Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
Showing 446 results for Goya
Sort by:
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas
Goya
ca. 1800
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
ca. 1810
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1820
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
ca. 1810
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Don Bernardo de Iriarte (1735–1814), Goya  Spanish, Oil on canvas
Goya
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya  Spanish, Oil on canvas
Goya
María Luisa of Parma (1751–1819), Queen of Spain, Goya  Spanish, Oil on canvas
Goya
A City on a Rock, Goya  Spanish, Oil on canvas
Goya
Self-Portrait, Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, carbon black ink
Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes)  Spanish, Brush, carbon black gray ink and was, scraper
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Seated Giant, Goya (Francisco de Goya y Lucientes)  Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes)  Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century
Unholy Union, Goya (Francisco de Goya y Lucientes)  Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes)  Spanish, Pen and brown (iron gall?) ink on paper
Goya (Francisco de Goya y Lucientes)
ca. 1790
Plate 16  from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint, drypoint
Goya (Francisco de Goya y Lucientes)
1799
Goya (Francisco de Goya y Lucientes)
1937
Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos", Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint, burin
Goya (Francisco de Goya y Lucientes)
1799
Tantalus (Tantalo), plate 9 from "Los Caprichos", Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint
Goya (Francisco de Goya y Lucientes)
1799
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos", Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint, burin
Goya (Francisco de Goya y Lucientes)
1799
Plate 78  from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint
Goya (Francisco de Goya y Lucientes)
1799
'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women  Album (D), Goya (Francisco de Goya y Lucientes)  Spanish, Brush, carbon black and gray ink and wash, touches of black chalk, on laid paper
Goya (Francisco de Goya y Lucientes)
ca. 1819–23
'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, aquatint, drypoint on Japan paper
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published before 1877)
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint, drypoint
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published between 1854–63)
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint, drypoint
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published ca. 1848)
'Loyalty' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854)
The cloaked man, Goya (Francisco de Goya y Lucientes)  Spanish, Etching, drypoint
Goya (Francisco de Goya y Lucientes)
1859
A Maja standing against a dark background with figures, Goya (Francisco de Goya y Lucientes)  Spanish, Etching, aquatint
Goya (Francisco de Goya y Lucientes)
1859
Philip IV on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes)  Spanish, Etching
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Portrait of the court dwarf known as el Primo, after Velázquez, Goya (Francisco de Goya y Lucientes)  Spanish, Etching
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
'Funereal Folly' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854)
Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, drypoint, burin (proof impression)
Goya (Francisco de Goya y Lucientes)
1810
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, drypoint, burin
Goya (Francisco de Goya y Lucientes)
1810
Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, drypoint, burin (proof impression)
Goya (Francisco de Goya y Lucientes)
ca. 1810