Bartel
ca. 1450–60 and later, restored and composed in the 1920s

The Factory Village, Julian Alden Weir American, Oil on canvas, American — The Factory Village
Julian Alden Weir
1897

Fruit, Julian Alden Weir American, Oil on canvas, American — Fruit
Julian Alden Weir
ca. 1888

The Green Bodice, Julian Alden Weir American, Oil on canvas, American — The Green Bodice
Julian Alden Weir
by 1898

Idle Hours, Julian Alden Weir American, Oil on canvas, American — Idle Hours
Julian Alden Weir
1888

The Red Bridge, Julian Alden Weir American, Oil on canvas, American — The Red Bridge
Julian Alden Weir
1895

Angenett Jackson American, Silk embroidery on linen — Angenett Jackson
1838

Tankstelle [Gas Station], Julian Faulhaber German, Chromogenic print — Tankstelle [Gas Station]
Julian Faulhaber
2008

Archetypal Painting for A.G., Julian Schnabel American, Acrylic and modeling paste on canvas — Archetypal Painting for A.G.
Julian Schnabel
1975–76

Study for "Shrimp Scow on Barnegat Bay", Julian Levi American, Wash and ink with graphite on illustration board — Study for "Shrimp Scow on Barnegat Bay"
Julian Levi
1939

Untitled, Julian Lethbridge British, Oil on canvas — Untitled
Julian Lethbridge
1991–92

Bones and Trumpets Rubbing Against Each Other Towards Infinity, Julian Schnabel American, Plaster, glazed and unglazed ceramic, cervidae antlers, cervidae leg/hoof, oil paint and wax on wood. — Bones and Trumpets Rubbing Against Each Other Towards Infinity
Julian Schnabel
1981

Ithaca, Julian Schnabel American, Oil and broken dinnerware on wood — Ithaca
Julian Schnabel
1983

Portrait of God (from the Mutant Kings series), Julian Schnabel American, Oil, dirt, and wax on canvas tarpaulin — Portrait of God (from the Mutant Kings series)
Julian Schnabel
1981

Shrimp Scow on Barnegat Bay, Julian Levi American, Oil on canvas — Shrimp Scow on Barnegat Bay
Julian Levi
1939

Untitled, Julian Lethbridge British, Oil on canvas — Untitled
Julian Lethbridge
2003–4

Untitled, Julian Lethbridge British, Acrylic, graphite, and brush and black ink on paper — Untitled
Julian Lethbridge
1988

Good as Gold, Julian Hatton American, Oil on canvas — Good as Gold
Julian Hatton
2001

Textile length, Julian Tomchin American, Silk — Textile length
Julian Tomchin
Chardon Marché
1967

Textile length, Julian Tomchin American, Silk, textralized Antron nylon — Textile length
Julian Tomchin
Chardon Marché
1967

Obsession II, Julian Stanczak American, born Poland, Acrylic on canvas — Obsession II
Julian Stanczak
1965

Untitled, Julian Lethbridge British, Acrylic, graphite, and brush and black ink on paper — Untitled
Julian Lethbridge
1988

Untitled, Julian Lethbridge British, Acrylic, graphite, and ink on paper — Untitled
Julian Lethbridge
1988

Plate, Job & John Jackson, Earthenware, transfer-printed, British (American market) — Plate
Job & John Jackson
ca. 1831

Plate, Job & John Jackson, Earthenware, transfer-printed, British (American market) — Plate
Job & John Jackson
ca. 1831–ca. 1835

Plate, Job & John Jackson, Earthenware, transfer-printed, British (American market) — Plate
Job & John Jackson
ca. 1831–ca. 1835

Plate, Job & John Jackson, Earthenware, transfer-printed, British (American market) — Plate
Job & John Jackson
ca. 1831–ca. 1835

Platter, Job & John Jackson, Earthenware, transfer-printed, British (American market) — Platter
Job & John Jackson
ca. 1831–ca. 1835

Dish, Job & John Jackson, Earthenware, transfer-printed, British (American market) — Dish
Job & John Jackson
ca. 1831–ca. 1835

Soup Plate, Job & John Jackson, Earthenware, transfer-printed, British (American market) — Soup Plate
Job & John Jackson
ca. 1831–ca. 1835

Library Table, Alexander Jackson Davis American, Oak, walnut, cherry, poplar, American — Library Table
Alexander Jackson Davis
Burns and Trainque
ca. 1855

Side Chair, Alexander Jackson Davis American, Black walnut, modern upholstery, American — Side Chair
Alexander Jackson Davis
Burns and Brother
ca. 1857

Side Chair, Alexander Jackson Davis American, Rosewood, American — Side Chair
Alexander Jackson Davis
Burns and Trainque
ca. 1848

Platter, Job & John Jackson, Earthenware, transfer-printed, British (American market) — Platter
Job & John Jackson
ca. 1831–ca. 1835

Plate, Job & John Jackson, Earthenware, transfer-printed, British (American market) — Plate
Job & John Jackson
ca. 1831–ca. 1833

Plate, Job & John Jackson, Earthenware, transfer-printed, British (American market) — Plate
Job & John Jackson
ca. 1831–ca. 1835