Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 7,687 results for Giovanni Bouchard

Sort by:

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison) — The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

The Skeletons, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching with engraving, drypoint, and burnishing; second state of five (Robison) — The Skeletons, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748

The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching, sulphur tint or open bite, drypoint; first state of seven (Robison) — The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison) — The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

The Triumphal Arch, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, burnishing; first state of five (Robison) — The Triumphal Arch, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748

The Well, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching, burnishing, lavis; first state of six (Robison) — The Well, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison) — Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

The Monumental Tablet, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, scratching; second state of four (Robison) — The Monumental Tablet, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748

Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint; second state of seven (Robison) — Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
Giovanni Bouchard
1750

The Tomb of Nero, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, scratching; second state of six (Robison) — The Tomb of Nero, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748

The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving; second state of eight (Robison) — The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving; first state of six (Robison) — The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison) — The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison) — The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

The Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, scratching — The Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

Title Page, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite; first state of nine (Robison) — Title Page, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

The Gothic Arch, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six Robison) — The Gothic Arch, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

The Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison) — The Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

Interior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of four (Hind) — Interior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748

View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of seven (Hind) — View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748

The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching; first state of six (Robison) — The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint; second state of seven (Robison) — Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

Plate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy), Giovanni Battista Piranesi Italian, Etching — Plate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748

Portrait of G.B. Piranesi in imitation of an antique bust, from "Opere varie di Architettura, prospetive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities, designed and etched by Giambattista Piranesi, Venetian Architect), Francesco Polanzani Italian, Engraving — Portrait of G.B. Piranesi in imitation of an antique bust, from "Opere varie di Architettura, prospetive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities, designed and etched by Giambattista Piranesi, Venetian Architect)
Multiple artists/makers
1750

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver, Italian, Rimini — The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35

Madonna and Child, Giovanni Bellini Italian, Oil on wood — Madonna and Child
Giovanni Bellini
late 1480s

Young Girl and Gazelle, Henri L. Bouchard French, Bronze, French, Paris — Young Girl and Gazelle
Henri L. Bouchard
Bisceglia Frères, Paris
1910

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas — Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752

Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence — Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia) Italian, Tempera, silver, and gold on wood — The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Samson Captured by the Philistines, Guercino (Giovanni Francesco Barbieri) Italian, Oil on canvas — Samson Captured by the Philistines
Guercino (Giovanni Francesco Barbieri)
1619

Viola d'Amore, Giovanni Grancino Italian, Spruce, maple, ebony, bone, iron, Italian — Viola d'Amore
Giovanni Grancino
1701

Contes et nouvelles de Bocace florentin : traduction libre, accommodée au gout de ce temps, & enrichie de figures en taille-douce gravées par Mr. Romain de Hooge, Giovanni Boccaccio Italian — Contes et nouvelles de Bocace florentin : traduction libre, accommodée au gout de ce temps, & enrichie de figures en taille-douce gravées par Mr. Romain de Hooge
Multiple artists/makers
1697

Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante — Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
workshop of Giovanni Maria Vasaro
1508