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Showing 446 results for Goya

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Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas — Ferdinand VII (1784–1833), When Prince of Asturias
Goya
ca. 1800

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820

Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810

Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper — Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804

Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805

Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810

María Luisa of Parma (1751–1819), Queen of Spain, Goya Spanish, Oil on canvas — María Luisa of Parma (1751–1819), Queen of Spain
Goya

A City on a Rock, Goya Spanish, Oil on canvas — A City on a Rock
Goya

Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya Spanish, Oil on canvas — Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Goya

Don Bernardo de Iriarte (1735–1814), Goya Spanish, Oil on canvas — Don Bernardo de Iriarte (1735–1814)
Goya

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink — Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French — Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century

Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper — Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
1799

The Disasters of War

Goya (Francisco de Goya y Lucientes)

1937

Don Quichotte, Félix Bracquemond French, Etching; second state of two — Don Quichotte
Félix Bracquemond
Goya (Francisco de Goya y Lucientes)
1860

Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin — Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816

The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint — The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816

A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816

A bad night (Mala noche), plate 36 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — A bad night (Mala noche), plate 36 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799

Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799

Tantalus (Tantalo), plate 9 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Tantalus (Tantalo), plate 9 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799

It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799

A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799

Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint — Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
Goya (Francisco de Goya y Lucientes)
1799

The Caprices (Los Caprichos), plates 1-80, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, and burin — The Caprices (Los Caprichos), plates 1-80
Goya (Francisco de Goya y Lucientes)
1799

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin — 'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
Goya (Francisco de Goya y Lucientes)
Gazette des Beaux-Arts
ca. 1815 (published after 1867)

'Barbarous Entertainment', a blind guitarist on the horns of a bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint on laid paper — 'Barbarous Entertainment', a blind guitarist on the horns of a bull
Goya (Francisco de Goya y Lucientes)
1800–1804 (published 1828–67)

'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto), Goya (Francisco de Goya y Lucientes) Spanish, Etching — 'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1859)

'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black and gray ink and wash, touches of black chalk, on laid paper — 'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)
Goya (Francisco de Goya y Lucientes)
ca. 1819–23

'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint on Japan paper — 'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published before 1877)