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Showing 7,661 results for Giulio Romano

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The Festival of Psyche, with Mercury from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris — The Festival of Psyche, with Mercury from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92

Cupid and Psyche Bathing from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris — Cupid and Psyche Bathing from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1692–1700

Shepherds and Shepherdesses Dancing from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris — Shepherds and Shepherdesses Dancing from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92

The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris — The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92

Design for a Candlestick, Giulio Romano Italian, Pen and brown ink, light brown wash, over traces of black chalk and some incised lines made with a straight edge — Design for a Candlestick
Giulio Romano
ca. 1530–46

Satyr carrying a nymph, whose right arm is wrapped around the satyr's neck, with a planar background, Giulio Romano Italian, Engraving — Satyr carrying a nymph, whose right arm is wrapped around the satyr's neck, with a planar background
Giulio Romano
Antonio Salamanca
ca. 1505–62

Design for Two Candlesticks with decorated Bases, Giulio Romano Italian, Pen and brown ink, brush and brown wash over traces of leadpoint — Design for Two Candlesticks with decorated Bases
Giulio Romano
early 16th century

Design for a Sculptural Frame Decorated with Angel Heads, Volutes and Leaves (for a Ceiling ?); Design for a Base Decorated with Angel Heads, Volutes and Leaves, Giulio Romano Italian, Pen and brown ink, brush and brown wash over traces of leadpoint — Design for a Sculptural Frame Decorated with Angel Heads, Volutes and Leaves (for a Ceiling ?); Design for a Base Decorated with Angel Heads, Volutes and Leaves
Giulio Romano
early 16th century

A Lion in Profile Facing to the Left ("Leo")

Giulio Romano

n.d.

Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles, Giulio Romano Italian, Pen and brown ink, brush and brown wash over traces of black chalk; small corrections in white gouache — Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles
Giulio Romano
n.d.

Design for a Decorated Base of a Candlestick Holder, Giulio Romano Italian, Pen and brown ink, brush and brown wash. Design silhouetted — Design for a Decorated Base of a Candlestick Holder
Giulio Romano
early 16th century

Design for a Decorated Base of a Candlestick Holder, Giulio Romano Italian, Pen and brown ink, brush and brown wash. Design silhouetted — Design for a Decorated Base of a Candlestick Holder
Giulio Romano
early 16th century

A Tabernacle Containing a Papal Escutcheon Supported by Angels, Giulio Romano Italian, Pen and brown ink, over traces of leadpoint or soft black chalk and stylus-ruling — A Tabernacle Containing a Papal Escutcheon Supported by Angels
Giulio Romano
ca. 1538–40

Winged Infant Riding a Crouching Horse, Giulio Romano Italian, Pen and brown ink — Winged Infant Riding a Crouching Horse
Giulio Romano
n.d.

Battle Scene with Soldiers Mounted on an Elephant., Giulio Romano Italian, Pen and brown ink, brush and gray wash, over black chalk — Battle Scene with Soldiers Mounted on an Elephant.
Giulio Romano
1550–1650

Copy after the Fresco with the Battle of Constantine in the Vatican Palace, Giulio Romano Italian, Pen and brown ink, brush and brown wash — Copy after the Fresco with the Battle of Constantine in the Vatican Palace
Giulio Romano
1499–1546

Design for a Flask with Chain Handles, Giulio Romano Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk — Design for a Flask with Chain Handles
Giulio Romano
1540–46

Design for a Casket with the Gonzaga Eagle, Giulio Romano Italian, Pen and brown ink, brush and brown wash, highlighted with traces of white gouache, over black chalk — Design for a Casket with the Gonzaga Eagle
Giulio Romano
ca. 1527–46

Apparition of Saint Andrew in Glory, Giulio Romano Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on blue paper; partially squared in black chalk — Apparition of Saint Andrew in Glory
Giulio Romano
1499–1546

Neptune Holding a Trident and Standing on a Dolphin, Giulio Romano Italian, Pen and brown ink, brush and brown wash, over black chalk — Neptune Holding a Trident and Standing on a Dolphin
Giulio Romano
1499–1546

