Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,021 results for Giacomo Zoboli

Sort by:

Council of the Gods, Giacomo Zoboli Italian, Pen and brown ink, brush and brown wash, traces of black chalk — Council of the Gods
Giacomo Zoboli
n.d.

Christ Blessing, Giacomo Zoboli Italian, Black chalk, highlighted with white, on grayish brown paper (recto); faint black chalk study of the same figure and three studies for a left hand (verso) — Christ Blessing
Giacomo Zoboli
1681–1767

The Visitation of Our Lady (Luke 1:39-56)(recto); Zachariah (verso), Giacomo Zoboli Italian, Red chalk. Verso: faint red chalk studies for the figures of Joseph and Zechariah — The Visitation of Our Lady (Luke 1:39-56)(recto); Zachariah (verso)
Giacomo Zoboli
1681–1767

Double-sided Sheet of Figural Studies: (recto) Study of a Nude Man in an Action Pose Seen from the Side and in Three-quarter Length; (verso) Study of Christ in the Baptism, Standing in a Frontal View., Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on blueish gray paper. — Double-sided Sheet of Figural Studies: (recto) Study of a Nude Man in an Action Pose Seen from the Side and in Three-quarter Length; (verso) Study of Christ in the Baptism, Standing in a Frontal View.
Giacomo Zoboli
18th century

Study for the Figure of Christ, Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on gray paper — Study for the Figure of Christ
Giacomo Zoboli
18th century

Double-sided sheet of Figural Studies: (recto) Studies of a Young Man Holding a Stone Seen in Half-length; (verso) Seated Young Man Seen in Three-quarter View from Behind, Facing Right., Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on gray paper — Double-sided sheet of Figural Studies: (recto) Studies of a Young Man Holding a Stone Seen in Half-length; (verso) Seated Young Man Seen in Three-quarter View from Behind, Facing Right.
Giacomo Zoboli
18th century

Study of Male Figure Kneeling in a Three-Quarter View, Facing Left (a Shepherd), Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on gray paper — Study of Male Figure Kneeling in a Three-Quarter View, Facing Left (a Shepherd)
Giacomo Zoboli
18th century

Academy Sketch of a Seated Male Figure., Giacomo Zoboli Italian, Black chalk — Academy Sketch of a Seated Male Figure.
Giacomo Zoboli
18th century

Finished Academy Study of a Seated Male Figure, Giacomo Zoboli Italian, Black chalk, highlighted with white chalk, on brownish tinted paper — Finished Academy Study of a Seated Male Figure
Giacomo Zoboli
18th century

Double-sided Sheet: (recto) Study of Draperies; (verso) Study of a Standing Female Nude in a Beckoning PoseTurned toward Left., Giacomo Zoboli Italian, (recto) Red chalk with white chalk; (verso) red chalk. — Double-sided Sheet: (recto) Study of Draperies; (verso) Study of a Standing Female Nude in a Beckoning PoseTurned toward Left.
Giacomo Zoboli
18th century

Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian — Guitar
Giacomo (Jacob) Ertel
late 17th century

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

A Woman with a Dog, Giacomo Ceruti Italian, Oil on canvas — A Woman with a Dog
Giacomo Ceruti
1740s

Close Helmet, Gian Giacomo Negroli, Steel, gold, Italian, Milan — Close Helmet
Gian Giacomo Negroli
ca. 1510–20

Sallet, Pietro Giacomo da Castello Italian, Steel, Italian — Sallet
Pietro Giacomo da Castello
ca. 1510–20

The Church and Convent of San Mattia di Murano, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Church and Convent of San Mattia di Murano
Giacomo Guardi
ca. 1804–28

The Punta di San Giobbe, with the Island of San Secondo in the Distance, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Punta di San Giobbe, with the Island of San Secondo in the Distance
Giacomo Guardi
ca. 1804–28

San Pietro di Castello, Giacomo Guardi Italian, Pen and brown ink, gray wash — San Pietro di Castello
Giacomo Guardi
ca. 1804–28

