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Showing 129 results for Hanabusa Itchō 英一蝶

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Itchō Picture Album (Itchō gafu) 一蝶画譜, Hanabusa Itchō 英一蝶 Japanese, Set of three woodblock printed books; ink on paper, Japan — Itchō Picture Album (Itchō gafu) 一蝶画譜
Hanabusa Itchō 英一蝶
1770, first month

Jizō Bosatsu, Hanabusa Itchō Japanese, Hanging scroll; ink, color, and gold paint on paper, Japan — Jizō Bosatsu
Hanabusa Itchō
1667–98

Case (Inrō) with Design of Crane Standing Beneath Pine Tree (obverse); Morning Glory and Inscription (reverse), Hanabusa Itchō Japanese, Metal and lacquer, dark silver metal, incised, roiro, gold hiramakie, raden, aogai; Interior: fundame, four boxes, Japan — Case (Inrō) with Design of Crane Standing Beneath Pine Tree (obverse); Morning Glory and Inscription (reverse)
Hanabusa Itchō
19th century

Case (Inrō) with Design of Monkeys Trying to get Persimmons with Stick (obverse); Hawk in Persimmon Tree (reverse), Hanabusa Itchō Japanese, Lacquer, roiro, gold, silver, brown and red hiramakie, various inlay; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Monkeys Trying to get Persimmons with Stick (obverse); Hawk in Persimmon Tree (reverse)
Hanabusa Itchō
18th–19th century

Taking Shelter from the Rain, Hanabusa Itchō Japanese, Six-panel folding screen; ink and color on paper, Japan — Taking Shelter from the Rain
Hanabusa Itchō
after 1709

Bugaku Dances (front); Chinese Lions (reverse), Hanabusa Itchō Japanese, Pair of six-panel screens; ink, color, and gold leaf on paper, Japan — Bugaku Dances (front); Chinese Lions (reverse)
Hanabusa Itchō
early 18th century

Inrō in the Shape of Mount Fuji with a Crossing Ferry and Procession

, Kajikawa Japanese, Two cases; lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e, cut-out gold foil on nashiji lacquer ground<br/>Netsuke: ivory; Ryūgūjō (The Dragon King's undersea palace) in a clam<br/>Ojime: agate bead, Japan — Inrō in the Shape of Mount Fuji with a Crossing Ferry and Procession
Kajikawa
Hanabusa Itchō
late 18th–early 19th century

Case (Inrō) with Design of Ebisu and Daikoku Dancing beneath New Year's Decorations, Nikkōsai, Gold lacquer with gold and colored hiramkie sprinkled and polished lacquer and ivory inlay; Netsuke: polished wood button; Ojime: red lacquer bead; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Ebisu and Daikoku Dancing beneath New Year's Decorations
Nikkōsai
Hanabusa Itchō
19th century

Case (Inrō) with Design of Deity of Longevity (Jurōjin) (obverse); Boy Offering a Tortoise (reverse), Tachibana Gyokuzan, Fundami sprinkled lacquer, gold and colored hiramakie sprinkled and polished lacquer, takamakie sprinkled and polished lacquer relief, and foil decoration; Netsuke: lacquered wood figure of Juro-jin; Ojime: zogan metal, Japan — Case (Inrō) with Design of Deity of Longevity (Jurōjin) (obverse); Boy Offering a Tortoise (reverse)
Tachibana Gyokuzan
Hanabusa Itchō
19th century

Case (Inrō) with Design of Hotei (Putai) Carrying a Small Boy (obverse); Boy Carrying Gourd-Flask (reverse), Tokoku Fuzui, Gold lacquer with ivory and wood inlay; Netsuke: ivory and lacquered wood figure, Ojime: gold bead with face of Daikoku, god of good fortune, Japan — Case (Inrō) with Design of Hotei (Putai) Carrying a Small Boy (obverse); Boy Carrying Gourd-Flask (reverse)
Tokoku Fuzui
Hanabusa Itchō
late 19th century

Collected Manual of Paintings, Hanabusa Ippō Japanese, Three woodblock printed books; ink on paper, Japan — Collected Manual of Paintings
Hanabusa Ippō
1751

Yotsu of the Matsukiyo Brothel Performing as a Shirabyōshi, from the series Sacred Dances in Shinmachi, Gochōtei Sadahiro 五蝶亭貞広 Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical chūban, Japan — Yotsu of the Matsukiyo Brothel Performing as a Shirabyōshi, from the series Sacred Dances in Shinmachi
Gochōtei Sadahiro 五蝶亭貞広
1841

