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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 39 results for Iwata Nakayama

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[Composition with Lace and Glass]

Iwata Nakayama

1930–32

Vase, Itoko Iwata Japanese, Glass — Vase
Itoko Iwata
Iwata Glass Co., Ltd.
1959

Jar with lid, Toshichi Iwata Japanese, Glass — Jar with lid
Toshichi Iwata
Iwata Glass Co., Ltd.
ca. 1970

Vase, Toshichi Iwata Japanese, Glass — Vase
Toshichi Iwata
Iwata Glass Co., Ltd.
ca. 1955

Vase, Toshichi Iwata Japanese, Glass — Vase
Toshichi Iwata
Iwata Glass Co., Ltd.
ca. 1975–76

Vase, Toshichi Iwata Japanese, Glass — Vase
Toshichi Iwata
Iwata Glass Co., Ltd.
ca. 1955

Case (Inrō) with Design of Weeping Willow and Cherry Blossoms, Nakayama Komin Japanese, Hiramaki-e with nashiji on black lacquer, roiro, nashiji, gold and silver hiramakie, gold and silver foil; Interior: nashiji and fundame; Ojime: ivory bead with vines and grasses in gold lacquer; Netsuke: woven basket with shell and gold lacquer), Japan — Case (Inrō) with Design of Weeping Willow and Cherry Blossoms
Nakayama Komin
19th century

Writing Box (Suzuribako) with Episodes from the Tales of Ise (Ise monogatari), Nakayama Komin Japanese, Gold maki-e with inlaid silver on lacquer, Japan — Writing Box (Suzuribako) with Episodes from the Tales of Ise (Ise monogatari)
Nakayama Komin
19th century

Case (Inrō) with Design of the Seven Gods of Good Fortune Fording a River, Nakayama Komin Japanese, Gold lacquer with gold hiramkie sprinkled and polished lacquer, nashiji (pear skin) lacquer, and mother-of-pearl, ivory, and wood inlay; Interior: nashiji and fundame; Netsuke: wood-framed ivory plaque with bird and flower inlay; Ojime: lacquer Daikoku's hammer, Japan — Case (Inrō) with Design of the Seven Gods of Good Fortune Fording a River
Nakayama Komin
late 19th century

Vase, Hisatoshi Iwata Japanese, Glass, gilding — Vase
Hisatoshi Iwata
1979

Gauze Box, Kiyomi Iwata American, Silk — Gauze Box
Kiyomi Iwata
ca. 1986

Tadashi Nakayama

1958

Knife Handle (Kozuka), Iwama Nobuyoshi Japanese, Copper-silver alloy (shibuichi), silver, gold, Japanese — Knife Handle (Kozuka)
Iwama Nobuyoshi
19th century

Knife Handle (Kozuka), Iwama Masayoshi Japanese, Copper-silver alloy (shibuichi), copper-gold alloy (shakudō), gold, silver, copper, Japanese — Knife Handle (Kozuka)
Iwama Masayoshi
late 18th–early 19th century

Knife Handle (Kozuka), Iwama Masayoshi Japanese, Copper, silver, gold, copper-gold alloy (shakudō), Japanese — Knife Handle (Kozuka)
Iwama Masayoshi
late 18th–mid-19th century

Knife Handle (Kozuka), Iwama Nobuyoshi Japanese, Copper-silver alloy (shibuichi), gold, silver, Japanese — Knife Handle (Kozuka)
Iwama Nobuyoshi
19th century

Knife Handle (Kozuka), Iwama Masayoshi Japanese, Copper-gold alloy (shakudō), silver, gold, Japanese — Knife Handle (Kozuka)
Iwama Masayoshi
late 18th–early 19th century

Knife Handle (Kozuka), Iwama Masayoshi Japanese, Copper-silver alloy (shibuichi), gold, copper-gold alloy (shakudō), Japanese — Knife Handle (Kozuka)
Iwama Masayoshi
dated 1828

The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals, Iwasa Matabei Japanese, Hanging scroll; ink, color, gold and silver on paper, Japan — The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals
Iwasa Matabei
early 17th century

Pictures with Letters, Iwasa Matabei Japanese, Fourteen figures on seven folded sheets; ink on paper, Japan — Pictures with Letters
Iwasa Matabei
17th century

The Tale of Genji, Iwasa school, Pair of six-panel screens: ink and color on paper, Japan — The Tale of Genji
Iwasa school
late 17th–early 18th century

