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Showing 876 results for Jeffrey Blake

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Jeffrey Blake

1988

Jeffrey Blake

1987

Jeffrey Gibson : it can be said of them / editor: Siobhan Bradley, Jeffrey Gibson — Jeffrey Gibson : it can be said of them / editor: Siobhan Bradley
Multiple artists/makers
2021

Cann, Jeffrey Lang American, Silver, American — Cann
Jeffrey Lang
ca. 1740

First Study for Fiumicino Car Park, Jeffrey Smart Australian, Oil on canvas mounted on Masonite — First Study for Fiumicino Car Park
Jeffrey Smart
1976

Grand Pianoforte, Érard , made in London French, Satinwood veneer, oak, spruce, iron, steel, ebony, ivory, gilding, mother-of-pearl, holly, mahogany, burl walnut, tulipwood, silver wire, British — Grand Pianoforte
Érard
George Henry Blake
ca. 1840

Angel of the Revelation (Book of Revelation, chapter 10), William Blake British, Watercolor, pen and black ink, brush and wash, over traces of graphite — Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
ca. 1803–5

Roman Column, Notre Dame de Nazareth, Vaison-la-Romaine

Jeffrey Wolin

2000

Citadel, Les Baux

Jeffrey Wolin

1999

David Figman, born 1926, Warsaw, Poland

Jeffrey Wolin

1992–94

Sako Hoffman, born 1930, Buenos Aires, Argentina

Jeffrey Wolin

1992–94

Henryk Werdinger, born 1923, Boryslaw, Poland

Jeffrey Wolin

1992–94

Jadzia Strykowska, born 1924, Tomaszow-Mazowiecki, Poland

Jeffrey Wolin

1992–94

Hans Finke, born 1920, Berlin, Germany

Jeffrey Wolin

1992–94

The Angel Appearing to Zacharias, William Blake British, Pen and black ink, tempera, and glue size on canvas — The Angel Appearing to Zacharias
William Blake
1799–1800

Century 21, Jeremy Blake American, Single-channel digital animation, color, sound, 12 min. — Century 21
Jeremy Blake
2004

1906, Jeremy Blake American, Single-channel digital animation, color, sound, 21 min. — 1906
Jeremy Blake
2003

Winchester, Jeremy Blake American, Single-channel digital animation, color, sound, 12 min. — Winchester
Jeremy Blake
2002

Titania, Peter Blake British, Oil on canvas, mounted on wood — Titania
Peter Blake
1984

Centerpiece, C.B. Blake American, Silver alloy — Centerpiece
Multiple artists/makers
1939

they plan and prepare for the future, fvni / sa lo li / squirrel, Jeffrey Gibson, Patinated bronze — they plan and prepare for the future, fvni / sa lo li / squirrel
Jeffrey Gibson
2025

they carry messages between light and dark spaces, bia̱kak / dawodv / hawk, Jeffrey Gibson, Patinated bronze — they carry messages between light and dark spaces, bia̱kak / dawodv / hawk
Jeffrey Gibson
2025

they teach us to be sensitive and to trust our instincts, issi / awi / deer, Jeffrey Gibson, Patinated bronze — they teach us to be sensitive and to trust our instincts, issi / awi / deer
Jeffrey Gibson
2025

they are witty and transform themselves in order to guide us, nashoba holba / wayaha / coyote, Jeffrey Gibson, Patinated bronze — they are witty and transform themselves in order to guide us, nashoba holba / wayaha / coyote
Jeffrey Gibson
2025

Pink and Rose, William Morris British, Block-printed in distemper colors — Pink and Rose
Multiple artists/makers
ca. 1890

Poetry and Prose of William Blake

William Blake

1932

The "Victorian" wallpapers, for the decoration of rooms and staircases...(catalogue)

Jeffrey & Co.

ca. 1895

The Skeleton Re-Animated, Title Page to "The Grave," a Poem by Robert Blair, William Blake British, Engraving — The Skeleton Re-Animated, Title Page to "The Grave," a Poem by Robert Blair
Multiple artists/makers
March 1, 1813

Death of the Strong Wicked Man, from "The Grave," a Poem by Robert Blair, William Blake British, Engraving — Death of the Strong Wicked Man, from "The Grave," a Poem by Robert Blair
Multiple artists/makers
March 1, 1813

Frontispiece to Jerusalem, the Emanation of the Great Albion, William Blake British, White line engraving, printed in orange ink — Frontispiece to Jerusalem, the Emanation of the Great Albion
William Blake
[ca. 1804–20] (?)

The Compleat Gardeners Practice, Directing the Exact Way of Gardening in three Parts, Stephen Blake British, Illustrations: engraving, woodcut — The Compleat Gardeners Practice, Directing the Exact Way of Gardening in three Parts
Multiple artists/makers
1664

Pity, William Blake British, Relief etching, printed in color and finished with pen and ink and watercolor — Pity
William Blake
William Shakespeare
ca. 1795

Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page
William Blake
[1789–94] printed ca. 1825

Songs of Innocence: Frontispiece, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Frontispiece
William Blake
[1789] printed ca. 1825

Songs of Innocence: Introduction, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Introduction
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Ecchoing Green, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Ecchoing Green
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Ecchoing Green (second plate), William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Ecchoing Green (second plate)
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Lamb, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Lamb
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Little Black Boy, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Little Black Boy
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Little Black Boy (second plate), William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Little Black Boy (second plate)
William Blake
[1789] printed ca. 1825