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    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 236 results for Henri-Louis Dupray
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La Photographie ses origines, ses progrès, ses transformations
Edouard Baldus
1870s
[Large Figures on the North Porch, Chartres Cathedral]
Henri-Jean-Louis Le Secq
1852
The Patrol
Henri-Louis Dupray
1875
Mechanical table
Jean Henri Riesener
1781
Album Photographique. Choix de Vingt Sujets Divers.
Louis-Désiré Blanquart-Évrard
1850s
The Missionaries, from "The Complete Works of Béranger"
J. J. Grandville
1836
Figures françoises et comiques nouvellement inventées par M. Watteau; Figures de modes dessinées et gravées à l'eau forte par Watteau; a terminées au buin par Thomassin le fils
Antoine Watteau
1710?–?1720
Oscar Roty
Henri Auguste Jules Patey
1905
Paris, cathédrale Notre-Dame, les arcs-boutants
Henri-Jean-Louis Le Secq
ca. 1851
Wooden Staircase at Chartres
Henri-Jean-Louis Le Secq
1852
Méthode de nomenclature chimique ; on y a joint un nouveau systême de caractères chimiques, adaptés à cette nomenclature
Louis-Bernard Guyton de Morveau
1787
Minerva clock
Matthew Boulton
ca. 1772, with later alterations
Piece
Louis-Henri Brevière
1823–29
Henri-Louis Habert de Montmor
Claude Mellan
1640
Piece
Louis-Henri Brevière
ca. 1820
Paganini Playing and Studies of Heads
Henri-Louis-Hippolyte Poterlet
1820–35
[Joseph Laurentius Dyckmans]
Henri Louis Aimé Dupont
1864–1886
[Carel Nicolaas Storm van's Gravesande]
Henri Louis Aimé Dupont
1864–1886
La Vie de Caserne
Georges Courteline
1896
Snuffbox with theatrical scenes of a rope dancer and a puppet show
Joseph Etienne Blerzy
1778–79
Jean Habert de Montmor
Claude Mellan
1640
Snuffbox with six scenes of country pastimes
Pierre François Drais
1774–75
[Louise Henri de Rudder]
Etienne Carjat
1860s
Porte gauche au portail royal de Chartres
Henri-Jean-Louis Le Secq
1852
Private and Public Life of Animals; Scenes of Customs
J. J. Grandville
ca. 1837–47
When we do not want to see the dawn rise, we do not care about a neighbor like that!, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1842
We live between ourselves, we hate the nuisances and the visits, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
My new master, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
The oldest rabbit jumped respectfully on his grandfather's lap..., from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
There was once, in the camp there, two little hares with their sister, and then there was also a big bad bird who wanted to stop them from passing, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
More than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Hold on to me, I am telling my witness..., from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Now, I understand the mother wolf of Rome, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
This protest was stifled by the noise of private conversations, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
His son, who looked like him in every way ..., from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
The Duchess is singing a nocturne with the Duke..., from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Good evening then, my friend Lecteur..., from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
And a very obstinate vole..., from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
I was a widow, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
It has been very wrong to take from our poets the classic muzzle, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47