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Showing 1,122 results for Jeremy Blake

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1906, Jeremy Blake American, Single-channel digital animation, color, sound, 21 min. — 1906
Jeremy Blake
2003

Century 21, Jeremy Blake American, Single-channel digital animation, color, sound, 12 min. — Century 21
Jeremy Blake
2004

Winchester, Jeremy Blake American, Single-channel digital animation, color, sound, 12 min. — Winchester
Jeremy Blake
2002

Jeremy Frey

2024

Jeremy Frey

2023

Puritan spoon, Jeremy Johnson, Silver, British, London — Puritan spoon
Jeremy Johnson
1651–52

Grand Pianoforte, Érard , made in London French, Satinwood veneer, oak, spruce, iron, steel, ebony, ivory, gilding, mother-of-pearl, holly, mahogany, burl walnut, tulipwood, silver wire, British — Grand Pianoforte
Érard
George Henry Blake
ca. 1840

Angel of the Revelation (Book of Revelation, chapter 10), William Blake British, Watercolor, pen and black ink, brush and wash, over traces of graphite — Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
ca. 1803–5

The Angel Appearing to Zacharias, William Blake British, Pen and black ink, tempera, and glue size on canvas — The Angel Appearing to Zacharias
William Blake
1799–1800

Titania, Peter Blake British, Oil on canvas, mounted on wood — Titania
Peter Blake
1984

Centerpiece, C.B. Blake American, Silver alloy — Centerpiece
Multiple artists/makers
1939

Jeffrey Blake

1988

Poetry and Prose of William Blake

William Blake

1932

Jeffrey Blake

1987

The Complaint and the Consolation; or, Night Thoughts, William Blake British, Illustrations: etching and engraving — The Complaint and the Consolation; or, Night Thoughts
Multiple artists/makers
1797

The Grave, A Poem, William Blake British, Illustrations: etchings — The Grave, A Poem
Multiple artists/makers
1813

Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso), William Blake British, Watercolor, pen and black ink, over graphite — Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)
William Blake
ca. 1803

The Parable of the Wise and Foolish Virgins, William Blake British, Watercolor, pen and black ink, brush and wash, over graphite — The Parable of the Wise and Foolish Virgins
William Blake
ca. 1799–1800

The Skeleton Re-Animated, Title Page to "The Grave," a Poem by Robert Blair, William Blake British, Engraving — The Skeleton Re-Animated, Title Page to "The Grave," a Poem by Robert Blair
Multiple artists/makers
March 1, 1813

Hiding of Moses, from "Remember Me!, or a Pocket Companion", William Blake British, Engraving — Hiding of Moses, from "Remember Me!, or a Pocket Companion"
William Blake
I. Poole
1825

Tornado–Zeus Battling Typhon, from Erasmus Darwin's "Botanic Garden", William Blake British, Engraving — Tornado–Zeus Battling Typhon, from Erasmus Darwin's "Botanic Garden"
Multiple artists/makers
August 1, 1795

Winged Figure Flying Through Clouds, from Bell's "Poets", William Blake British, Etching and engraving; only state — Winged Figure Flying Through Clouds, from Bell's "Poets"
Multiple artists/makers
1790

Adam and the Beasts, Frontispiece to Hayley's "Ballads", William Blake British, Engraving — Adam and the Beasts, Frontispiece to Hayley's "Ballads"
William Blake
William Hayley
June 1, 1802

The Circle of the Lustful: Paolo and Francesca, William Blake British, Engraving — The Circle of the Lustful: Paolo and Francesca
William Blake
Dante Alighieri
ca. 1825–27

Frontispiece to Jerusalem, the Emanation of the Great Albion, William Blake British, White line engraving, printed in orange ink — Frontispiece to Jerusalem, the Emanation of the Great Albion
William Blake
[ca. 1804–20] (?)

Death of the Strong Wicked Man, from "The Grave," a Poem by Robert Blair, William Blake British, Engraving — Death of the Strong Wicked Man, from "The Grave," a Poem by Robert Blair
Multiple artists/makers
March 1, 1813

The Compleat Gardeners Practice, Directing the Exact Way of Gardening in three Parts, Stephen Blake British, Illustrations: engraving, woodcut — The Compleat Gardeners Practice, Directing the Exact Way of Gardening in three Parts
Multiple artists/makers
1664

God Judging Adam, William Blake British, Color relief etching finished with pen and ink and watercolor — God Judging Adam
William Blake
ca. 1795

Pity, William Blake British, Relief etching, printed in color and finished with pen and ink and watercolor — Pity
William Blake
William Shakespeare
ca. 1795

Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page
William Blake
[1789–94] printed ca. 1825

Songs of Innocence: Frontispiece, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Frontispiece
William Blake
[1789] printed ca. 1825

Songs of Innocence: Title Page, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Title Page
William Blake
[1789] printed ca. 1825

Songs of Innocence: Introduction, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Introduction
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Lamb, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Lamb
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Little Black Boy, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Little Black Boy
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Chimney Sweeper, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Chimney Sweeper
William Blake
[1789] printed ca. 1825

Songs of Innocence: Little Boy Lost, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Little Boy Lost
William Blake
[1789] printed ca. 1825

Songs of Innocence: Spring (second plate), William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Spring (second plate)
William Blake
[1789] printed ca. 1825

Songs of Innocence: Nurse's Song, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Nurse's Song
William Blake
[1789] printed ca. 1825

Songs of Innocence: Infant Joy, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Infant Joy
William Blake
[1789] printed ca. 1825