The Punta di Santa Marta, Opposite the Giudecca, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Punta di Santa Marta, Opposite the Giudecca
Giacomo Guardi
ca. 1804–28

The Church of the Zitelle on the Giudecca, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Church of the Zitelle on the Giudecca
Giacomo Guardi
ca. 1804–28

The Island of the Beata Vergine delle Grazie, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Island of the Beata Vergine delle Grazie
Giacomo Guardi
ca. 1804–28

View of Murano, Giacomo Guardi Italian, Pen and brown ink, gray wash — View of Murano
Giacomo Guardi
ca. 1804–28

Doves of Pliny, Giacomo Raffaelli Italian, Glass mosaic on bronze, Italian, Rome — Doves of Pliny
Giacomo Raffaelli
1783

Saint Felicity, Giacomo Serpotta, Silver, Italian, Palermo — Saint Felicity
Giacomo Serpotta
1762

The Courtyard of the Doges' Palace, Giacomo Guardi Italian, Pen and brown ink, brown wash — The Courtyard of the Doges' Palace
Giacomo Guardi
ca. 1784–1835

Capriccio with a Statue of a Warrior and a Ruined Castle on the Shore of the Lagoon, Giacomo Guardi Italian, Pen and brown ink, gray wash — Capriccio with a Statue of a Warrior and a Ruined Castle on the Shore of the Lagoon
Giacomo Guardi
ca. 1780–90

Piazza San Marco, Looking toward the Basilica, Giacomo Guardi Italian, Pen and brown ink, gray wash — Piazza San Marco, Looking toward the Basilica
Giacomo Guardi
ca. 1804–28

Piazza San Marco, Looking toward the Church of San Gemignano, Giacomo Guardi Italian, Pen and brown ink, gray wash — Piazza San Marco, Looking toward the Church of San Gemignano
Giacomo Guardi
ca. 1804–28

The Clock Tower of San Marco, from the Front of the Basilica, Giacomo Guardi Italian, Pen and brown ink, brown-gray wash — The Clock Tower of San Marco, from the Front of the Basilica
Giacomo Guardi
after 1793

Campo Santi Giovanni e Paolo, Looking Toward the Scuola di San Marco, Giacomo Guardi Italian, Pen and brown ink, brown-gray wash — Campo Santi Giovanni e Paolo, Looking Toward the Scuola di San Marco
Giacomo Guardi
ca. 1804–28

The Island of Povegila, with British Naval Officers Embarking, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Island of Povegila, with British Naval Officers Embarking
Giacomo Guardi
before 1797 or 1814–15

The Rio dei Greci, with the Ponte della Pieta in the Distance, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Rio dei Greci, with the Ponte della Pieta in the Distance
Giacomo Guardi
ca. 1804–28

The Porto di Lido, with the Fortezza Sant'Andrea on the Left, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Porto di Lido, with the Fortezza Sant'Andrea on the Left
Giacomo Guardi
ca. 1804–28

The Island of L'Anconetta, on the Way to Mestre, with the Church of La Madonnetta, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Island of L'Anconetta, on the Way to Mestre, with the Church of La Madonnetta
Giacomo Guardi
ca. 1804–28

The Rio dei Mendicanti, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Rio dei Mendicanti
Giacomo Guardi
ca. 1804–25

The Island of the Beata Vergine del Rosario, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Island of the Beata Vergine del Rosario
Giacomo Guardi
ca. 1804–28

The Island of San Francesco del Deserto, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Island of San Francesco del Deserto
Giacomo Guardi
ca. 1804–28

The Church of the Redentore from the Giudecca Canal, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Church of the Redentore from the Giudecca Canal
Giacomo Guardi
ca. 1804–28

The Island of San Giorgio Maggiore, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Island of San Giorgio Maggiore
Giacomo Guardi
ca. 1804–28

Still Life, Giacomo Manzù Italian, Bronze with gold patina — Still Life
Giacomo Manzù
ca. 1978