Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,575 results for Iacomo Vivio dell'Aquilla

Sort by:

Discorso sopra la mirabil opera di basso rilievo di cera stuccata con colori scolpita in pietra negra

Iacomo Vivio dell'Aquilla

Francesco Coattino

1590

The Last Judgment, after Giacomo Vivio dell'Aquila's sculpted model of Michelangelo's fresco

Multiple artists/makers

1589

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

Acoustic-Electric Guitar, Vivi-Tone American, Spruce, maple, mahogany, ebony, American — Acoustic-Electric Guitar
Vivi-Tone
ca. 1933

Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian — Guitar
Giacomo (Jacob) Ertel
late 17th century

The Finding of Moses, Jacopo [Giacomo] Barozzi da Vignola Italian, Wood, Italian — The Finding of Moses
Jacopo [Giacomo] Barozzi da Vignola
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
16th century

The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) Italian, Oil on canvas — The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590

Flow, Michael Vivo American, Terracotta colored pencil with graphite on paper — Flow
Michael Vivo
1979

Jacket V, Michael Vivo American, Graphite on paper — Jacket V
Michael Vivo
1978

Jacket III, Michael Vivo American, Graphite on paper — Jacket III
Michael Vivo
1977

Women's Acoma Cape or Dress, Handspun undyed and indigo-dyed Churro fleece and cochineal-dyed raveled bayeta, Acoma, Native American — Women's Acoma Cape or Dress
Acoma, Native American
ca. 1850

A Woman with a Dog, Giacomo Ceruti Italian, Oil on canvas — A Woman with a Dog
Giacomo Ceruti
1740s

Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer
Jacopo Tintoretto (Jacopo Robusti)
probably 1577

The Finding of Moses, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — The Finding of Moses
Jacopo Tintoretto (Jacopo Robusti)
1560s?

The Miracle of the Loaves and Fishes, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — The Miracle of the Loaves and Fishes
Jacopo Tintoretto (Jacopo Robusti)
ca. 1545–50

Portrait of a Man, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — Portrait of a Man
Jacopo Tintoretto (Jacopo Robusti)
1550s

Close Helmet, Gian Giacomo Negroli, Steel, gold, Italian, Milan — Close Helmet
Gian Giacomo Negroli
ca. 1510–20

Multiple artists/makers

1967

The Last Supper, Livio Agresti da Forlì Italian, Copper, Italian, Rome — The Last Supper
Livio Agresti da Forlì
1582

Paris, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua — Paris
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524

Flora and Zephyr, Jacopo Amigoni Italian, Oil on canvas — Flora and Zephyr
Jacopo Amigoni
1730s

Water Jar (olla), Ceramic, Acoma — Water Jar (olla)
Acoma
ca. 1900

Festival, Livio Abramo Brazilian, Wood engraving — Festival
Livio Abramo
1956

Sallet, Pietro Giacomo da Castello Italian, Steel, Italian — Sallet
Pietro Giacomo da Castello
ca. 1510–20

The Last Supper, Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli) and his workshop Italian, Intarsia, Italian, Bologna — The Last Supper
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
Jacopo [Giacomo] Barozzi da Vignola
1548

The Blessed Catherine, Giacomo Serpotta, Silver, Italian, Palermo — The Blessed Catherine
Giacomo Serpotta
1762

Doves of Pliny, Giacomo Raffaelli Italian, Glass mosaic on bronze, Italian, Rome — Doves of Pliny
Giacomo Raffaelli
1783

[Stairs], Giacomo Caneva Italian, Salted paper print from paper negative — [Stairs]
Giacomo Caneva
1850s

View from the French Academy at the Villa Medici, Giacomo Caneva Italian, Salted paper print from paper negative — View from the French Academy at the Villa Medici
Giacomo Caneva
ca. 1852

[Vesuvius from Mergellina], Giacomo Caneva Italian, Salted paper print from paper negative — [Vesuvius from Mergellina]
Giacomo Caneva
ca. 1855

Saint Felicity, Giacomo Serpotta, Silver, Italian, Palermo — Saint Felicity
Giacomo Serpotta
1762

Dragon, Giacomo Laurenziani Italian, Bronze, Italian, Rome — Dragon
Giacomo Laurenziani
early 17th century

[Tree in Formal Garden Outside Palazzo], Giacomo Caneva Italian, Albumen silver print from glass negative — [Tree in Formal Garden Outside Palazzo]
Giacomo Caneva
1860s–70s

[Roman Ruins], Giacomo Caneva Italian, Albumen silver print — [Roman Ruins]
Giacomo Caneva
1860s

[Carlotta Cortudino], Giacomo Caneva Italian, Salted paper print from paper negative — [Carlotta Cortudino]
Giacomo Caneva
ca. 1852

Jérôme Bonaparte (1784–1860), King of Westphalia, Giacomo Andreoli Italian, Ivory — Jérôme Bonaparte (1784–1860), King of Westphalia
Giacomo Andreoli

The Porto di Lido, with the Fortezza Sant'Andrea on the Left, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Porto di Lido, with the Fortezza Sant'Andrea on the Left
Giacomo Guardi
ca. 1804–28

The Church and Convent of San Mattia di Murano, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Church and Convent of San Mattia di Murano
Giacomo Guardi
ca. 1804–28

The Punta di San Giobbe, with the Island of San Secondo in the Distance, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Punta di San Giobbe, with the Island of San Secondo in the Distance
Giacomo Guardi
ca. 1804–28

San Pietro di Castello, Giacomo Guardi Italian, Pen and brown ink, gray wash — San Pietro di Castello
Giacomo Guardi
ca. 1804–28