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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Juan Manuel García

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Christ on the Cross, an angel below, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — Christ on the Cross, an angel below, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

A man sitting in a doorway sheltered by an awning selling fruit from baskets, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — A man sitting in a doorway sheltered by an awning selling fruit from baskets, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

Figures praying by a cemetary or roadside shrine, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — Figures praying by a cemetary or roadside shrine, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

Pintura Constructiva, Joaquín Torres-García Uruguayan, Oil on canvas — Pintura Constructiva
Joaquín Torres-García
1931

Removedor, Joaquín Torres-García Uruguayan — Removedor
Joaquín Torres-García
Guido Castillo
1944–53

Raison et nature : théorie, Joaquín Torres-García Uruguayan — Raison et nature : théorie
Joaquín Torres-García
1932

Guitar, Manuel Ramírez Spanish, Spruce, rosewood, cedar, ebony, ivory or bone, Spanish — Guitar
Manuel Ramírez
Santos Hernández
1912

Saint John the Baptist, Juan Martínez Montañés Spanish, Polychromed wood with gilding, Spanish, Seville — Saint John the Baptist
Juan Martínez Montañés
ca. 1620–30

Figure of a Man, Joaquín Torres-García Uruguayan, Oil on wood — Figure of a Man
Joaquín Torres-García
1930

Portfolio (Manifesto), Nicolás García Uriburu Argentine, Six screenprints on paper — Portfolio (Manifesto)
Nicolás García Uriburu
1975

Constructivo con objectos, Joaquín Torres-García Uruguayan, Oil on paperboard, mounted on plywood — Constructivo con objectos
Joaquín Torres-García
1936

Coloration of the Grand Canal, Venice, Nicolás García Uriburu Argentine, Chromogenic print — Coloration of the Grand Canal, Venice
Nicolás García Uriburu
1968/1980s

The Musician’s Table, Juan Gris Spanish, Conté crayon, wax crayon, gouache, cut-and-pasted printed wallpaper, blue and white laid papers, transparentized paper, newspaper, and brown wrapping paper; selectively varnished on canvas — The Musician’s Table
Juan Gris
1914

Pears and Grapes on a Table, Juan Gris Spanish, Oil on canvas — Pears and Grapes on a Table
Juan Gris
Céret, autumn 1913

Houses in Paris, Place Ravignan, Juan Gris Spanish, Oil on canvas — Houses in Paris, Place Ravignan
Juan Gris
Paris, 1911, possibly 1912

Head of a Woman (Portrait of the Artist's Mother), Juan Gris Spanish, Oil on canvas — Head of a Woman (Portrait of the Artist's Mother)
Juan Gris
Paris, 1912

Still Life with Checked Tablecloth, Juan Gris Spanish, Oil and graphite on canvas — Still Life with Checked Tablecloth
Juan Gris
Paris, spring 1915

Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican — Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764

Rapier of Prince-Elector Christian II of Saxony (1583–1611), Israel Schuech German, Steel, bronze, gold, enamel, paste jewels, cameos, pearls, wood, hilt, German, Dresden; blade, Spanish, Toledo — Rapier of Prince-Elector Christian II of Saxony (1583–1611)
Israel Schuech
Juan Martinez
dated 1606

Coloration Uriburu

Nicolás García Uriburu

1968

[Mariano Fortuny y Marsal]

José García Ayola

before 1874

Christ Appearing to His Mother, Juan de Flandes Netherlandish, Oil on wood — Christ Appearing to His Mother
Juan de Flandes
ca. 1496

The Child Jesus Triumphant, Juan de Mesa Spanish, Andalusian, Polychromed lead, glass, silver, silk and silver-gilt lace, Spanish, Seville — The Child Jesus Triumphant
Juan de Mesa
ca. 1625

Saint John the Baptist, Juan de Ancheta Spanish, Wood, polychromed and gilded, Spanish, Navarre — Saint John the Baptist
Juan de Ancheta
ca. 1580–92

The Entombment of Christ, Juan Rodríguez Juárez Mexican, Oil and gold on copper, Mexican — The Entombment of Christ
Juan Rodríguez Juárez
ca. 1702

The Marriage Feast at Cana, Juan de Flandes Netherlandish, Oil on wood — The Marriage Feast at Cana
Juan de Flandes
ca. 1497

Saints Michael and Francis, Juan de Flandes Netherlandish, Oil on wood, gold ground — Saints Michael and Francis
Juan de Flandes
ca. 1505–9

Los Agachados, Manuel Alvarez Bravo Mexican, Gelatin silver print — Los Agachados
Manuel Alvarez Bravo
1934, printed ca. 1975

Christ child (from a nativity), Caspicara (Manuel Chil), Wood, polychromed and gilded; glass eyes, Ecuadoran — Christ child (from a nativity)
Caspicara (Manuel Chil)
18th century

Mary (from a nativity), Caspicara (Manuel Chil), Wood, polychromed and gilded; glass eyes; metal halo, Ecuadoran — Mary (from a nativity)
Caspicara (Manuel Chil)
18th century

Joseph (from a nativity), Caspicara (Manuel Chil), Wood, polychromed and gilded; glass eyes; metal halo, Ecuadoran — Joseph (from a nativity)
Caspicara (Manuel Chil)
18th century

Reims: la cathédrale, Edouard-García Benito Spanish, Illustrations: line block (photomechanical relief print) and pochoir — Reims: la cathédrale
Multiple artists/makers
1918

Plate 3: an indentured slave (peon acasillado) cutting maize, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 3: an indentured slave (peon acasillado) cutting maize, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 4: disgruntled campesinos being exectued by firing squad, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 4: disgruntled campesinos being exectued by firing squad, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 62: the result of a pastoral ministry, the Cristero uprising, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 62: the result of a pastoral ministry, the Cristero uprising, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 66: portrait of the agrarian reform leader José Guadalupe Rodríguez on a banner after his assasination, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 66: portrait of the agrarian reform leader José Guadalupe Rodríguez on a banner after his assasination, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 84: the industrialisation of Mexico, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 84: the industrialisation of Mexico, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Study from behind of a naked man playing a cello, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura", José García Hidalgo Spanish, Etching — Study from behind of a naked man playing a cello, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura"
José García Hidalgo
ca. 1693

Study of a naked man playing a vihuela, a child holding a sheet of music at the left, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura", José García Hidalgo Spanish, Etching — Study of a naked man playing a vihuela, a child holding a sheet of music at the left, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura"
José García Hidalgo
ca. 1693