Famous Places in Tokyo: The Imperial Diet Building (Tōkyō Meisho: Teikoku Kokkai Gijidō), Yōsai Nobukazu 楊斎延一 Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Famous Places in Tokyo: The Imperial Diet Building (Tōkyō Meisho: Teikoku Kokkai Gijidō)
Yōsai Nobukazu 楊斎延一
1899

Imperial Prosperity: Ceremony in the Eastern Capital (Miyo no sakae azuma no kewai)
, Yōsai Nobukazu 楊斎延一 Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Imperial Prosperity: Ceremony in the Eastern Capital (Miyo no sakae azuma no kewai)
Yōsai Nobukazu 楊斎延一
ca. 1900

Beauty on a Veranda in Snow, Sakai Hōitsu 酒井抱一 Japanese, Hanging scroll; ink and color on silk, Japan — Beauty on a Veranda in Snow
Sakai Hōitsu 酒井抱一
ca. 1794–95

Picture Album by Ōson (Hōitsu) (Ōson fuga), Sakai Hōitsu 酒井抱一 Japanese, Woodblock printed book; ink and color on paper, Japan — Picture Album by Ōson (Hōitsu) (Ōson fuga)
Sakai Hōitsu 酒井抱一
1817

Ōson (Hōitsu) Picture Album (Ōson gafu), Sakai Hōitsu 酒井抱一 Japanese, Woodblock printed book; ink and color on paper, Japan — Ōson (Hōitsu) Picture Album (Ōson gafu)
Sakai Hōitsu 酒井抱一
1817

One Hundred Paintings by Kōrin (Kōrin hyakuzu) 光琳百圖, Sakai Hōitsu 酒井抱一 Japanese, Set of four woodblock printed books; ink on paper, Japan — One Hundred Paintings by Kōrin (Kōrin hyakuzu) 光琳百圖
Sakai Hōitsu 酒井抱一
1815

Practical Sketchbook (Ōyō manga) 応用漫画, Ogino Issui 荻野一水 Japanese, Set of two woodblock printed books; ink and color on paper, Japan — Practical Sketchbook (Ōyō manga) 応用漫画
Ogino Issui 荻野一水
1903

Irises, Suzuki Kiitsu 鈴木基一 Japanese, Diptych of hanging scrolls; ink and color on silk, Japan — Irises
Suzuki Kiitsu 鈴木基一
mid-1850s

White-Robed Willow Kannon
, Suzuki Shūitsu 鈴木守一 Japanese, Hanging scroll; ink, color, gold, and silver on silk, Japan — White-Robed Willow Kannon
Suzuki Shūitsu 鈴木守一
mid- to late 19th century

Checked Box in Red and Black, Tanaka Terukazu 田中照一 Japanese, Silver, copper and gold alloy (shakudō), and copper, Japan — Checked Box in Red and Black
Tanaka Terukazu 田中照一
2020

Harmony (Wa), Iino Ichirō 飯野一朗 Japanese, Copper, gold foil, amalgam gilding, silver plate, and stainless steel, Japan — Harmony (Wa)
Iino Ichirō 飯野一朗
2015

The Actor Arashi Otohachi I (facsimile?), Ippitsusai Bunchō 一筆齊文調 Japanese, Probably a facsimile reproduction of a woodblock print (nishiki-e); ink and color on paper, Japan — The Actor Arashi Otohachi I (facsimile?)
Ippitsusai Bunchō 一筆齊文調
originally published ca. 1768 (Meiwa 5)

Kan'ei Picture Album (Kan'ei gafu 完瑛画譜), Nishiyama Ken 西山謙一郎 Japanese, Woodblock printed book (orihon, accordion-style); ink and color on paper, Japan — Kan'ei Picture Album (Kan'ei gafu 完瑛画譜)
Nishiyama Ken 西山謙一郎
1886, eleventh month (Meiji 19)

Twelve Views of Naniwa (Osaka) (Naniwa jūnikei) なにわ十二景, Nishiyama Ken 西山謙一郎 Japanese, Accordion album; ink and color on paper, Japan — Twelve Views of Naniwa (Osaka) (Naniwa jūnikei) なにわ十二景
Nishiyama Ken 西山謙一郎
19th century

