Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

Showing 1,058 results for Giacomo Piccini

Sort by:

Entombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond, Giacomo Piccini Italian, Engraving — Entombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond
Giacomo Piccini
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
ca. 1656

David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni, Giacomo Piccini Italian, Engraving — David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni
Multiple artists/makers
ca. 1635–1670

A seated female figure, either Judith or Justice, holding a sword with her foot atop a man's head, a soldier at left

Multiple artists/makers

1658

Salome with the Head of St. John the Baptist

Giacomo Piccini

Peter Paul Rubens

17th century

Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian — Guitar
Giacomo (Jacob) Ertel
late 17th century

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

A Woman with a Dog, Giacomo Ceruti Italian, Oil on canvas — A Woman with a Dog
Giacomo Ceruti
1740s

Close Helmet, Gian Giacomo Negroli, Steel, gold, Italian, Milan — Close Helmet
Gian Giacomo Negroli
ca. 1510–20

Human Mask Looking to the Left within a Circle, Gaetano Piccini Italian, Pen and brown ink — Human Mask Looking to the Left within a Circle
Gaetano Piccini
1727

Grotesque Winged and Bearded Head Looking to the Left within a Circle, Gaetano Piccini Italian, Pen and brown ink — Grotesque Winged and Bearded Head Looking to the Left within a Circle
Gaetano Piccini
1727

Two Grotesque Heads Facing One Another within a Circle, Gaetano Piccini Italian, Pen and brown ink — Two Grotesque Heads Facing One Another within a Circle
Gaetano Piccini
1727

Small Grotesque Head Looking to the Left Within a Circle, Gaetano Piccini Italian, Pen and brown ink — Small Grotesque Head Looking to the Left Within a Circle
Gaetano Piccini
1727

Two Beasts and a Human Mask within a Circle, Gaetano Piccini Italian, Pen and brown ink — Two Beasts and a Human Mask within a Circle
Gaetano Piccini
1727

Putto's Head Looking to the Right with a Shell Beneath the Chin within a Circle, Gaetano Piccini Italian, Pen and brown ink — Putto's Head Looking to the Right with a Shell Beneath the Chin within a Circle
Gaetano Piccini
1727

Two Grotesque Heads Facing One Another and Touching Tongues Within a Circle, Gaetano Piccini Italian, Pen and brown ink — Two Grotesque Heads Facing One Another and Touching Tongues Within a Circle
Gaetano Piccini
1727

Grotesque Head With a Large Ear and an Open Mouth Looking to the Right Within a Circle, Gaetano Piccini Italian, Pen and brown ink — Grotesque Head With a Large Ear and an Open Mouth Looking to the Right Within a Circle
Gaetano Piccini
1727

Large Grotesque Head With an Open Mouth Looking to the Left Within a Frame, Gaetano Piccini Italian, Pen and brown ink — Large Grotesque Head With an Open Mouth Looking to the Left Within a Frame
Gaetano Piccini
1727

Large Grotesque Head Being Strangled by its Own Hair, Gaetano Piccini Italian, Pen and brown ink — Large Grotesque Head Being Strangled by its Own Hair
Gaetano Piccini
1727

Grotesque Head With a Bulging Forehead Looking to the Right Within a Circle, Gaetano Piccini Italian, Pen and brown ink — Grotesque Head With a Bulging Forehead Looking to the Right Within a Circle
Gaetano Piccini
1727

Grotesque Head With a Large Eyebrow Looking to the Left Within a Circle, Gaetano Piccini Italian, Pen and brown ink — Grotesque Head With a Large Eyebrow Looking to the Left Within a Circle
Gaetano Piccini
1727

Sallet, Pietro Giacomo da Castello Italian, Steel, Italian — Sallet
Pietro Giacomo da Castello
ca. 1510–20

[Stairs], Giacomo Caneva Italian, Salted paper print from paper negative — [Stairs]
Giacomo Caneva
1850s

View from the French Academy at the Villa Medici, Giacomo Caneva Italian, Salted paper print from paper negative — View from the French Academy at the Villa Medici
Giacomo Caneva
ca. 1852

[Vesuvius from Mergellina], Giacomo Caneva Italian, Salted paper print from paper negative — [Vesuvius from Mergellina]
Giacomo Caneva
ca. 1855

Doves of Pliny, Giacomo Raffaelli Italian, Glass mosaic on bronze, Italian, Rome — Doves of Pliny
Giacomo Raffaelli
1783

[Tree in Formal Garden Outside Palazzo], Giacomo Caneva Italian, Albumen silver print from glass negative — [Tree in Formal Garden Outside Palazzo]
Giacomo Caneva
1860s–70s

[Roman Ruins], Giacomo Caneva Italian, Albumen silver print — [Roman Ruins]
Giacomo Caneva
1860s

Saint Felicity, Giacomo Serpotta, Silver, Italian, Palermo — Saint Felicity
Giacomo Serpotta
1762

The Blessed Catherine, Giacomo Serpotta, Silver, Italian, Palermo — The Blessed Catherine
Giacomo Serpotta
1762

Jérôme Bonaparte (1784–1860), King of Westphalia, Giacomo Andreoli Italian, Ivory — Jérôme Bonaparte (1784–1860), King of Westphalia
Giacomo Andreoli

Still Life, Giacomo Manzù Italian, Bronze with gold patina — Still Life
Giacomo Manzù
ca. 1978

The Courtyard of the Doges' Palace, Giacomo Guardi Italian, Pen and brown ink, brown wash — The Courtyard of the Doges' Palace
Giacomo Guardi
ca. 1784–1835

Capriccio with a Statue of a Warrior and a Ruined Castle on the Shore of the Lagoon, Giacomo Guardi Italian, Pen and brown ink, gray wash — Capriccio with a Statue of a Warrior and a Ruined Castle on the Shore of the Lagoon
Giacomo Guardi
ca. 1780–90

Piazza San Marco, Looking toward the Basilica, Giacomo Guardi Italian, Pen and brown ink, gray wash — Piazza San Marco, Looking toward the Basilica
Giacomo Guardi
ca. 1804–28

Piazza San Marco, Looking toward the Church of San Gemignano, Giacomo Guardi Italian, Pen and brown ink, gray wash — Piazza San Marco, Looking toward the Church of San Gemignano
Giacomo Guardi
ca. 1804–28

The Clock Tower of San Marco, from the Front of the Basilica, Giacomo Guardi Italian, Pen and brown ink, brown-gray wash — The Clock Tower of San Marco, from the Front of the Basilica
Giacomo Guardi
after 1793

Campo Santi Giovanni e Paolo, Looking Toward the Scuola di San Marco, Giacomo Guardi Italian, Pen and brown ink, brown-gray wash — Campo Santi Giovanni e Paolo, Looking Toward the Scuola di San Marco
Giacomo Guardi
ca. 1804–28

The Island of Povegila, with British Naval Officers Embarking, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Island of Povegila, with British Naval Officers Embarking
Giacomo Guardi
before 1797 or 1814–15

The Rio dei Greci, with the Ponte della Pieta in the Distance, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Rio dei Greci, with the Ponte della Pieta in the Distance
Giacomo Guardi
ca. 1804–28

The Porto di Lido, with the Fortezza Sant'Andrea on the Left, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Porto di Lido, with the Fortezza Sant'Andrea on the Left
Giacomo Guardi
ca. 1804–28