Jupiter Hurling a Thunderbolt, Giulio Romano Italian, Pen and brown ink, brush and brown wash, black chalk underdrawing, with traces of red chalk on laid paper — Jupiter Hurling a Thunderbolt
Giulio Romano
1530–37

Drawing of a Ewer in Antique Style, Giulio Romano , Manner of. Italian, Pen and brown ink, with brush and brown wash — Drawing of a Ewer in Antique Style
Giulio Romano
early 16th century

Death of Niobe's Children

Giulio Romano

Philips Galle

Entellus and Dares boxing, ruins of an amphitheater in the background

Multiple artists/makers

1773

Another Bacchanale, volume 2, plate 100 from "Monuments des Arts du Dessin"

Multiple artists/makers

1829

Virgin and Child seated beneath a tree, Giulio Bonasone Italian, Engraving — Virgin and Child seated beneath a tree
Giulio Bonasone
Giulio Romano
ca. 1560

The adoration of the shepherds, various figures at night surround the Christ Child, Giulio Bonasone Italian, Engraving — The adoration of the shepherds, various figures at night surround the Christ Child
Giulio Bonasone
Giulio Romano
ca. 1550–60

The Holy Kinship, in thecentre the Christ Child takes a bird given to him by the infant John the Baptist, Giulio Bonasone Italian, Etching and engraving — The Holy Kinship, in thecentre the Christ Child takes a bird given to him by the infant John the Baptist
Giulio Bonasone
Giulio Romano
ca. 1560

Father Time at the right leaning on a scythe, three naked boys and eagle at the left, Giulio Bonasone Italian, Engraving — Father Time at the right leaning on a scythe, three naked boys and eagle at the left
Giulio Bonasone
Giulio Romano
1531–76

The adoration of the shepherds, various figures surrounding the Christ Child in the centre, Giulio Bonasone Italian, Engraving — The adoration of the shepherds, various figures surrounding the Christ Child in the centre
Giulio Bonasone
Giulio Romano
1531–76

Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree, Giulio Bonasone Italian, Etching and Engraving — Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree
Giulio Bonasone
Giulio Romano
ca. 1550–60

Jupiter suckled by the goat Amalthea, Giulio Bonasone Italian, Engraving — Jupiter suckled by the goat Amalthea
Giulio Bonasone
Giulio Romano
1531–76

Dish with battle scene, Painter of the Coal Mine Service, Maiolica (tin-glazed earthenware), Italian, Urbino — Dish with battle scene
Multiple artists/makers
ca. 1540–45

The Battle Between Scipio and Hannibal at Zama, Cornelis Cort Netherlandish, Engraving — The Battle Between Scipio and Hannibal at Zama
Cornelis Cort
Giulio Romano
1550–78

Two gladiators fighting in front of an arch, Master of the Die Italian, Engraving — Two gladiators fighting in front of an arch
Master of the Die
Giulio Romano
1530–60

A giant heaving a boulder at center, other giants to left and right struggling and recoiling against impending boulders, nude figures climbing rocks and struggling in the background, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching — A giant heaving a boulder at center, other giants to left and right struggling and recoiling against impending boulders, nude figures climbing rocks and struggling in the background, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
Giulio Romano
ca. 1680

Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching — Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
Giulio Romano
ca. 1680

Agamemnon killing Odios, Anonymous, French, School of Fontainebleau, 16th century French, Etching — Agamemnon killing Odios
Anonymous, French, School of Fontainebleau, 16th century
Giulio Romano
ca. 1545

Hercules and the Nemean Lion, Adamo (Ghisi) Scultori Italian, Engraving — Hercules and the Nemean Lion
Adamo (Ghisi) Scultori
Giulio Romano

Hercules and the Nemean Lion: Hercules grasps the shoulders and chest of the lion, which is viewed from the back, beside a rocky outcrop, Adamo (Ghisi) Scultori Italian, Engraving — Hercules and the Nemean Lion: Hercules grasps the shoulders and chest of the lion, which is viewed from the back, beside a rocky outcrop
Adamo (Ghisi) Scultori
Giulio Romano
ca. 1530–87