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Showing 6,510 results for Henry Singleton

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Oriental with a Beard, Reading a Book

Henry Singleton

Georg Jacob Vollweiler

1803–7

Oriental with a Beard, Reading a Book

Henry Singleton

Georg Jacob Vollweiler

1803–7

Daniel Crommelin Verplanck, John Singleton Copley American, Oil on canvas, American — Daniel Crommelin Verplanck
John Singleton Copley
1771

Frontispiece: Time breaking the clouds...

John Jones

Henry Singleton

18th century

Self-portrait, John Singleton Copley American, Watercolor on ivory, American — Self-portrait
John Singleton Copley
1769

Midshipman Augustus Brine, John Singleton Copley American, Oil on canvas, American — Midshipman Augustus Brine
John Singleton Copley
1782

Mrs. Jerathmael Bowers, John Singleton Copley American, Oil on canvas, American — Mrs. Jerathmael Bowers
John Singleton Copley
ca. 1763

Mrs. John Winthrop, John Singleton Copley American, Oil on canvas, American — Mrs. John Winthrop
John Singleton Copley
1773

Mrs. Sylvanus Bourne, John Singleton Copley American, Oil on canvas, American — Mrs. Sylvanus Bourne
John Singleton Copley
1766

The Return of Neptune, John Singleton Copley American, Oil on canvas, American — The Return of Neptune
John Singleton Copley
ca. 1754

Samuel Verplanck, John Singleton Copley American, Oil on canvas, American — Samuel Verplanck
John Singleton Copley
1771

Watson and the Shark, John Singleton Copley American, Oil on canvas, American — Watson and the Shark
John Singleton Copley
ca. 1778

Joseph Sherburne, John Singleton Copley American, Oil on canvas, American — Joseph Sherburne
John Singleton Copley
ca. 1767–70

Melopoyn haranguing the Prisoners in the Fleet, Thomas Rowlandson British, Etching and aquatint — Melopoyn haranguing the Prisoners in the Fleet
Multiple artists/makers
September 15, 1792

Andrea Motley Crabtree, the first, Henry Taylor American, Acrylic on canvas — Andrea Motley Crabtree, the first
Henry Taylor
2017

Melopoyn haranguing the Prisoners in the Fleet, Thomas Rowlandson British, Etching and aquatint — Melopoyn haranguing the Prisoners in the Fleet
Multiple artists/makers
May 12, 1800

Captain Bowling introduced to Narcissa, Thomas Rowlandson British, Etching and aquatint — Captain Bowling introduced to Narcissa
Multiple artists/makers
May 12, 1800

Sofa, John Henry Belter American, Rosewood, Rosewood veneer; chestnut, pine (secondary woods); modern upholstery with some original underupholstery, American — Sofa
John Henry Belter
J. H. Belter & Co.
1850–60

Flight Into Egypt, Henry Ossawa Tanner American, Oil on canvas, American — Flight Into Egypt
Henry Ossawa Tanner
1923

The Will of Louis XVI: "Having God Alone As My Witness"

Multiple artists/makers

January 1, 1793

Moses Gill, John Singleton Copley American, Oil and gold leaf on copper, American — Moses Gill
John Singleton Copley
ca. 1759

Ebenezer Storer, John Singleton Copley American, Pastel on laid paper mounted on canvas, American — Ebenezer Storer
John Singleton Copley
ca. 1767–69

Mrs. Ebenezer Storer (Mary Edwards), John Singleton Copley American, Pastel on laid paper, mounted on canvas, American — Mrs. Ebenezer Storer (Mary Edwards)
John Singleton Copley
1767–69

Mrs. Edward Green (Mary Storer), John Singleton Copley American, Pastel on laid paper, mounted on canvas, American — Mrs. Edward Green (Mary Storer)
John Singleton Copley
1765

Richard Dana, John Singleton Copley American, Oil on canvas, American — Richard Dana
John Singleton Copley
ca. 1770

Sailors Maneuvering a Cannon, Possibly a Study for "The Death of Sir John More at Corunna", John Singleton Copley American, Black chalk and white-chalk heightening on blue laid paper, American — Sailors Maneuvering a Cannon, Possibly a Study for "The Death of Sir John More at Corunna"
John Singleton Copley
ca. 1810

Study for "The Siege of Gibraltar": Three Officers, Two Standing and One Kneeling, John Singleton Copley American, Black chalk and white-chalk heightening on blue laid paper, American — Study for "The Siege of Gibraltar": Three Officers, Two Standing and One Kneeling
John Singleton Copley
1785–86

Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Two Studies of a Man with a Sail or Flag, John Singleton Copley American, Black and red chalk, white-chalk heightening, and graphite on blue laid paper, American — Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Two Studies of a Man with a Sail or Flag
John Singleton Copley
1798

Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Admiral De Winter Raising the Colors, John Singleton Copley American, Black chalk, white-chalk heightening, and gouche on blue laid paper, American — Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Admiral De Winter Raising the Colors
John Singleton Copley
1798

Two Equestrian Figures, Possibly a Study for "George IV, Prince of Wales", John Singleton Copley American, Black chalk and white-chalk heightening on blue wove paper, American — Two Equestrian Figures, Possibly a Study for "George IV, Prince of Wales"
John Singleton Copley
ca. 1803–13

Study for "John Adams", John Singleton Copley American, Black chalk, white-chalk heightening, and graphite on blue laid paper, American — Study for "John Adams"
John Singleton Copley
1783

Study for "The Ascension", John Singleton Copley American, Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper, watercolor, American — Study for "The Ascension"
John Singleton Copley
1774

Study for "The Knatchbull Family": Norton Joseph Knatchbull, John Singleton Copley American, Black chalk, white-chalk heightening, and graphite on dark blue laid paper, American — Study for "The Knatchbull Family": Norton Joseph Knatchbull
John Singleton Copley
1800–1802

Study for "The Knatchbull Family": Sir Edward Knatchbull, John Singleton Copley American, Black chalk, white-chalk heightening, and graphite on dark blue laid paper, American — Study for "The Knatchbull Family": Sir Edward Knatchbull
John Singleton Copley
1800–1802

Study for "The Siege of Gibraltar": Figure Astride Cannon Pulling Down Spanish Colors, John Singleton Copley American, Black chalk, white-chalk heightening, and graphite on blue laid paper, American — Study for "The Siege of Gibraltar": Figure Astride Cannon Pulling Down Spanish Colors
John Singleton Copley
1785–86

Study for "Elkanah Watson", John Singleton Copley American, Black chalk and white-chalk heightening on blue laid paper, American — Study for "Elkanah Watson"
John Singleton Copley
1782

Study for "The Death of Major Peirson": Group of Dying French Officers, John Singleton Copley American, Black chalk on light blue laid paper, American — Study for "The Death of Major Peirson": Group of Dying French Officers
John Singleton Copley
1782–83

John St. Clair, John Singleton Copley American, Oil on copper, American — John St. Clair
John Singleton Copley
1758

Study for "The Death of the Earl of Chatham", John Singleton Copley American, Black chalk and white-chalk heightening on blue laid paper, American — Study for "The Death of the Earl of Chatham"
John Singleton Copley
1779

Study for "The Siege of Gibraltar": Figure Reaching; Sprawling Figures; Cheering Group; Dying Sailors, John Singleton Copley American, Black chalk and white-chalk heightening on light blue laid paper, American — Study for "The Siege of Gibraltar": Figure Reaching; Sprawling Figures; Cheering Group; Dying Sailors
John Singleton Copley
1785–86