Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,015 results for José García Ayola

Sort by:

[Mariano Fortuny y Marsal]

José García Ayola

before 1874

Pintura Constructiva, Joaquín Torres-García Uruguayan, Oil on canvas — Pintura Constructiva
Joaquín Torres-García
1931

Portrait of Nicolás Matías Fernández Méndez, José Campeche, Oil on wood panel — Portrait of Nicolás Matías Fernández Méndez
José Campeche
ca. 1800

Removedor, Joaquín Torres-García Uruguayan — Removedor
Joaquín Torres-García
Guido Castillo
1944–53

Raison et nature : théorie, Joaquín Torres-García Uruguayan — Raison et nature : théorie
Joaquín Torres-García
1932

Study from behind of a naked man playing a cello, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura", José García Hidalgo Spanish, Etching — Study from behind of a naked man playing a cello, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura"
José García Hidalgo
ca. 1693

Study of a naked man playing a vihuela, a child holding a sheet of music at the left, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura", José García Hidalgo Spanish, Etching — Study of a naked man playing a vihuela, a child holding a sheet of music at the left, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura"
José García Hidalgo
ca. 1693

Studies of three skeleton, from the 'Principios para estudiar el Nobilísimo y Real arte de la Pintura' (Madrid 1693), José García Hidalgo Spanish, Etching — Studies of three skeleton, from the 'Principios para estudiar el Nobilísimo y Real arte de la Pintura' (Madrid 1693)
José García Hidalgo
ca. 1693

Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican — Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764

Guitar, José Massague Spanish, Pine top, figured maple back and sides, rosewood binding, ivory nut, rosewood, mastic, and mother-of-pearl inlaid decoration, Spanish — Guitar
José Massague
ca. 1755–60

The Marriage of the Virgin, José Sánchez Mexican, Oil on canvas, Mexican — The Marriage of the Virgin
José Sánchez
ca. 1690

Figure of a Man, Joaquín Torres-García Uruguayan, Oil on wood — Figure of a Man
Joaquín Torres-García
1930

Portfolio (Manifesto), Nicolás García Uriburu Argentine, Six screenprints on paper — Portfolio (Manifesto)
Nicolás García Uriburu
1975

Constructivo con objectos, Joaquín Torres-García Uruguayan, Oil on paperboard, mounted on plywood — Constructivo con objectos
Joaquín Torres-García
1936

Coloration of the Grand Canal, Venice, Nicolás García Uriburu Argentine, Chromogenic print — Coloration of the Grand Canal, Venice
Nicolás García Uriburu
1968/1980s

Unicórnio : antologia de inéditos de autores portugueses contemporãneos, José-Augusto França Portuguese — Unicórnio : antologia de inéditos de autores portugueses contemporãneos
José-Augusto França
1951–56

Coloration Uriburu

Nicolás García Uriburu

1968

Urutaú, José Gamarra Uruguayan, Oil on canvas — Urutaú
José Gamarra
1983

Belt, José Cotel French, Leather, plastic, French — Belt
José Cotel
ca. 1973

Tenor Slide Trombone in B-flat, José Ramis Spanish, Brass, Spanish — Tenor Slide Trombone in B-flat
José Ramis
early 19th century

[Mining Site Chincha Islands, Lima], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands, Lima]
José Negretti
1860s–70s

[Mining Site Chincha Islands, Lima], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands, Lima]
José Negretti
1860s–70s

[Mining Site Chincha Islands], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands]
José Negretti
1860s–70s

30 dibujos constructivos : 12 reproduciones en negro y 18 en color, José Gurvich Uruguayan — 30 dibujos constructivos : 12 reproduciones en negro y 18 en color
José Gurvich
Antonio Pezzino
1952

Broadside with 48 scenes showing different women of the world, José Noguera Spanish, Wood engraving — Broadside with 48 scenes showing different women of the world
José Noguera
José María Marés
1860

Broadside with 48 scenes relating to the reign of Queen Isabel II, José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to the reign of Queen Isabel II
José Noguera
José María Marés
1860

Broadside with 48 scenes relating to life of the Carlist general of Spain, Ramon Cabrera y Griñó, José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to life of the Carlist general of Spain, Ramon Cabrera y Griñó
José Noguera
José María Marés
1860

Reims: la cathédrale, Edouard-García Benito Spanish, Illustrations: line block (photomechanical relief print) and pochoir — Reims: la cathédrale
Multiple artists/makers
1918

Christ on the Cross, an angel below, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — Christ on the Cross, an angel below, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

A man sitting in a doorway sheltered by an awning selling fruit from baskets, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — A man sitting in a doorway sheltered by an awning selling fruit from baskets, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

Figures praying by a cemetary or roadside shrine, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — Figures praying by a cemetary or roadside shrine, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

Plate 3: an indentured slave (peon acasillado) cutting maize, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 3: an indentured slave (peon acasillado) cutting maize, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 4: disgruntled campesinos being exectued by firing squad, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 4: disgruntled campesinos being exectued by firing squad, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 62: the result of a pastoral ministry, the Cristero uprising, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 62: the result of a pastoral ministry, the Cristero uprising, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 66: portrait of the agrarian reform leader José Guadalupe Rodríguez on a banner after his assasination, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 66: portrait of the agrarian reform leader José Guadalupe Rodríguez on a banner after his assasination, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 84: the industrialisation of Mexico, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 84: the industrialisation of Mexico, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

David Alfaro Siqueiros in Prison, Arturo García Bustos Mexican, Linocut — David Alfaro Siqueiros in Prison
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
ca. 1961

Jacinto Canek, Plate 5 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Jacinto Canek, Plate 5 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

Discontended campesinos get their response (El descontento de los campesinos obtiene su respuesta), Plate 49 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Discontended campesinos get their response (El descontento de los campesinos obtiene su respuesta), Plate 49 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960