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Showing 446 results for Goya

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Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas — Ferdinand VII (1784–1833), When Prince of Asturias
Goya
ca. 1800

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820

Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805

Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810

Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810

Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper — Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792

Don Bernardo de Iriarte (1735–1814), Goya Spanish, Oil on canvas — Don Bernardo de Iriarte (1735–1814)
Goya

Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya Spanish, Oil on canvas — Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Goya

María Luisa of Parma (1751–1819), Queen of Spain, Goya Spanish, Oil on canvas — María Luisa of Parma (1751–1819), Queen of Spain
Goya

A City on a Rock, Goya Spanish, Oil on canvas — A City on a Rock
Goya

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink — Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French — Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century

Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper — Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
1799

The Disasters of War

Goya (Francisco de Goya y Lucientes)

1937

Don Quichotte, Félix Bracquemond French, Etching; second state of two — Don Quichotte
Félix Bracquemond
Goya (Francisco de Goya y Lucientes)
1860

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
Goya (Francisco de Goya y Lucientes)
1816

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
Goya (Francisco de Goya y Lucientes)
1816

Don Baltasar Carlos on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint — Don Baltasar Carlos on horseback, after Velázquez
Multiple artists/makers
1778

Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen)
Goya (Francisco de Goya y Lucientes)
1799

Plate 35 from "Los Caprichos": She fleeces him (Le descañona), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 35 from "Los Caprichos": She fleeces him (Le descañona)
Goya (Francisco de Goya y Lucientes)
1799

Plate 28 from "Los Caprichos": Hush (Chiton), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, burin — Plate 28 from "Los Caprichos": Hush (Chiton)
Goya (Francisco de Goya y Lucientes)
1799

Plate 36 from "Los Caprichos": A bad night (Mala noche), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 36 from "Los Caprichos": A bad night (Mala noche)
Goya (Francisco de Goya y Lucientes)
1881–86

Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)
Goya (Francisco de Goya y Lucientes)
1799

Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)
Goya (Francisco de Goya y Lucientes)
1799

Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)
Goya (Francisco de Goya y Lucientes)
1799

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin — Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, drypoint, burin — Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished lavis, drypoint, burin — Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin, drypoint, burnisher — Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1863)

Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, burin — Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 57 from "Los Caprichos": The filiation (La filiacion), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint — Plate 57 from "Los Caprichos": The filiation (La filiacion)
Goya (Francisco de Goya y Lucientes)
1799