Man and Woman in Court Dress Looking at Young Pines for New Year Ceremony, Nagayama Koin (Hirotora) Japanese, Woodblock print (surimono); ink and color on paper, Japan — Man and Woman in Court Dress Looking at Young Pines for New Year Ceremony
Nagayama Koin (Hirotora)
19th century

Spoon, Nakagawa Joeki, White metal, Japan — Spoon
Nakagawa Joeki
19th century

Picture Album of Landscapes by Yi Fujiu and Ike no Taiga (I Fukyū Ike no Taiga sansui gafu) 伊桴鳩池大雅山水画譜; 山水画譜(さんすいがふ)
, Nakagawa Tenju Japanese, Set of two woodblock-printed books bound as one volume; ink on paper, Japan — Picture Album of Landscapes by Yi Fujiu and Ike no Taiga (I Fukyū Ike no Taiga sansui gafu) 伊桴鳩池大雅山水画譜; 山水画譜(さんすいがふ)
Nakagawa Tenju
1803 (posthumously published)

Listening to the Waves (Chōtō), Sakiyama Takayuki Japanese, Stoneware with sand glaze, Japan — Listening to the Waves (Chōtō)
Sakiyama Takayuki
2004

Clearing of the Evening Sky (Sekisei), Nakagawa Mamoru Japanese, Cast alloy of copper, silver, and tin with inlays of copper, silver, and gold, Japan — Clearing of the Evening Sky (Sekisei)
Nakagawa Mamoru
2005

Vase, Sinya Okayama Japanese, Stainless steel — Vase
Multiple artists/makers
1986

“Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari), Iwasa Matabei (Katsumochi) Japanese, Hanging scroll; ink, color, gold and silver on paper, Japan — “Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari)
Iwasa Matabei (Katsumochi)
ca. 1640

Untitled MV-202 (Metavoid-202), Akiyama Yō 秋山陽 Japanese, Unglazed stoneware with rusted iron coating, Japan — Untitled MV-202 (Metavoid-202)
Akiyama Yō 秋山陽
2020

Okinawa 009, Osamu James Nakagawa American, Inkjet print — Okinawa 009
Osamu James Nakagawa
2008

Okinawa 001, Osamu James Nakagawa American, Inkjet print — Okinawa 001
Osamu James Nakagawa
2008

Blade and Mounting for a Short Sword (Wakizashi), Sadakuni Japanese, Steel, wood, lacquer, ray skin (samé), malachite, leather, gold, copper-gold alloy (shakudō), copper-silver alloy (shibuichi),, Japanese — Blade and Mounting for a Short Sword (Wakizashi)
Sadakuni
Nakagawa Isshō
blade, late16th–early 17th century; mounting, 19th century

“The scholars of the past studied for their own improvement. Today’s scholars study to impress others” (From The Analects of Confucius), Miwada (or Miwata) Beizan Japanese, Hanging scroll; ink on paper, Japan — “The scholars of the past studied for their own improvement. Today’s scholars study to impress others” (From The Analects of Confucius)
Miwada (or Miwata) Beizan
late 19th–early 20th century

Eight Views of Xiao and Xiang, Iwasa Matabei (Iwasa Matabē) 岩佐又兵衛 Japanese, Diptych of hanging scrolls; ink and color on paper, Japan — Eight Views of Xiao and Xiang
Iwasa Matabei (Iwasa Matabē) 岩佐又兵衛
ca. 1640s

7 o'clock NY, Nakagawa Mamoru 中川衛 Japanese, Cast alloy of copper, silver, and tin with inlays of copper, silver, and gold, Japan — 7 o'clock NY
Nakagawa Mamoru 中川衛
2020

Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals, Iwasa Matabei 岩佐又兵衛 Japanese, Hanging scroll: ink, color, gold and silver on paper, Japan — Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals
Iwasa Matabei 岩佐又兵衛
1620s–1630s

Green Landscape # 1

Kikudo Nakagawa

WPA

1935–40

Designs of lanterns and fixtures

Matsukawa

Nakabayama

1837

The Nanpo Album (Nanpo jō) 南畝帖, Nagayama Kōin (Hirotora) 長山孔寅画・蜀山人 Japanese, Woodblock printed book; ink and color on paper, Japan — The Nanpo Album (Nanpo jō) 南畝帖
Nagayama Kōin (Hirotora) 長山孔寅画・蜀山人
1824