Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 3,383 results for Hosoya Hansai

Sort by:

Case (Inrō) with Design of Bird and Two Young beside Flowering Mustard Plant (obverse); Inscription (reverse), Hosoya Hansai Japanese, Lacquer, roiro, black hiramakie, incised; Interior: roiro and hirame, Japan — Case (Inrō) with Design of Bird and Two Young beside Flowering Mustard Plant (obverse); Inscription (reverse)
Hosoya Hansai
Tomioka Tessai
19th century

Ensemble, (a, b) wool, silk, metal; (c, d) leather, silk, metal, Czech, Hanáci — Ensemble
Czech, Hanáci
late 19th century

Preparing New Year Decorations, Hosoda Eishi Japanese, Right-hand sheet from a triptych of woodblock prints; ink and color on paper, Japan — Preparing New Year Decorations
Hosoda Eishi
ca. 1788

Fruit or Offering Tray (Morikago), Yokota Hōsai Japanese, Timber bamboo, smoked dwarf bamboo, rattan, and lacquer, Japan — Fruit or Offering Tray (Morikago)
Yokota Hōsai
ca. 1960s

Lion Hunt Bell, Iron, glass beads, leather., Maasai — Lion Hunt Bell
Maasai
early 20th century

Baban riga (man’s ceremonial robe), Amadou Ahejo, Kano, Nigeria Nigerian, Cotton, tsamiya silk, Hausa peoples — Baban riga (man’s ceremonial robe)
Amadou Ahejo, Kano, Nigeria
ca. 1940

Hat (Fulan), Cotton cloth, thread, Hausa — Hat (Fulan)
Hausa
19th–20th century

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling Netherlandish, Oil on wood — Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)
Hans Memling
ca. 1470

The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas — The Annunciation
Hans Memling
1480–89

The Annunciation, Hans Memling Netherlandish, Oil on wood — The Annunciation
Hans Memling
ca. 1465–70

Saint Stephen, Hans Leinberger German, Limewood with traces of paint, South German — Saint Stephen
Hans Leinberger
ca. 1525–30

Het goede moment, Hans Warren Dutch — Het goede moment
Hans Warren
Carrara Pers

Shrine Cabinet in the shape of a Mountain Monk’s Backpack (Oi), Iizuka Hōsai II Japanese, Timber bamboo and dwarf bamboo, lacquer, Japan — Shrine Cabinet in the shape of a Mountain Monk’s Backpack (Oi)
Iizuka Hōsai II
1911

Large Flower Basket (Hanakago), Iizuka Hōsai II Japanese, Timber bamboo, rattan, and lacquer, Japan — Large Flower Basket (Hanakago)
Iizuka Hōsai II
ca. 1910s

Inkstone Box (Suzuribako) and Document Box (Ryōshibako), Iizuka Hōsai II Japanese, Timber bamboo, rattan, lacquer, and gold powder, Japan — Inkstone Box (Suzuribako) and Document Box (Ryōshibako)
Iizuka Hōsai II
1923

Green Plums Wrapped in Bamboo Leaf; A Teabowl, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Green Plums Wrapped in Bamboo Leaf; A Teabowl
Totoya Hokkei
19th century

Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover
Totoya Hokkei
19th century

Ebisu and Daikoku; Two of the Seven Gods of Good Fortune, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Ebisu and Daikoku; Two of the Seven Gods of Good Fortune
Totoya Hokkei
19th century

Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off
Totoya Hokkei
19th century

Rising Sun and Cock and Hen, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Rising Sun and Cock and Hen
Totoya Hokkei
ca. 1800

Letter-box and Toothpick Holders, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Letter-box and Toothpick Holders
Totoya Hokkei
19th century

Pillow for Women and a Bowl, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Pillow for Women and a Bowl
Totoya Hokkei
Shibayamadō
19th century

Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony
Totoya Hokkei
19th century

Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box
From the Spring Rain Collection (Harusame shū), vol. 3
, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box From the Spring Rain Collection (Harusame shū), vol. 3
Totoya Hokkei
probably 1817

Rising Sun and Plum Tree, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Rising Sun and Plum Tree
Totoya Hokkei
19th century

Peacock on Pine Tree and Peonies, from the series Three Sheets (Mihira no uchi)

, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Peacock on Pine Tree and Peonies, from the series Three Sheets (Mihira no uchi)
Totoya Hokkei
mid- 1810s

Five Cranes by the Water’s Edge, from the series Three Sheets (Mihira no uchi)

, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Five Cranes by the Water’s Edge, from the series Three Sheets (Mihira no uchi)
Totoya Hokkei
mid- 1810s

Three Crows against the Rising Sun, from the series Three Sheets (Mihira no uchi)

, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Three Crows against the Rising Sun, from the series Three Sheets (Mihira no uchi)
Totoya Hokkei
mid- 1810s

Eggplants in a Basket, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Eggplants in a Basket
Totoya Hokkei
19th century

Tai Fish and Lobster; Specialities of Yanagiya in Odawara-cho, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Tai Fish and Lobster; Specialities of Yanagiya in Odawara-cho
Totoya Hokkei
19th century

Box of Face Powder and Hair Ties; Specialities of Shimomura in Ryogaecho, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Box of Face Powder and Hair Ties; Specialities of Shimomura in Ryogaecho
Totoya Hokkei
19th century

Hawk Made of Silk; Specialities of Karakiya in Kokucho, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Hawk Made of Silk; Specialities of Karakiya in Kokucho
Totoya Hokkei
19th century

Tobacco Pouches; Specialities of Takaya in Yokkaichi, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Tobacco Pouches; Specialities of Takaya in Yokkaichi
Totoya Hokkei
19th century

Roof Tile and Sparrows; Specialities of Mizuno in Imado, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Roof Tile and Sparrows; Specialities of Mizuno in Imado
Totoya Hokkei
19th century

Print, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Print
Totoya Hokkei
1780–1850

Print, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Print
Totoya Hokkei
1780–1850

Print, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Print
Totoya Hokkei
1780–1850

Scene in Gekkyuden - Dream of the Moon Palace, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Scene in Gekkyuden - Dream of the Moon Palace
Totoya Hokkei
1831

A Man Slaying a Monster Carp with a Sword, Totoya Hokkei Japanese, Diptych of woodblock prints (surimono); ink and color on paper, Japan — A Man Slaying a Monster Carp with a Sword
Totoya Hokkei
ca. 1830

Surimono Calendar for the Dog Year, 1814, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Surimono Calendar for the Dog Year, 1814
Totoya Hokkei
1814