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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Italian

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Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. — Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio — Dish (tondino)
Italian
ca. 1530

Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris) — Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century

Italian , Milan, third quarter of the 16th century, and, Rock crystal, cut on the wheel, enameled gold and diamonds. — Italian
Reinhold Vasters
third quarter 16th century and ca. 1865–95

Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena — Tondo mirror frame
Italian, Siena
ca. 1490–1500

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian — Sallet in the Shape of a Lion's Head
Italian
ca. 1475–80

Armor, Steel, copper alloy, textile, leather, Italian — Armor
Italian
ca. 1400–1450 and later

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Portal from the Church of San Leonardo al Frigido, Biduinus Italian, Marble (Carrara marble), Italian — Portal from the Church of San Leonardo al Frigido
Biduinus
ca. 1175

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

Virginal, Wood, parchment, ivory, paint, Italian — Virginal
Italian
1540

Guitar, Matteo Sellas German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian — Guitar
Matteo Sellas
ca. 1630–50

Bassoon, Giosue Esposito Naples, Maple, nickel-silver, Italian — Bassoon
Giosue Esposito
1881

Rebecchino, Boxwood, rosewood, ebony, Italian — Rebecchino
Italian
ca. 1420

Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian — Guitar
Giacomo (Jacob) Ertel
late 17th century

Guitar, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Italian — Guitar
Italian
ca. 1800

Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian — Tabernacle frame
del Tasso
ca. 1530

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

Archlute, David Tecchler Austrian, active Italy, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Italian — Archlute
David Tecchler
ca. 1725

Cassetta Frame, Italian , Veneto, Pine, Italian, Veneto — Cassetta Frame
Italian
mid-16th century

Candlestick with figures of caryatids and putti, Italian , Venice (?), Copper alloy, with dark green to black patina., Italian, Venice (?) — Candlestick with figures of caryatids and putti
Italian
19th century

Reverse Canaletto frame, Italian , Veneto, Carved and silver-gilt pine, silver, Italian, Veneto — Reverse Canaletto frame
Italian
ca. 1730

Orpheus, Italian , early 16th century, Pen and brown ink, Central Italian — Orpheus
Italian
early 16th century

Canaletto Frame, Italian , Venice, Pine, Italian, Venice — Canaletto Frame
Italian
early 18th century

Cassetta frame, Italian , Veneto, Poplar, Italian, Veneto — Cassetta frame
Italian
16th century

Caneletto-style frame, Italian , Veneto, Poplar, Italian, Veneto — Caneletto-style frame
Italian
mid-18th century

Cassetta frame, Italian , Lombard, Poplar and pine, Italian, Lombardy — Cassetta frame
Italian
ca. 1870, style early 17th century

Portrait of a Man in a Fur-Trimmed Coat, Italian (Lombard) Painter Italian, Oil on canvas — Portrait of a Man in a Fur-Trimmed Coat
Italian (Lombard) Painter

Madonna and Child with Saints Michael and John the Baptist; The Noli Me Tangere; The Conversion of Saint Paul, Italian (Pisan) Painter Italian, Tempera on wood, gold ground — Madonna and Child with Saints Michael and John the Baptist; The Noli Me Tangere; The Conversion of Saint Paul
Italian (Pisan) Painter

Book Cover, Italian (Sienese) Painter Italian, Tempera on wood — Book Cover
Italian (Sienese) Painter

View of Sorrento, Italian (?), early 19th century (possibly attributed to "Gargiullo"), Gouache — View of Sorrento
Italian
1810–40

View of Naples from San Martino, Italian (?), early 19th century (possibly attributed to "Gargiulo"), Gouache — View of Naples from San Martino
Italian
1810–40

View of Venice, Italian (?), 19th century (possibly attributed to "Gargiulo"), Gouache on black paper — View of Venice
Italian
1830–45

The Flagellation, Italian, Veneto, Metalpoint, brush and gray wash, touches of white, on gray prepared paper, Italian (Veneto) — The Flagellation
Italian, Veneto
early 16th century

Studies of the Leg of a Man and a Horse's Head (recto); sketches of the back of a man's left shoulder and a chained (?) figure., Central Italian , second quarter 16th century, Pen and brown ink (the horse's head in a different pen and brown ink), brush and wash in two shades of brown (recto); red chalk and pencil (verso), Central Italian — Studies of the Leg of a Man and a Horse's Head (recto); sketches of the back of a man's left shoulder and a chained (?) figure.
Central Italian
second quarter 16th century

Design for a Funeral Monument, Italian, Lombardy, Pen and ink in two shades of brown, brush and brown washes., Italian, Lombard — Design for a Funeral Monument
Italian, Lombardy
early 16th century

Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei, Anonymous, Italian , 16th century Italian, Engraving, Italian, Rome — Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei
Multiple artists/makers
ca. 1550–53