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Showing 9,863 results for Jacques Callot

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Bagpiper, Villeroy French, Soft-paste porcelain, French, Villeroy — Bagpiper
Villeroy
Jacques Callot
ca. 1740–45

Hunchback, Mennecy, Soft-paste porcelain, French, Mennecy — Hunchback
Mennecy
Jacques Callot
ca. 1750

Dwarf, Villeroy French, Tin-glazed soft-paste porcelain, French, Villeroy — Dwarf
Villeroy
Jacques Callot
ca. 1740–45

Dwarf (one of a pair), Villeroy French, Tin-glazed soft-paste porcelain decorated in polychrome enamels, French, Villeroy — Dwarf (one of a pair)
Villeroy
Jacques Callot
ca. 1740–45

Dwarf (one of a pair), Villeroy French, Tin-glazed soft-paste porcelain decorated in polychrome enamels, French, Villeroy — Dwarf (one of a pair)
Villeroy
Jacques Callot
ca. 1740–45

The Hangman's Tree, Jacques Callot French, Pen and sepia ink., French — The Hangman's Tree
Jacques Callot
after 1633

L'Eventail (The Fan), Jacques Callot French, Etching and engraving; second state of two — L'Eventail (The Fan)
Jacques Callot
1619

Columbine and Pantaloon, Meissen Manufactory German, Hard-paste porcelain, German, Meissen — Columbine and Pantaloon
Multiple artists/makers
ca. 1741

Dwarf, Meissen Manufactory German, Hard-paste porcelain, German, Meissen — Dwarf
Meissen Manufactory
Jacques Callot
ca. 1720–25

Dwarf (one of a pair), Meissen Manufactory German, Hard-paste porcelain, German, Meissen — Dwarf (one of a pair)
Meissen Manufactory
Jacques Callot
ca. 1720

Dwarf (one of a pair), Meissen Manufactory German, Hard-paste porcelain, German, Meissen — Dwarf (one of a pair)
Meissen Manufactory
Jacques Callot
ca. 1720

View of Lateran, Rome, Lievin Cruyl, Pen and brush and gray and brown ink, gray and brown washes, some watercolor and white gouache, on vellum. — View of Lateran, Rome
Lievin Cruyl
Jacques Callot
1672–73

View of the Pantheon, Rome, Lievin Cruyl, Pen and brush and gray and brown ink, gray and brown washes, some watercolor and white gouache, on vellum. — View of the Pantheon, Rome
Lievin Cruyl
Jacques Callot
early 1670s

Le Denier de César (The Tribute Money), from Le Nouveau Testament (The New Testament), Jacques Callot French, Etching — Le Denier de César (The Tribute Money), from Le Nouveau Testament (The New Testament)
Multiple artists/makers
printed 18th century

Le Combat Naval (The Naval Battle), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes), Jacques Callot French, Etching; second state of two (Lieure) — Le Combat Naval (The Naval Battle), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Multiple artists/makers
ca. 1618

Le Grand Rocher (The Large Rock), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes), Jacques Callot French, Etching; second state of two (Lieure) — Le Grand Rocher (The Large Rock), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Multiple artists/makers
ca. 1618

Les Baigneurs (The Bathers), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes), Jacques Callot French, Etching; second state of three (Lieure) — Les Baigneurs (The Bathers), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Multiple artists/makers
ca. 1618

Le Chasse au Cerf (The Stag Hunt), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes), Jacques Callot French, Etching; second state of three (Lieure) — Le Chasse au Cerf (The Stag Hunt), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Multiple artists/makers
ca. 1618

Les Deux Pantalons se Regardant (Men in Pantsuits Looking at Each Other), from "Les Caprices" Series A, The Florence Set, Jacques Callot French, Etching — Les Deux Pantalons se Regardant (Men in Pantsuits Looking at Each Other), from "Les Caprices" Series A, The Florence Set
Jacques Callot
Lorenzo de' Medici
1617

Le Berger Jouant de la Flute (The Shepherd Playing the Flute), from "Les Caprices" Series A, The Florence Set, Jacques Callot French, Etching — Le Berger Jouant de la Flute (The Shepherd Playing the Flute), from "Les Caprices" Series A, The Florence Set
Jacques Callot
Lorenzo de' Medici
1617

L'Hospice (The Almshouse), from "Les Caprices" Series A, The Florence Set, Jacques Callot French, Etching — L'Hospice (The Almshouse), from "Les Caprices" Series A, The Florence Set
Jacques Callot
Lorenzo de' Medici
1617

L'Auberge (The Inn), from "Les Caprices" Series A, The Florence Set, Jacques Callot French, Etching — L'Auberge (The Inn), from "Les Caprices" Series A, The Florence Set
Jacques Callot
Lorenzo de' Medici
1617

Le Commandant a Pied (The Commander on Foot), from "Les Caprices" Series A, The Florence Set, Jacques Callot French, Etching — Le Commandant a Pied (The Commander on Foot), from "Les Caprices" Series A, The Florence Set
Jacques Callot
Lorenzo de' Medici
1617

Les Deux Pantalons se Tournant le Dos (Two Men in Pantsuits Turned Away from Each Other), from Les Caprices Series A, The Florence Set, Jacques Callot French, Etching — Les Deux Pantalons se Tournant le Dos (Two Men in Pantsuits Turned Away from Each Other), from Les Caprices Series A, The Florence Set
Jacques Callot
Lorenzo de' Medici
1617

Les Deux Pantalons se Regardant (Men in Pantsuits Looking at Each Other), from Les Caprices Series A, The Florence Set, Jacques Callot French, Etching — Les Deux Pantalons se Regardant (Men in Pantsuits Looking at Each Other), from Les Caprices Series A, The Florence Set
Jacques Callot
Lorenzo de' Medici
1617

Chevaux Courant en Liberte (Horses Running Freely), from "Les Caprices" Series A, The Florence Set, Jacques Callot French, Etching — Chevaux Courant en Liberte (Horses Running Freely), from "Les Caprices" Series A, The Florence Set
Jacques Callot
Lorenzo de' Medici
1617

L'Homme Qui Court (The Running Man), from "Les Caprices" Series A, The Florence Set, Jacques Callot French, Etching — L'Homme Qui Court (The Running Man), from "Les Caprices" Series A, The Florence Set
Jacques Callot
Lorenzo de' Medici
1617

L'Homme Enroulé dans son Manteau (The Man Wrapped in his Mantle), from "Les Caprices" Series A, The Florence Set, Jacques Callot French, Etching — L'Homme Enroulé dans son Manteau (The Man Wrapped in his Mantle), from "Les Caprices" Series A, The Florence Set
Jacques Callot
Lorenzo de' Medici
1617

Le Repas Chez le Pharisien (The Meal at the Home of the Pharisee), from "Les Quatre Banquets" (The Four Feasts), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Le Repas Chez le Pharisien (The Meal at the Home of the Pharisee), from "Les Quatre Banquets" (The Four Feasts)
Jacques Callot
ca. 1625

Plate 38, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 38, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620

Plate 39, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 39, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620

Plate 25, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 25, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620

Plate 26, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 26, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620

Plate 33, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 33, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620

Plate 37, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 37, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620

Plate 36, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 36, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620

Plate 17, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 17, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620

Plate 18, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 18, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620

Plate 21, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 21, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620

Plate 22, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure) — Plate 22, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Multiple artists/makers
1620