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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 5,874 results for J. J. Grandville

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Prediction of Nostradamus, from "The Complete Works of Béranger", J. J. Grandville French, Wood engraving — Prediction of Nostradamus, from "The Complete Works of Béranger"
Multiple artists/makers
1836

Fortune, from "The Complete Works of Béranger", J. J. Grandville French, Wood engraving — Fortune, from "The Complete Works of Béranger"
Multiple artists/makers
1836

The Prisoner's Fire, from "The Complete Works of Béranger", J. J. Grandville French, Wood engraving — The Prisoner's Fire, from "The Complete Works of Béranger"
Multiple artists/makers
1836

Plate with a scene from Métamorphoses du Jour (plate 3), Creil French, Glazed earthenware with transfer-printed decoration, French, Creil — Plate with a scene from Métamorphoses du Jour (plate 3)
Creil
J. J. Grandville
ca. 1830–40

Plate with a scene from Métamorphoses du Jour (plate 37), Creil French, Glazed earthenware with transfer-printed decoration, French, Creil — Plate with a scene from Métamorphoses du Jour (plate 37)
Creil
J. J. Grandville
ca. 1830–40

Les métamorphoses du jour, J. J. Grandville French, Hand-colored lithographs — Les métamorphoses du jour
J. J. Grandville
Aubert et Cie
n.d.

The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832), from "L'Association Mensuelle no. 3", J. J. Grandville French, Lithograph — The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832), from "L'Association Mensuelle no. 3"
Multiple artists/makers
October 1832

Zing! Zing! Boom Boom Boom!!! The Show of the Grrrreat Political Tumblers, from "L'Association Mensuelle no. 13", J. J. Grandville French, Lithograph — Zing! Zing! Boom Boom Boom!!! The Show of the Grrrreat Political Tumblers, from "L'Association Mensuelle no. 13"
Multiple artists/makers
August 1833

Children, Obey Me, Do Not Play With Those Weapons, from "L'Association Mensuelle no. 21", J. J. Grandville French, Lithograph — Children, Obey Me, Do Not Play With Those Weapons, from "L'Association Mensuelle no. 21"
Multiple artists/makers
April 1834

Animal Kingdom: Natural History Cabinet (Règne animal: Cabinet d'histoire naturelle), from La Caricature, plates 265 and 266, J. J. Grandville French, Lithograph, hand-colored — Animal Kingdom: Natural History Cabinet (Règne animal: Cabinet d'histoire naturelle), from La Caricature, plates 265 and 266
Multiple artists/makers
April 18, 1833

Man in a Nightshirt Reaching for a Bottle Labeled "Fountain of Youth", J. J. Grandville French, Pen and brown ink on wove paper, laid down on brown wove paper — Man in a Nightshirt Reaching for a Bottle Labeled "Fountain of Youth"
J. J. Grandville
1803–47

First Dream, from "Le Magasin Pittoresque", J. J. Grandville French, Wood engraving — First Dream, from "Le Magasin Pittoresque"
J. J. Grandville
Paul Constant Soyer
1820–47

Second Dream, from "Le Magasin Pittoresque", J. J. Grandville French, Wood engraving — Second Dream, from "Le Magasin Pittoresque"
J. J. Grandville
Paul Constant Soyer
1820–47

Les Fleurs Animées, Title Page, J. J. Grandville French, Hand-colored wood engraving — Les Fleurs Animées, Title Page
Multiple artists/makers
1847

Perveche Desséchée, from "Les Fleurs Animées", J. J. Grandville French, Wood engravings and lithographs, hand-colored — Perveche Desséchée, from "Les Fleurs Animées"
Multiple artists/makers
1847

Grand Course au Clocher Académique, No. 5, J. J. Grandville French, Hand-colored lithograph — Grand Course au Clocher Académique, No. 5
Multiple artists/makers
1844

Grand Course au Clocher Académique, Pl. 2, J. J. Grandville French, Hand-colored lithograph — Grand Course au Clocher Académique, Pl. 2
J. J. Grandville
Aubert et Cie
1844

Nenuphar, from "Les Fleurs Animées", J. J. Grandville French, Wood engravings and lithographs, hand-colored — Nenuphar, from "Les Fleurs Animées"
Multiple artists/makers
1847

Capucine, from "Les Fleurs Animées", J. J. Grandville French, Wood engravings and lithographs, hand-colored — Capucine, from "Les Fleurs Animées"
Multiple artists/makers
1820–70

Thé & Café, from "Les Fleurs Animées", J. J. Grandville French, Hand-colored wood engraving — Thé & Café, from "Les Fleurs Animées"
Multiple artists/makers
1847

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville French, Pen and brown ink over graphite — Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846

Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846, J. J. Grandville French, Pen and brown ink, brush and wash, and white heightening. — Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville French, Brush and gray wash over graphite. — Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville French, Pen and brown ink, brush and gray wash, white heightening over graphite. — Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville French, Pen and brown ink, brush and gray and brown wash over graphite. — Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville French, Pen and brown ink, brush and gray and brown wash over graphite. — Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846

"Again, Madame, whether you do or do not want to divorce, you are perfectly free", J. J. Grandville French, Lithograph — "Again, Madame, whether you do or do not want to divorce, you are perfectly free"
Multiple artists/makers
1832

I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

The oldest rabbit jumped respectfully on his grandfather's lap..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — The oldest rabbit jumped respectfully on his grandfather's lap..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

There was once, in the camp there, two little hares with their sister, and then there was also a big bad bird who wanted to stop them from passing, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — There was once, in the camp there, two little hares with their sister, and then there was also a big bad bird who wanted to stop them from passing, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

My new master, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — My new master, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

His son, who looked like him in every way ..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — His son, who looked like him in every way ..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

There are men who walk around begging on fertile ground, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — There are men who walk around begging on fertile ground, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

A very well put insect and beautiful dancer, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — A very well put insect and beautiful dancer, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

An Old Butterfly, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — An Old Butterfly, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
Honoré de Balzac
ca. 1837–47

The Sloth yawned: 'I had...waited', from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — The Sloth yawned: 'I had...waited', from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
Honoré de Balzac
ca. 1837–47

Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

A Stork was called to the presidency..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — A Stork was called to the presidency..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47