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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 9,845 results for Jacques Callot
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Dwarf (one of a pair), Villeroy  French, Tin-glazed soft-paste porcelain decorated in polychrome enamels, French, Villeroy
Villeroy
Jacques Callot
ca. 1740–45
Hunchback, Mennecy, Soft-paste porcelain, French, Mennecy
Mennecy
Jacques Callot
ca. 1750
Dwarf, Villeroy  French, Tin-glazed soft-paste porcelain, French, Villeroy
Villeroy
Jacques Callot
ca. 1740–45
Dwarf (one of a pair), Villeroy  French, Tin-glazed soft-paste porcelain decorated in polychrome enamels, French, Villeroy
Villeroy
Jacques Callot
ca. 1740–45
Bagpiper, Villeroy  French, Soft-paste porcelain, French, Villeroy
Villeroy
Jacques Callot
ca. 1740–45
The Hangman's Tree, Jacques Callot  French, Pen and sepia ink., French
Jacques Callot
after 1633
Columbine and Pantaloon, Meissen Manufactory  German, Hard-paste porcelain, German, Meissen
Multiple artists/makers
ca. 1741
View of Lateran, Rome, Lievin Cruyl, Pen and brush and gray and brown ink, gray and brown washes, some watercolor and white gouache, on vellum.
Lievin Cruyl
Jacques Callot
1672–73
View of the Pantheon, Rome, Lievin Cruyl, Pen and brush and gray and brown ink, gray and brown washes, some watercolor and white gouache, on vellum.
Lievin Cruyl
Jacques Callot
early 1670s
Dwarf, Meissen Manufactory  German, Hard-paste porcelain, German, Meissen
Meissen Manufactory
Jacques Callot
ca. 1720–25
Dwarf (one of a pair), Meissen Manufactory  German, Hard-paste porcelain, German, Meissen
Meissen Manufactory
Jacques Callot
ca. 1720
Dwarf (one of a pair), Meissen Manufactory  German, Hard-paste porcelain, German, Meissen
Meissen Manufactory
Jacques Callot
ca. 1720
Le Denier de César (The Tribute Money), from Le Nouveau Testament (The New Testament), Jacques Callot  French, Etching
Multiple artists/makers
printed 18th century
May Day Celebrations at Xeuilley, Jacques Callot  French, Pen and brown ink, brush and brown wash
Jacques Callot
ca. 1624–25
The Little Trellis, Jacques Callot  French, Etching; second state of two (Lieure)
Jacques Callot
early 17th century
Bearded man, dressed in rags, holding his head with one hand and a walking stick with the other, from "The Beggars" (Les Gueux), Jacques Callot  French, Etching
Jacques Callot
ca. 1622–23
The entry of the Count of Brionne: in the upper image, the count stands on a shipdeck in the guise of Jason, with mermaids and tritons playing musical instruments in the water below; at lower left, the Golden Fleece hangs in a tree above a recumbent dragon; at lower right, a winged figure of Fame plays two trumpets from a rocky outcrop, from "Le Combat a la Barrière", Jacques Callot  French, Etching
Jacques Callot
1627
Plate 7: A town being sacked with church in the background, from "The Large Miseries of War" (Les misères et les malheurs de la guerre), Jacques Callot  French, Etching
Jacques Callot
Israël Henriet
ca. 1633
Landscape with water-mill and figures fishing in boat on the left river on the right, from "Italian landscapes" (Diverse vedute designate in Fiorenza / Paysages italiens), Jacques Callot  French, Etching
Jacques Callot
Israël Henriet
ca. 1618–35
Naval battle with ruined ship and smoking battlements, from "Italian landscapes" (Diverse vedute designate in Fiorenza / Paysages italiens), Jacques Callot  French, Etching
Jacques Callot
Israël Henriet
ca. 1618–35
Walking and mounted figures surrounding a river traversed by a bridge, with a hilly outcrop and windmill, from "Italian landscapes" (Diverse vedute designate in Fiorenza / Paysages italiens), Jacques Callot  French, Etching
Jacques Callot
Israël Henriet
ca. 1618–35
Catafalque of the Emperor Mathias with performance of funeral inside the Church of San Lorenzo, Florence, Jacques Callot  French, Etching
Jacques Callot
1619
The Marching Gypsies (Les bohémiens en marche), also called The Advance Guard (L'avant-garde), Jacques Callot  French, Etching
Jacques Callot
Israël Henriet
1621–31
The marching gypsies: the rear guard (Les bohémiens en marche: l'arrière-garde), also called The Departure (Le départ), from "The Gypsies" (Les Bohémiens), Jacques Callot  French, Etching
Jacques Callot
ca. 1592–1635
The stopping place of the gypsies: the fortune-tellers (La Halte des bohémiens: les diseuses de bonne aventure), from "The Gypsies" (Les Bohémiens), Jacques Callot  French, Etching
Jacques Callot
1621–31
Adoration of the Magi, with Mary bracing Jesus with her right hand and reaching for a gift with her left, Jacques Callot  French, Etching
Jacques Callot
Israël Henriet
ca. 1621–35
View of bathers and a large building at the right, from "Italian landscapes" (Diverse vedute designate in Fiorenza / Paysages italiens), Jacques Callot  French, Etching
Jacques Callot
Israël Henriet
ca. 1618–35
Hunters on horses and on foot, with hounds pursuing a stag, and two buildings in a hilly landscape, from "Italian landscapes" (Diverse vedute designate in Fiorenza / Paysages italiens), Jacques Callot  French, Etching
Jacques Callot
Israël Henriet
ca. 1618–35
Frontispiece from "Fiesole Destroyed" (Fiesole Distrutta), Jacques Callot  French, Etching
Jacques Callot
1619
Le Joueur de Flageolet (The Flageolet Player), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), Jacques Callot  French, Etching and engraving; first state of two (Lieure)
Jacques Callot
1616–22
Le Joeuer de Luth (The Lute Player), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), Jacques Callot  French, Etching and engraving; first state of two (Lieure)
Jacques Callot
1616–22
Le Bancal Jouant de La Guitar (The Bandy-Legged Man Playing the Guitar), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), Jacques Callot  French, Etching and engraving; first state of two (Lieure)
Jacques Callot
1616–22
L'Homme au Gros Dos Orné d'Une Rangée de Boutons (Man with a Large Back Ornamented with a Row of Buttons), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), Jacques Callot  French, Etching and engraving; first state of two (Lieure)
Jacques Callot
1616–22
Le Comédien Masqué Jouant de la Guitare (The Masked Comedian Playing the Guitar), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), Jacques Callot  French, Etching and engraving; first state of two (Lieure)
Jacques Callot
1616–22
L'Estropié au Capuchon (The Beggar Wearing a Hood), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), Jacques Callot  French, Etching and engraving; first state of two (Lieure)
Jacques Callot
1616–22
Le Beveur vu de Face (The Drinker Viewed from the Front), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), Jacques Callot  French, Etching and engraving; first state of two (Lieure)
Jacques Callot
1616–22
Annunciation, with angel approaching the seated Mary from the left, and the dove of the Holy Spirit above, Jacques Callot  French, Etching; second state
Jacques Callot
ca. 1633–34
Martyrdom of Saint Eutropius, an oval composition, from "Les images de tous les saints et saintes de l'année" (Images of all the saints of the year), Jacques Callot  French, Etching
Jacques Callot
Israël Henriet
1632–35
The Falconer, Jacques Callot  French, Etching
Jacques Callot
1617
The Martyrdom of Saint Sebastian, Jacques Callot  French, Etching and engraving; first state of two
Jacques Callot
ca. 1632–33