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More than 10,000 results for Heirs of Domenico Amadio
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Multiple artists/makers
1627
Andromeda and the Sea Monster, Domenico Guidi  Italian, Marble, Italian, Rome
Domenico Guidi
Francesco II, Duke of Mantua and Reggio
1694
Francesco Sassetti (1421–1490) and His Son Teodoro, Domenico Ghirlandaio (Domenico Bigordi)  Italian, Tempera on wood
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1488
Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico Bigordi)  Italian, Fresco
Domenico Ghirlandaio (Domenico Bigordi)
Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684
Domenico Martinelli
1684
The Youthful Saint John the Baptist, Domenico Pieratti  Italian, Marble, Italian, Florence
Domenico Pieratti
ca. 1625–30
The Parable of the Mote and the Beam, Domenico Fetti  Italian, Oil on wood
Domenico Fetti
ca. 1619
Salvator Mundi, Domenico Fetti  Italian, Oil on wood
Domenico Fetti
ca. 1622–23
Bacchus, Domenico Poggini  Italian, Marble, Italian, Florence
Domenico Poggini
1554
The Burial of Punchinello, Giovanni Domenico Tiepolo  Italian, Pen and brown ink, brown and yellow wash, over black chalk.
Giovanni Domenico Tiepolo
ca. 1800
The Betrothal of the Virgin, Giovanni Domenico Tiepolo  Italian, Pen and brown ink, brown wash, over black chalk.
Giovanni Domenico Tiepolo
ca. 1770
Landscape with Two Seated Figures, Imitator of Domenico Campagnola  Venetian, Pen and brown ink, over traces of black chalk
Imitator of Domenico Campagnola
Titian (Tiziano Vecellio)
16th century
Female portrait lü me (figure in wood), Zlan of Belewale, Wood, fiber, pigment, cloth, metal, Dan peoples
Zlan of Belewale
Sonzlanwon
First half 20th century
Dish with Abraham and Melchizedek, Hans of Landshut  German, Free-blown glass with paint and metallic foils, South German
Hans of Landshut
1498
Òpó (veranda post) with equestrian and female figure, Olowe of Ise  Nigerian, Iroko wood, paint, resin, Yoruba peoples
Olowe of Ise
before 1938
Standing Vishnu as Keshava, Dasoja of Balligrama, Stone, India (Karnataka, probably Belur)
Dasoja of Balligrama
first quarter of the 12th century
Anointment of the dead Christ, Fra Domenico Portigiani, Bronze, Italian, Florence
Fra Domenico Portigiani
Giambologna
17th century?
Punchinellos Felling (or Planting) a Tree, Giovanni Domenico Tiepolo  Italian, Pen and brown ink, brown wash, over rough black chalk
Giovanni Domenico Tiepolo
late 18th–early 19th century
The Lamentation, Domenichino (Domenico Zampieri)  Italian, Oil on copper
Domenichino (Domenico Zampieri)
1603
Landscape with Moses and the Burning Bush, Domenichino (Domenico Zampieri)  Italian, Oil on copper
Domenichino (Domenico Zampieri)
1610–16
A Dance in the Country, Giovanni Domenico Tiepolo  Italian, Oil on canvas
Giovanni Domenico Tiepolo
ca. 1755
The Glorification of the Giustiniani Family, Giovanni Domenico Tiepolo  Italian, Oil on canvas
Giovanni Domenico Tiepolo
1783
The Departure of the Gondola, Giovanni Domenico Tiepolo  Italian, Oil on canvas
Giovanni Domenico Tiepolo
mid-1760s
Hercules and Achelous, Master of the Martyrdom of St. Sebastian  Austrian, Ivory, probably Austrian
Master of the Martyrdom of St. Sebastian
probably mid-17th century
The Crucifixion, Master of the Codex of Saint George  Italian, Tempera on wood, gold ground, Italian
Master of the Codex of Saint George
ca. 1330–35
Head of a Man Wearing a Cap, Domenico Ghirlandaio (Domenico Bigordi)  Italian, Metalpoint, heightened with brush and white, on reddish orange prepared paper.
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1495–1505
Portrait of a Man, Domenico Ghirlandaio (Domenico Bigordi)  Italian, Tempera on wood
Domenico Ghirlandaio (Domenico Bigordi)
Terracotta column-krater (bowl for mixing wine and water), Group of Boston 00.348, Terracotta, Greek, South Italian, Apulian
Group of Boston 00.348
ca. 360–350 BCE
Saints Bartholomew and Simon, Master of Saint Francis  Italian, Tempera and gold on wood, Italian, Umbria
Master of Saint Francis
1266–75
The Visitation, Master Heinrich of Constance  German, Walnut, paint, gilding, rock-crystal cabochons inset in gilded-silver mounts, German
Master Heinrich of Constance
ca. 1310–20
Alpheus and Arethusa, Battista di Domenico Lorenzi  Italian, Marble, Italian, Florence
Battista di Domenico Lorenzi
1568–70
Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi  Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Multiple artists/makers
designed ca. 1689–93, woven 1732–39
Arm Defenses, Domenico Negroli  Italian, Steel, Italian, Milan
Domenico Negroli
ca. 1510
Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi  Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Multiple artists/makers
designed ca. 1689–93, woven 1732–39
Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi  Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Multiple artists/makers
designed ca. 1689–93, woven 1739
Cosimo I de'Medici (1519–1574), Duke of Florence, 1537; Grand Duke of Tuscany, 1569, Domenico Poggini  Italian, Gilt bronze, Italian
Domenico Poggini
1561
The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi  Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Multiple artists/makers
designed ca. 1689–93, woven 1732–39
The Good Samaritan, Domenico Fetti  Italian, Oil on wood
Domenico Fetti
ca. 1618–22
Storage jar (one of a pair), Domenico Veneziano  Italian, Maiolica (tin-glazed earthenware), Italian, Venice
Domenico Veneziano
ca. 1550–70
Storage jar (one of a pair), Domenico Veneziano  Italian, Maiolica (tin-glazed earthenware), Italian, Venice
Domenico Veneziano
ca. 1550–70