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Showing 126 results for Gianpaolo Poggini
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Philip II 1527-98, King of Spain 1556-98
, Gianpaolo Poggini  Italian, Florence, Silver, Italian, Florence
Gianpaolo Poggini
1559
Bacchus, Domenico Poggini  Italian, Marble, Italian, Florence
Domenico Poggini
1554
Nicolo Todini, Domenico Poggini  Italian, Bronze, Italian, Florence
Domenico Poggini
16th century
Cosimo I de'Medici (1519–1574), Duke of Florence, 1537; Grand Duke of Tuscany, 1569, Domenico Poggini  Italian, Gilt bronze, Italian
Domenico Poggini
1561
Cosimo I de' Medici 1519-74, Duke of Florence 1537-69, Grand Duke of Tuscany 1569-74, Domenico Poggini  Italian, Silver, Italian, Florence
Domenico Poggini
1567
Domenico Poggini
16th century
Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini  Italian, Marble, gray marble, Italian, Florence
Giovanni Battista Foggini
ca. 1680–82
"Anello da Mignolo" (Ring for Little Finger), Giampaolo Babetto  Italian, 18K gold and synthetic resin
Giampaolo Babetto
1983
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini  Italian, Marble with base of gray marble, Italian, Florence
Giovanni Battista Foggini
ca. 1680–82
Boots, Pollini  Italian, leather, Italian
Pollini
1985
Untitled, Giancarlo Braghieri  Italian, Etching
Giancarlo Braghieri
Commune di Piacenza
1990
"Vertebra" Armchair, Emilio Ambasz  Argentinian, Polyurethane and leather
Emilio Ambasz
Giancarlo Piretti
1974–76
The suicide of Ajax, Giovanni Battista Foggini  Italian, Bronze, Italian, Florence
Giovanni Battista Foggini
ca. 1690
Cosimo III de' Medici, b. 1642, Grand Duke of Tuscany 1670–1723, Giovanni Battista Foggini  Italian, Terracotta, Italian, Florence
Giovanni Battista Foggini
ca. 1676–84
Pumps, Armando Pollini, leather, Italian
Armando Pollini
1986
Clock movement, Filippo Polvini  Italian, Brass, iron, Italian, Ancona
Filippo Polvini
1745
Design for a Sculpture consisting of a Satyr and Satyress holding a Vase, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and gray-brown wash, over black chalk or graphite
Giovanni Battista Foggini
1672–1725
Satyr and Satyress Seated on a Pedestal Supporting a Vase, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and gray-brown wash, over black chalk
Giovanni Battista Foggini
1672–1725
Design for a Ewer with Neptune on his Chariot, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and brown and gray wash, over black chalk (recto); pen and brown ink (verso)
Giovanni Battista Foggini
1672–1725
Designs for a Funerary Monument with Stairs (recto); Various Funerary Monument Designs (verso), Giovanni Battista Foggini  Italian, Pen and brown ink, brush and gray wash, over graphite or black chalk (recto); pen and brown ink, over graphite (verso)
Giovanni Battista Foggini
1672–1725
Sheet with Various Designs for Tables and a Funerary Monument, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and gray wash, over black chalk
Giovanni Battista Foggini
1672–1725
Designs for Archways and Baldachins with Caryatids and Coats of Arms (recto); Design for a Monument with Statues of Prudence and Fortitude (verso), Giovanni Battista Foggini  Italian, Pen and brown ink, over black chalk or graphite (recto and verso)
Giovanni Battista Foggini
1672–1725
Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (recto); Studies for Chapels and Portals (verso), Giovanni Battista Foggini  Italian, Pen and light brown ink, brush and gray wash over traces of black chalk (recto and verso)
Giovanni Battista Foggini
1652–1725
The Sabine Women Pleading for Peace, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and brown wash, over black chalk
Giovanni Battista Foggini
1672–1725
Apollo and Coronis, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and brown wash, over black chalk
Giovanni Battista Foggini
1672–1725
A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso), Giovanni Battista Foggini  Italian, Pen and brown ink, over black chalk (recto); black chalk (verso)
Giovanni Battista Foggini
1672–1725
Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and gray wash over graphite
Giovanni Battista Foggini
1672–1725
Design for an Alcove with a Coat of Arms Flanked by Putti Bearing a Crown, Supported by Pilasters with Human Heads in Capitals, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and gray, brown-pink and yellow wash over traces of graphite; framing lines at lower edge in pen and brown ink
Giovanni Battista Foggini
1652–1725
Designs for Bed Alcoves (recto); Studies for a figure of St. John the Baptist and a Bed Alcove (verso), Giovanni Battista Foggini  Italian, Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso)
Giovanni Battista Foggini
1652–1725
Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence, Giovanni Battista Foggini (family and workshop) Italian, Pen and brown ink, brush and gray wash over black chalk or graphite
Giovanni Battista Foggini
1652–1725
Design for a Helmet with a Dragon Presented in Frontal View, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and light brown wash, over black chalk
Giovanni Battista Foggini
1672–1725
Design for a Term shaped like a Winged Female Figure, Giovanni Battista Foggini  Italian, Pen and brown ink, over black chalk
Giovanni Battista Foggini
1672–1725
View in 3/4 of a Design for a Headpiece Decorated with a Shell and Large Plume, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and light brown wash over black chalk
Giovanni Battista Foggini
1672–1725
Design for a Term Shaped like a Winged Female Figure, Giovanni Battista Foggini  Italian, Pen and brown ink, over black chalk
Giovanni Battista Foggini
1672–1725
Design for an Equestrian Statue in a Cartouche (recto); Sketches for a Frieze with Sea-Shells and Floral Ornament (verso), Giovanni Battista Foggini  Italian, Pen and brown ink, over black chalk (recto); pen and brown ink, over black chalk (verso)
Giovanni Battista Foggini
1672–1725
Design for a Console or Capital with a Cherub, Giovanni Battista Foggini  Italian, Pen and brown ink, over black chalk
Giovanni Battista Foggini
1672–1725
Outline of Design for a Two-Handled Vase, Giovanni Battista Foggini  Italian, Pen and brown ink over black chalk; glued onto secondary paper support
Giovanni Battista Foggini
1672–1725
Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso), Giovanni Battista Foggini  Italian, Pen and light brown ink, brush and brown wash over black chalk (recto); black chalk (verso)
Giovanni Battista Foggini
1672–1725
Design for a Chalice (recto); Design for the Base of a Vase (verso), Giovanni Battista Foggini  Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); graphite (verso)
Giovanni Battista Foggini
1672–1725
Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and brown wash over graphite
Giovanni Battista Foggini
1672–1725