Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

Showing 5,648 results for James Seymour

Sort by:

Portrait of a Horseman, James Seymour British, Oil on canvas — Portrait of a Horseman
James Seymour

Tall Clock, Thomas Seymour American, Mahogany, mahogany veneer,<br/>maple with white pine, American — Tall Clock
Multiple artists/makers
1805–10

Side Chair, John Seymour American, Mahogany, tulip poplar, American — Side Chair
John Seymour
Thomas Seymour
1795–1803

Edward Seymour & the Fancy Paper Company : the story of a British marbled paper manufacturer, Edward Seymour British — Edward Seymour & the Fancy Paper Company : the story of a British marbled paper manufacturer
Multiple artists/makers
2006

Presentation Smallsword with Scabbard, James Morisset British, Silver, enamel, steel, paste brilliants, wood, fish skin, British, London — Presentation Smallsword with Scabbard
James Morisset
hallmarked for 1797–98

Dressing glass, Thomas Seymour American, Mahogany, mahogany and birch veneers, and glass with white pine, American — Dressing glass
Thomas Seymour
1810–15

Bedstead, Thomas Seymour American, Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood, American — Bedstead
Multiple artists/makers
1810–15

Sideboard Table, Thomas Seymour American, Primary: mahogany,mahogany and curly maple veneers, birch, holly (arch inlay) Causurina (she-oak) all light wood veneers and inlay, Sabicu (side veneer): secondary: soft maple (sides and sub-top), white pine (tops to end sections, backboard, drawer bottoms) cherry (drawer sides and back)., American — Sideboard Table
Thomas Seymour
1805–10

Desk and Bookcase, Thomas Seymour American, Maple, mahogany, oak, white pine, American — Desk and Bookcase
Thomas Seymour
1800–1805

Nathaniel Seymour American, Red earthenware with incised decoration of floral spray filled in with slip; lead glaze, American — Nathaniel Seymour
ca. 1790–1820

The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room, Seymour Joseph Guy American, born England, Oil on canvas, American — The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room
Seymour Joseph Guy
1866

The Crossing Sweeper, Seymour Joseph Guy American, born England, Oil on canvas, American — The Crossing Sweeper
Seymour Joseph Guy
ca. 1860s

Story of Golden Locks, Seymour Joseph Guy American, born England, Oil on canvas, American — Story of Golden Locks
Seymour Joseph Guy
ca. 1870

Bentwood Side Chair, Henry I. Seymour American, Hickory, ash, American — Bentwood Side Chair
Henry I. Seymour
1870–78

Shock Dog (nickname for a dog of the Maltese breed), Anne Seymour Damer British, Carrara marble, British — Shock Dog (nickname for a dog of the Maltese breed)
Anne Seymour Damer
probably 1782

"Clover Leaf", Charles James American, silk, silk/rayon, American — "Clover Leaf"
Charles James
1953

Ensemble, James Rosenquist American, (a, b) DuPont Tyvek®; (c) metal; (d, e) paper, German — Ensemble
James Rosenquist
Hugo Boss
spring/summer 1998

Evening dress, Charles James American, silk/rayon, silk, American — Evening dress
Charles James
1946

"Butterfly", Charles James American, silk, synthetic, American — "Butterfly"
Charles James
1955

Highrise of Homes, James Wines American, Pen and ink and wash over graphite on paper — Highrise of Homes
James Wines
1981

The illustrated handbook of architecture : being a concise and popular account of the different styles of architecture prevailing in all ages and all countries, James Fergusson British, Scottish — The illustrated handbook of architecture : being a concise and popular account of the different styles of architecture prevailing in all ages and all countries
James Fergusson
1855

Side Chair, Thomas Seymour American, Mahogany, birch veneer, birch, tulip poplar, American — Side Chair
Thomas Seymour
1805–10

Copper plate printed cotton with King George III hunting in Windsor Park, J. Seymour , published London, 1779, Cotton, British — Copper plate printed cotton with King George III hunting in Windsor Park
J. Seymour
1785

Copper plate printed cotton with King George III and his family, J. Seymour , published London, 1779, Cotton, British — Copper plate printed cotton with King George III and his family
J. Seymour
ca. 1785

Still Life, Interior, Seymour Remenick American, Pen and brown ink; brown, gray, and orange wash; and white gouache on paper washed with brown — Still Life, Interior
Seymour Remenick
1950s

Pioneer, Seymour Lipton American, Nickel-silver on Monel metal — Pioneer
Seymour Lipton
1957

Sketch for "Pioneer", Seymour Lipton American, Crayon on paper — Sketch for "Pioneer"
Seymour Lipton
1957

Sketch for "Pioneer", Seymour Lipton American, Crayon on paper — Sketch for "Pioneer"
Seymour Lipton
1957

Sketch for "Pioneer", Seymour Lipton American, Black crayon on paper — Sketch for "Pioneer"
Seymour Lipton
1957

Loom, Seymour Lipton American, Crayon on paper — Loom
Seymour Lipton
1965

Conquistador, Seymour Lipton American, Black crayon on paper — Conquistador
Seymour Lipton
1968

Altar, Seymour Lipton American, Crayon on paper — Altar
Seymour Lipton
1963

Flood, Seymour Lipton American, Oak — Flood
Seymour Lipton
1937

Sentinel, Seymour Lipton American, Sheet lead — Sentinel
Seymour Lipton
1948

Catacombs, Seymour Lipton American, Nickel-silver on Monel metal — Catacombs
Seymour Lipton
1968

Guardian, Seymour Lipton American, Nickel-silver on Monel metal — Guardian
Seymour Lipton
1975

Prayer, Seymour Lipton American, Nickel-silver on Monel metal — Prayer
Seymour Lipton
1978

Untitled, Seymour Lipton American, Ink on paper — Untitled
Seymour Lipton
late 1940s

Untitled, Seymour Lipton American, Graphite on paper — Untitled
Seymour Lipton
1954

Untitled, Seymour Lipton American, Pen and ink with graphite on paper — Untitled
Seymour Lipton
mid-1950s