Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Giovanni Battista Pittoni the Elder

Sort by:

Roman ruins with the horse tamers (Dioscuri) on the Quirinal Hill, plate 36 from "Discorsi Sopra L’Antichita di Roma", Giovanni Battista Pittoni the Elder Italian, Etching — Roman ruins with the horse tamers (Dioscuri) on the Quirinal Hill, plate 36 from "Discorsi Sopra L’Antichita di Roma"
Giovanni Battista Pittoni the Elder
1730–60

Standing and Seated Figures in a Landscape with an Obelisk, Giovanni Battista Pittoni the Elder Italian, Pen and brown ink — Standing and Seated Figures in a Landscape with an Obelisk
Giovanni Battista Pittoni the Elder
1520–83

View of an Island with Antique Ruins (The Abduction of Europa), from: Imagini Favolose, Giovanni Battista Pittoni the Elder Italian, Etching, state before initials; verso drawing in pen and ink with wash — View of an Island with Antique Ruins (The Abduction of Europa), from: Imagini Favolose
Giovanni Battista Pittoni the Elder
1575–85

Ornamental frieze with foliate scrolls

Giovanni Battista Pittoni the Elder

16th century

Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence — Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82

Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas — Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752

Discorsi sopra L'antichita di Roma, Vincenzo Scamozzi (Venice: Ziletti, 1583)

Multiple artists/makers

1551, 1561, 1583

Armor of Henry II, King of France (reigned 1547–59), Jean Cousin the Elder French, Steel, gold, silver, leather, textile, French, possibly Paris — Armor of Henry II, King of France (reigned 1547–59)
Jean Cousin the Elder
Baptiste Pellerin
ca. 1555

The Harvesters, Pieter Bruegel the Elder Netherlandish, Oil on wood — The Harvesters
Pieter Bruegel the Elder
1565

Imprese Nobili, et ingeniose di diversi Prencipi ... con le dichiarationi in versi di M. Lodovico Dolce et d'altri

Multiple artists/makers

1578

Pair of Transverse Flutes, Johann Wilhelm Oberlender (the Elder) German, Ivory, silver, wood, German — Pair of Transverse Flutes
Johann Wilhelm Oberlender (the Elder)
mid-18th century

Bacchus and Ariadne, Giovanni Battista Tiepolo Italian, Pen and brown ink, brown wash, over black chalk. — Bacchus and Ariadne
Giovanni Battista Tiepolo
ca. 1740

Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon, Giovanni Battista Belzoni Italian, Printed book, London: J. Murray, 1820 — Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon
Giovanni Battista Belzoni
1820

Reinforce for a Helmet (Gupfe), Mattheus Frauenpreis the Elder German, Steel, gold, German, Augsburg — Reinforce for a Helmet (Gupfe)
Multiple artists/makers
1549–50

Susanna and the Elders (recto); Architectural design and other scribbles (verso), Giovanni Battista Pittoni Italian, Red and black chalks — Susanna and the Elders (recto); Architectural design and other scribbles (verso)
Giovanni Battista Pittoni
ca. 1720

Vase, Daniel Marot the Elder French, Tin-glazed earthenware (Delftware), Dutch, Delft — Vase
Multiple artists/makers
ca. 1690

Twelve-light chandelier, Giovanni Battista Metellino Italian, Gilt steel (gilding not original) and rock crystal, Italian, Milan — Twelve-light chandelier
Giovanni Battista Metellino
first quarter 18th century

Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini Italian, Marble with base of gray marble, Italian, Florence — Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany
Giovanni Battista Foggini
ca. 1680–82

The Triumph of Marius, Giovanni Battista Tiepolo Italian, Oil on canvas — The Triumph of Marius
Giovanni Battista Tiepolo
1729

The Adoration of the Magi, Giovanni Battista Tiepolo Italian, Oil on canvas — The Adoration of the Magi
Giovanni Battista Tiepolo
late 1750s

The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas — The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s

The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas — The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s

Allegorical Figure Representing Arithmetic, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas — Allegorical Figure Representing Arithmetic
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760

The Battle of Vercellae, Giovanni Battista Tiepolo Italian, Oil on canvas — The Battle of Vercellae
Giovanni Battista Tiepolo
1725–29

The Capture of Carthage, Giovanni Battista Tiepolo Italian, Oil on canvas — The Capture of Carthage
Giovanni Battista Tiepolo
1725–29

A Female Allegorical Figure, Giovanni Battista Tiepolo Italian, Oil on canvas, gold ground — A Female Allegorical Figure
Giovanni Battista Tiepolo
ca. 1740–50

Allegorical Figure Representing Geometry, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas — Allegorical Figure Representing Geometry
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760

The Glorification of the Barbaro Family, Giovanni Battista Tiepolo Italian, Oil on canvas — The Glorification of the Barbaro Family
Giovanni Battista Tiepolo
ca. 1750

Allegorical Figure Representing Grammar, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas — Allegorical Figure Representing Grammar
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760

The Investiture of Bishop Harold as Duke of Franconia, Giovanni Battista Tiepolo Italian, Oil on canvas — The Investiture of Bishop Harold as Duke of Franconia
Giovanni Battista Tiepolo
ca. 1751–52

Allegorical Figure Representing Metaphysics, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas — Allegorical Figure Representing Metaphysics
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760

The Chariot of Aurora, Giovanni Battista Tiepolo Italian, Oil on canvas — The Chariot of Aurora
Giovanni Battista Tiepolo
1760s

A Female Allegorical Figure, Giovanni Battista Tiepolo Italian, Oil on canvas, gold ground — A Female Allegorical Figure
Giovanni Battista Tiepolo
1740–50

The Flight into Egypt, Giovanni Battista Tiepolo Italian, Oil on canvas — The Flight into Egypt
Giovanni Battista Tiepolo
ca. 1767–70

The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo Italian, Oil on canvas — The Meeting of Antony and Cleopatra
Giovanni Battista Tiepolo
ca. 1745–47

Lucrezia Agliardi Vertova (1490?–1558), Giovanni Battista Moroni Italian, Oil on canvas — Lucrezia Agliardi Vertova (1490?–1558)
Giovanni Battista Moroni
1557

Bartolomeo Bonghi (died 1584), Giovanni Battista Moroni Italian, Oil on canvas — Bartolomeo Bonghi (died 1584)
Giovanni Battista Moroni
shortly after 1553

Neptune and the Winds, Giovanni Battista Tiepolo Italian, Oil on canvas — Neptune and the Winds
Giovanni Battista Tiepolo
1760s

Saint Thecla Praying for the Plague-Stricken, Giovanni Battista Tiepolo Italian, Oil on canvas — Saint Thecla Praying for the Plague-Stricken
Giovanni Battista Tiepolo
1758–59

The Calling of Saint Matthew, Giovanni Battista Caracciolo Italian, Oil on canvas — The Calling of Saint Matthew
Giovanni Battista Caracciolo
ca. 1625–30