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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 278 results for Hélöise Leloir

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Two Women with a Mirror, No. 868, from "La Elegancia", Hélöise Leloir French, Steel engraving with hand coloring — Two Women with a Mirror, No. 868, from "La Elegancia"
Hélöise Leloir
19th century

Two Women Outdoors, No. 720, from "La Elegancia", Hélöise Leloir French, Hand-colored lithograph — Two Women Outdoors, No. 720, from "La Elegancia"
Hélöise Leloir
19th century

Number 473 from "La Elegancia", Hélöise Leloir French, Hand-colored lithograph — Number 473 from "La Elegancia"
Hélöise Leloir
19th century

Six Women Outdoors, No. 676, from "La Elegancia", Hélöise Leloir French, Etching — Six Women Outdoors, No. 676, from "La Elegancia"
Hélöise Leloir
Imprimerie Mariton
1865–66

Illustration for a French fashion magazine, Hélöise Leloir French, Watercolor — Illustration for a French fashion magazine
Hélöise Leloir
ca. 1862

Choosing the Dinner, Alexandre-Louis Leloir French, Oil on canvas — Choosing the Dinner
Alexandre-Louis Leloir
1872

"The Drink of Milk", Maurice Leloir French, Watercolor — "The Drink of Milk"
Maurice Leloir
1882

Opportunity Makes the Thief, Maurice Leloir French, Watercolor — Opportunity Makes the Thief
Maurice Leloir
1843–1940

A Swarm of Flies above a Spider's Web, Alexandre-Louis Leloir French, Pen and brown ink with graphite on chine collé — A Swarm of Flies above a Spider's Web
Alexandre-Louis Leloir
1860–84

Female Figure, Alexandre-Louis Leloir French, Watercolor — Female Figure
Alexandre-Louis Leloir
19th century

In His Cups, Alexandre-Louis Leloir French, Watercolor — In His Cups
Alexandre-Louis Leloir
1872

Wandering Minstrel; Old Nuremberg, Alexandre-Louis Leloir French, Watercolor — Wandering Minstrel; Old Nuremberg
Alexandre-Louis Leloir
1843–84

Hamlet and Horatio, from "Le Magasin Pittoresque", Andrew Best Leloir French, Wood engraving — Hamlet and Horatio, from "Le Magasin Pittoresque"
Multiple artists/makers
December 1837

Le Diable a Paris. . . Paris et Les Parisiens, Vol. II, Andrew Best Leloir French, Wood engraving — Le Diable a Paris. . . Paris et Les Parisiens, Vol. II
Multiple artists/makers
1846

Chapter illustrations, from "Le Charivari"

Multiple artists/makers

July 30, 1838

Chapter illustrations, from "Le Charivari"

Multiple artists/makers

July 30, 1838

L'Écureuil, MM. Best, Leloir, Hotelin et Régnier, Wood engraving — L'Écureuil
MM. Best, Leloir, Hotelin et Régnier
Narcisse-Virgile Diaz de la Peña
1830–1900

Goetz von Berlichingen Writing His Memoirs, Eugène Delacroix French, Wood engraving (or possibly stereotype) — Goetz von Berlichingen Writing His Memoirs
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
after 1845

Goetz and Friar Martin, Eugène Delacroix French, Wood engraving; proof before letters — Goetz and Friar Martin
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
1845

Goetz Aided by the Gypsies, Eugène Delacroix French, Wood engraving (or possibly stereotype) on newsprint — Goetz Aided by the Gypsies
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
after 1845

Jewish Musician in Mogador Costume, Morocco, from "Le Magasin Pittoresque", Eugène Delacroix French, Wood engraving on newsprint; second state — Jewish Musician in Mogador Costume, Morocco, from "Le Magasin Pittoresque"
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
January 1842

Goetz and Friar Martin, Eugène Delacroix French, Wood engraving (or possibly stereotype) — Goetz and Friar Martin
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
after 1845

I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

To pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — To pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

The author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — The author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Here is one who mends by nicely biting, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Here is one who mends by nicely biting, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

He had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — He had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

When he was sleeping in the sun..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — When he was sleeping in the sun..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Instead of all this..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Instead of all this..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Only his belly was remarkable, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Only his belly was remarkable, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

This is what the men call a church rat, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — This is what the men call a church rat, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

The Proprietor, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — The Proprietor, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

I took a note first, then two, then three, then a thousand..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — I took a note first, then two, then three, then a thousand..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Here, the civet offers a hit of snuff to an old beaver, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Here, the civet offers a hit of snuff to an old beaver, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

A very well put insect and beautiful dancer, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — A very well put insect and beautiful dancer, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47