Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for Italian, Northern Italian or Venice
Sort by:
Taper holder, Iron, hammered, Italian, Northern Italian or Venice
Italian, Northern Italian or Venice
17th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass.  Blown, enameled, gilt., Italian (Venice)
Italian
ca. 1500–1525
Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice
Italian, Venice
early 16th century
Bedroom from the Sagredo Palace, Abbondio Stazio  Swiss, Wood, stucco, marble, glass, Italian, Venice
Abbondio Stazio
Carpoforo Mazzetti Tencalla
ca. 1720 or later
Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio
Italian
ca. 1530
Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona)  Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495
Goblet, Glass, enameled and gilded, Italian, Venice, Murano
Italian, Venice, Murano
ca. 1475–1500 (modern foot)
Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris)
Multiple artists/makers
second half 16th century and second half 19th century
Candlestick with figures of caryatids and putti, Italian , Venice (?), Copper alloy, with dark green to black patina., Italian, Venice (?)
Italian
19th century
Canaletto Frame, Italian , Venice, Pine, Italian, Venice
Italian
early 18th century
Kablé (buffalo helmet mask), Northern Tussian or Siemu blacksmith, Ceiba(?) wood, cane, fiber, Northern Tussian or Siemu
Northern Tussian or Siemu blacksmith
19th–first quarter 20th century
Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena
Italian, Siena
ca. 1490–1500
Small cabinet, Walnut, carved., Italian (Northern?)
Italian (Northern?)
late 19th or early 20th century (using older parts)
Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair), Vincenzo Grandi, Bronze, partially oil-gilt, Northern Italian
Vincenzo Grandi
Gian Gerolamo Grandi
mid-16th century
Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair), Vincenzo Grandi, Bronze, partially oil-gilt, Northern Italian
Vincenzo Grandi
Gian Gerolamo Grandi
mid-16th century
Seated satyr with an inkwell and a candlestick, Bronze, Northern Italian
Northern Italian
ca. 1530–40
Panel, Carved, stamped and punched cypress with ink drawing, Northern Italian
Northern Italian
second half 15th century
Book of the Gospels, Northern Highlands artist, Parchment (vellum), acacia wood, tempera, ink
Northern Highlands artist
late 14th–early 15th century
Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany
Italian (Tuscan)
ca. 1500–1550
Mäsqälä qǝddase (liturgical cross), Northern Highlands artist, Copper, Central or Northern Highlands region
Northern Highlands artist
15th century
Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian
Italian
ca. 1475–80
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later
The Crucifixion, Master of the Codex of Saint George  Italian, Tempera on wood, gold ground, Italian
Master of the Codex of Saint George
ca. 1330–35
Portal from the Church of San Leonardo al Frigido, Biduinus  Italian, Marble (Carrara marble), Italian
Biduinus
ca. 1175
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano  Italian, Marble, Italian
Giovanni Pisano
ca. 1301, with later additions
Virginal, Wood, parchment, ivory, paint, Italian
Italian
1540
Guitar, Matteo Sellas  German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian
Matteo Sellas
ca. 1630–50
Bassoon, Giosue Esposito  Naples, Maple, nickel-silver, Italian
Giosue Esposito
1881
Rebecchino, Boxwood, rosewood, ebony, Italian
Italian
ca. 1420
Guitar, Giacomo (Jacob) Ertel  German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian
Giacomo (Jacob) Ertel
late 17th century
Guitar, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Italian
Italian
ca. 1800
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
del Tasso
ca. 1530
The Adoration of the Shepherds, Bartolo di Fredi  Italian, Tempera on poplar, gold ground, Italian
Bartolo di Fredi
1374
Archlute, David Tecchler  Austrian, active Italy, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Italian
David Tecchler
ca. 1725
Chair Seat Cushion, Italian or Spanish  Italian or Spanish, 17th century, Leather, tooled and painted, Italian or Spanish
Italian or Spanish
17th century
Relief from a Pulpit with the Symbol of Saint Luke, Master Christophanus or Stephanus , and his Workshop Italian, Limestone with lead, Italian
Master Christophanus or Stephanus
ca. 1180
Bedstead from Sagredo Palace, Limewood, carved and gilt, Italian, Venice
Italian, Venice
ca. 1725–35
Adonis, Antonio Corradini  Italian, Carrara marble, Italian, Venice
Antonio Corradini
ca. 1723–25
Two-Hand Sword, Steel, gold, wood, Italian, Venice
Italian, Venice
ca. 1570