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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 29 results for Imai Hyōe

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Shallow Bowl, Imai Hyōe Japanese, Stoneware with red iron glaze, Japan — Shallow Bowl
Imai Hyōe
2002

Winter Farming Scene; (verso) Autumn Farming Scene, Katsushika Isai Japanese, Folding fan; ink and color on paper, with mounting in ivory, Japan — Winter Farming Scene; (verso) Autumn Farming Scene
Katsushika Isai

Summer Flowers, Katsushika Isai Japanese, Folding fan remounted as a hanging scroll; ink and color on silk, Japan — Summer Flowers
Katsushika Isai

Spring Farming Scene, Katsushika Isai Japanese, Folding fan, remounted as a hanging scroll; ink and color on silk, Japan — Spring Farming Scene
Katsushika Isai

Heritage Studies #7, Iman Issa Egyptian, Mahogany, painted metal, and vinyl text — Heritage Studies #7
Iman Issa
2015

Folio with Verses in Nasta'liq Script, Mir `Imad al-Hasani Iranian, Ink, opaque watercolor, and gold on paper — Folio with Verses in Nasta'liq Script
Mir `Imad al-Hasani
dated 1017 AH/1608–9 CE

Bowl with cover and stand, Paul Le Riche French, Hard-paste porcelain, silver mounts, Japanese with French mounts — Bowl with cover and stand
Paul Le Riche
Imari Porcelain
porcelain ca. 1700–1720, mounts 1726–32, with later additions

Toilet set in original leather case, Fourteen identified German (Augsburg) goldsmiths and other German artisans; Japanese (Imari) porcelain maker, Gilt silver, hard-paste porcelain, cut glass, walnut, carved and partially gilt coniferous wood, blind-tooled and partially gilt leather, partially gilt steel and iron, textiles, moiré paper, hog's bristle, German, Augsburg — Toilet set in original leather case
Fourteen identified German (Augsburg) goldsmiths and other German artisans; Japanese (Imari) porcelain maker
ca. 1743–45

Cormorant and Kerria Rose (Yamabuki), from Keinen kachō gafu (Keinen’s Flower-and-Bird Painting Manual), Imao Keinen 今尾景年 Japanese, Woodblock print; ink and color on paper, Japan — Cormorant and Kerria Rose (Yamabuki), from Keinen kachō gafu (Keinen’s Flower-and-Bird Painting Manual)
Imao Keinen 今尾景年
1891

Bush Clover and Full Moon, Imao Keinen 今尾景年 Japanese, Hanging scroll; ink and color on silk, Japan — Bush Clover and Full Moon
Imao Keinen 今尾景年
19th–20th century

Two Birds and Crysanthemums, from Keinen kachō gafu (Keinen’s Flower-and-Bird Painting Manual), Imao Keinen 今尾景年 Japanese, Woodblock print; ink and color on paper, Japan — Two Birds and Crysanthemums, from Keinen kachō gafu (Keinen’s Flower-and-Bird Painting Manual)
Imao Keinen 今尾景年
1891

Inscribed Bowl, Al-Imami Sayyid Naqqash al-Husaini, Copper; tinned, engraved, and inlaid with black compound — Inscribed Bowl
Al-Imami Sayyid Naqqash al-Husaini
dated 942 AH/1535–36 CE

Beaker vase (part of a five-piece garniture), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Beaker vase (part of a five-piece garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Baluster-shaped vase (part of a five-piece garniture), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Baluster-shaped vase (part of a five-piece garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Baluster-shaped vase (part of an assembled garniture), Porcelain, Japanese, for export market (Hizen ware, Imari type) — Baluster-shaped vase (part of an assembled garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Baluster-shaped vase (part of an assembled garniture), Porcelain, Japanese, for export market (Hizen ware, Imari type) — Baluster-shaped vase (part of an assembled garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Square bottle with stopper (one of a pair), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Square bottle with stopper (one of a pair)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Beaker vase (part of a five-piece garniture), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Beaker vase (part of a five-piece garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Square bottle with stopper (one of a pair), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Square bottle with stopper (one of a pair)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Baluster-shaped vase (part of a five-piece garniture), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Baluster-shaped vase (part of a five-piece garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Baluster-shaped vase (part of a five-piece garniture), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Baluster-shaped vase (part of a five-piece garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Baluster-shaped vase, Porcelain, Japanese, for export market (Hizen ware, Imari type) — Baluster-shaped vase
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Baluster-shaped vase (part of an assembled garniture), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Baluster-shaped vase (part of an assembled garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Bird Shaped Whistle, Pottery, Native American: (Baja Peninsula), Probably Tipai-Ipai — Bird Shaped Whistle
Native American: (Baja Peninsula), Probably Tipai-Ipai
19th century

Beaker vase (part of an assembled garniture), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Beaker vase (part of an assembled garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Beaker vase (part of an assembled garniture), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Beaker vase (part of an assembled garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Beaker vase (part of an assembled garniture), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Beaker vase (part of an assembled garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Beaker vase (part of an assembled garniture), Hard-paste porcelain with underglaze blue and overglaze enamel and gilding, Japanese, for export market (Hizen ware, Imari type) — Beaker vase (part of an assembled garniture)
Japanese, for export market (Hizen ware, Imari type)
ca. 1690–1720

Collaborative Painting of Sixteen Arhats, Suzuki Hyakunen 鈴木百年 Japanese, Hanging scroll; ink and color on satin, Japan — Collaborative Painting of Sixteen Arhats
Multiple artists/makers
late 1870s–early 1880s