Shell Motifs (Kaigara dammen zuan) 貝殻断面図案, Yoichirō Hirase 平瀬與一郎 Japanese, Woodblock printed book; ink and color on paper, Japan — Shell Motifs (Kaigara dammen zuan) 貝殻断面図案
Yoichirō Hirase 平瀬與一郎
1913

The Fourth Matsumoto Koshiro as a Man Walking under an Umbrella, Katsukawa Shun'ei 勝川春英 Japanese, Woodblock print; ink and color on paper, Japan — The Fourth Matsumoto Koshiro as a Man Walking under an Umbrella
Katsukawa Shun'ei 勝川春英
ca. 1796

The Actor Third Sawamura Sojuro as a Man of High Position, Katsukawa Shun'ei 勝川春英 Japanese, Woodblock print; ink and color on paper, Japan — The Actor Third Sawamura Sojuro as a Man of High Position
Katsukawa Shun'ei 勝川春英
ca. 1791

The Third Segawa Kikunojo as Hisamatsu Standing on the Bank, Katsukawa Shun'ei 勝川春英 Japanese, Woodblock print; ink and color on paper, Japan — The Third Segawa Kikunojo as Hisamatsu Standing on the Bank
Katsukawa Shun'ei 勝川春英
ca. 1795

Wakayama Tomisaburo as a Woman in a Yellow and Red-Brown Striped Kimono, Katsukawa Shun'ei 勝川春英 Japanese, Woodblock print; ink and color on paper, Japan — Wakayama Tomisaburo as a Woman in a Yellow and Red-Brown Striped Kimono
Katsukawa Shun'ei 勝川春英
ca. 1798

The Second Ichikawa Monnosuke as a Samurai Standing by a Wooden Bench, Katsukawa Shun'ei 勝川春英 Japanese, Woodblock print; ink and color on paper, Japan — The Second Ichikawa Monnosuke as a Samurai Standing by a Wooden Bench
Katsukawa Shun'ei 勝川春英
ca. 1794?

The Actor Ichikawa Danzō IV in the Role of Ono Sadakurō, Katsukawa Shun'ei 勝川春英 Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — The Actor Ichikawa Danzō IV in the Role of Ono Sadakurō
Katsukawa Shun'ei 勝川春英
ca. 1781

The Actor Ichikawa Ebizō (Danjūrō V) as the Elderly Samurai Sasaki Ganryū (?), Katsukawa Shun'ei 勝川春英 Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan — The Actor Ichikawa Ebizō (Danjūrō V) as the Elderly Samurai Sasaki Ganryū (?)
Katsukawa Shun'ei 勝川春英
probably 1792 (Kansei 4), 4th month

The Third Sawamura Sojuro as a Man Standing in a Room, Katsukawa Shun'ei 勝川春英 Japanese, Woodblock print; ink and color on paper, Japan — The Third Sawamura Sojuro as a Man Standing in a Room
Katsukawa Shun'ei 勝川春英
ca. 1793

The Second Ichikawa Komazo as a Boatman Standing on the Deck of a Barge, Katsukawa Shun'ei 勝川春英 Japanese, Woodblock print; ink and color on paper, Japan — The Second Ichikawa Komazo as a Boatman Standing on the Deck of a Barge
Katsukawa Shun'ei 勝川春英
ca. 1793?

The Third Segawa Kikunojo as a Woman Standing in a Road, Katsukawa Shun'ei 勝川春英 Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — The Third Segawa Kikunojo as a Woman Standing in a Road
Katsukawa Shun'ei 勝川春英
ca. 1788

The Fourth Iwai Hanshiro as a Woman Standing under a Torii, Katsukawa Shun'ei 勝川春英 Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — The Fourth Iwai Hanshiro as a Woman Standing under a Torii
Katsukawa Shun'ei 勝川春英
ca. 1791?

The Actor Ichikawa Komazo Second with Raised Sword, Katsukawa Shun'ei 勝川春英 Japanese, Diptych of woodblock prints; ink and color on paper, Japan — The Actor Ichikawa Komazo Second with Raised Sword
Katsukawa Shun'ei 勝川春英
ca. 1793

Scene from the Tenth Act of Chushingura, Katsukawa Shun'ei 勝川春英 Japanese, Woodblock print; ink and color on paper, Japan — Scene from the Tenth Act of Chushingura
Katsukawa Shun'ei 勝川春英
ca. 1790