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More than 10,000 results for Juan Bautista Morales

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El Gallo Pitagórico. Colección de Artículos

Juan Bautista Morales

Ignacio Cumplido

1857

El Gallo Pitagórico

Juan Bautista Morales

1845

Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares, Juan Bautista Martínez del Mazo Spanish, Oil on canvas — Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares
Juan Bautista Martínez del Mazo
ca. 1636 or later

María Teresa (1638–1683), Infanta of Spain, Juan Bautista Martínez del Mazo Spanish, Oil on canvas — María Teresa (1638–1683), Infanta of Spain
Juan Bautista Martínez del Mazo
1646

Saint John the Baptist, Juan Martínez Montañés Spanish, Polychromed wood with gilding, Spanish, Seville — Saint John the Baptist
Juan Martínez Montañés
ca. 1620–30

The Lamentation, Luis de Morales Spanish, Oil on walnut — The Lamentation
Luis de Morales
ca. 1560

The Musician’s Table, Juan Gris Spanish, Conté crayon, wax crayon, gouache, cut-and-pasted printed wallpaper, blue and white laid papers, transparentized paper, newspaper, and brown wrapping paper; selectively varnished on canvas — The Musician’s Table
Juan Gris
1914

Still Life with Checked Tablecloth, Juan Gris Spanish, Oil and graphite on canvas — Still Life with Checked Tablecloth
Juan Gris
Paris, spring 1915

Pears and Grapes on a Table, Juan Gris Spanish, Oil on canvas — Pears and Grapes on a Table
Juan Gris
Céret, autumn 1913

Houses in Paris, Place Ravignan, Juan Gris Spanish, Oil on canvas — Houses in Paris, Place Ravignan
Juan Gris
Paris, 1911, possibly 1912

Head of a Woman (Portrait of the Artist's Mother), Juan Gris Spanish, Oil on canvas — Head of a Woman (Portrait of the Artist's Mother)
Juan Gris
Paris, 1912

Rapier of Prince-Elector Christian II of Saxony (1583–1611), Israel Schuech German, Steel, bronze, gold, enamel, paste jewels, cameos, pearls, wood, hilt, German, Dresden; blade, Spanish, Toledo — Rapier of Prince-Elector Christian II of Saxony (1583–1611)
Israel Schuech
Juan Martinez
dated 1606

Saint John the Baptist, Juan de Ancheta Spanish, Wood, polychromed and gilded, Spanish, Navarre — Saint John the Baptist
Juan de Ancheta
ca. 1580–92

The Child Jesus Triumphant, Juan de Mesa Spanish, Andalusian, Polychromed lead, glass, silver, silk and silver-gilt lace, Spanish, Seville — The Child Jesus Triumphant
Juan de Mesa
ca. 1625

Christ Appearing to His Mother, Juan de Flandes Netherlandish, Oil on wood — Christ Appearing to His Mother
Juan de Flandes
ca. 1496

The Marriage Feast at Cana, Juan de Flandes Netherlandish, Oil on wood — The Marriage Feast at Cana
Juan de Flandes
ca. 1497

Saints Michael and Francis, Juan de Flandes Netherlandish, Oil on wood, gold ground — Saints Michael and Francis
Juan de Flandes
ca. 1505–9

The Entombment of Christ, Juan Rodríguez Juárez Mexican, Oil and gold on copper, Mexican — The Entombment of Christ
Juan Rodríguez Juárez
ca. 1702

Pietà, Juan de Valdés Leal Spanish, Oil on canvas — Pietà
Juan de Valdés Leal
ca. 1657–60

The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah, Juan Francisco de Aguilera Mexican, Oil and gold on copper; Frame: ebony, tortoise shell, and silver, Mexican — The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah
Juan Francisco de Aguilera
ca. 1720

Prospect of Jerusalem, Wenceslaus Hollar Bohemian, Etching; margin where Overton's address would have appeared has been trimmed off this impression and so the state cannot be determined. — Prospect of Jerusalem
Wenceslaus Hollar
Juan Bautista Villalpando
1660

The first president (El primer presidente), Plate 21 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Antonio Morales Mexican, Offset lithograph — The first president (El primer presidente), Plate 21 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Antonio Morales
Taller de Gráfica Popular, Mexico City
1960

Labourers with no rights (El peon acasillado), Plate 48 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Antonio Morales Mexican, Offset lithograph — Labourers with no rights (El peon acasillado), Plate 48 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Antonio Morales
Taller de Gráfica Popular, Mexico City
1960

Declaration of war on the axis powers. June 1, 1942 (La declaración de guerra al Eje, el 1o de junio de 1942), Plate 115 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Antonio Morales Mexican, Offset lithograph — Declaration of war on the axis powers. June 1, 1942 (La declaración de guerra al Eje, el 1o de junio de 1942), Plate 115 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Antonio Morales
Taller de Gráfica Popular, Mexico City
1960

Attack on President Avila Camacho (Atentado contra el presidente Avila Camacho), Plate 121 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Antonio Morales Mexican, Offset lithograph — Attack on President Avila Camacho (Atentado contra el presidente Avila Camacho), Plate 121 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Antonio Morales
Taller de Gráfica Popular, Mexico City
1960

Obligatory military service and those who mock it (El servicio militar obligatorio y quienes lo burlan), Plate 122 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Antonio Morales Mexican, Offset lithograph — Obligatory military service and those who mock it (El servicio militar obligatorio y quienes lo burlan), Plate 122 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Antonio Morales
Taller de Gráfica Popular, Mexico City
1960

Evening slippers, Juan Serra, Leather, metallic, silk, cotton, Spanish — Evening slippers
Juan Serra
1885–95

Rapier with Scabbard, Juan Martinez Spanish, Steel, leather, gold, copper wire, wood, velvet, German; blade, Spanish, Toledo — Rapier with Scabbard
Juan Martinez
ca. 1580

After Philadelphia, Juan Gonzalez American, Watercolor and graphite on paper — After Philadelphia
Juan Gonzalez
1982–84

Curve and Shadow, No. 2, Juan Hamilton American, Bronze — Curve and Shadow, No. 2
Juan Hamilton
1983

Fragment XO, Juan Hamilton American, Bronze — Fragment XO
Juan Hamilton
1983

"It is the roots of who I am that remains - suppression notwithstanding", Juan Sanchez American, Oil, cut and pasted photographs and wax crayons on canvas — "It is the roots of who I am that remains - suppression notwithstanding"
Juan Sanchez
1987–88

Pot, Juan Hamilton American, Painted plaster — Pot
Juan Hamilton
1974

Pot, Juan Hamilton American, Painted plaster — Pot
Juan Hamilton
1975

I am Dead, Juan Davila Australian, Color screenprint — I am Dead
Juan Davila
1989

I am Positive, I am Negative, Juan Davila Australian, Color screenprint — I am Positive, I am Negative
Juan Davila
1989

Violin and Engraving, Juan Gris Spanish, Oil, sand, collage on canvas — Violin and Engraving
Juan Gris
1913

[Matador with Bull], Juan Laurent French, Albumen silver print — [Matador with Bull]
Juan Laurent
J. Laurent Y Cia
1860s

Rapier and Parrying Dagger, Juan Martinez Spanish, Steel, gold, copper wire, wood, velvet, German; rapier blade, Spanish, Toledo — Rapier and Parrying Dagger
Juan Martinez
ca. 1580

Flowers, Juan Gris Spanish, Collage of cut printed and painted papers with black crayon, black, blue and white matte opaque paints on canvas, mounted to a honeycomb panel — Flowers
Juan Gris
Paris, spring–summer 1914