Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for Giacomo Monticolo of Vicenza
Sort by:
Unexecuted Design for the Façade of the Church of Santa Maria in Araceli in the city of Vicenza, Giacomo Monticolo of Vicenza  Italian, Pen and brown ink and brush and brown wash
Giacomo Monticolo of Vicenza
1608
Guitar, Giacomo (Jacob) Ertel  German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian
Giacomo (Jacob) Ertel
late 17th century
The Entry of Christ into Jerusalem, Valerio Belli (Il Vicentino), Rock crystal, Italian, Vicenza
Valerio Belli (Il Vicentino)
ca. 1531–33
The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola  Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
Multiple artists/makers
ca. 1565–73
A Woman with a Dog, Giacomo Ceruti  Italian, Oil on canvas
Giacomo Ceruti
1740s
The Entombment, Valerio Belli (Il Vicentino), Silver, with traces of gilding; niello, gilt bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
16th century
Adoration of the Magi, Valerio Belli (Il Vicentino), Bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
late 15th–early 16th century
Bell, Giovanni Battista de Maria, Bronze, Italian, Vicenza
Giovanni Battista de Maria
1693
The Adoration of the Magi, Valerio Belli (Il Vicentino), Gilt bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
16th century
Adoration of the Shepherds, Valerio Belli (Il Vicentino), Bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
16th century
Standing Vishnu as Keshava, Dasoja of Balligrama, Stone, India (Karnataka, probably Belur)
Dasoja of Balligrama
first quarter of the 12th century
Dish with Abraham and Melchizedek, Hans of Landshut  German, Free-blown glass with paint and metallic foils, South German
Hans of Landshut
1498
Female portrait lü me (figure in wood), Zlan of Belewale, Wood, fiber, pigment, cloth, metal
Zlan of Belewale
Sonzlanwon
First half 20th century
Òpó (veranda post) with equestrian and female figure, Olowe of Ise  Nigerian, Iroko wood, paint, resin
Olowe of Ise
before 1938
The Crucifixion, Master of the Codex of Saint George  Italian, Tempera on wood, gold ground, Italian
Master of the Codex of Saint George
ca. 1330–35
Hercules and Achelous, Master of the Martyrdom of St. Sebastian  Austrian, Ivory, probably Austrian
Master of the Martyrdom of St. Sebastian
probably mid-17th century
Close Helmet, Gian Giacomo Negroli, Steel, gold, Italian, Milan
Gian Giacomo Negroli
ca. 1510–20
Terracotta column-krater (bowl for mixing wine and water), Group of Boston 00.348, Terracotta, Greek, South Italian, Apulian
Group of Boston 00.348
ca. 360–350 BCE
Saints Bartholomew and Simon, Master of Saint Francis  Italian, Tempera and gold on wood, Italian, Umbria
Master of Saint Francis
1266–75
The Visitation, Master Heinrich of Constance  German, Walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts, German
Master Heinrich of Constance
ca. 1310–20
Sallet, Pietro Giacomo da Castello  Italian, Steel, Italian
Pietro Giacomo da Castello
ca. 1510–20
Ẹlẹ́ṣin (equestrian) figure for an Erinlẹ̀ shrine, Maku of Erin, Wood, paint, Yoruba peoples
Maku of Erin
Toibo (Toyinbo) of Erin
1900–1937
The Church and Convent of San Mattia di Murano, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
The Punta di San Giobbe, with the Island of San Secondo in the Distance, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
San Pietro di Castello, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
The Punta di Santa Marta, Opposite the Giudecca, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
The Church of the Zitelle on the Giudecca, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
The Island of the Beata Vergine delle Grazie, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
View of Murano, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
Doves of Pliny, Giacomo Raffaelli  Italian, Glass mosaic on bronze, Italian, Rome
Giacomo Raffaelli
1783
Saint Felicity, Giacomo Serpotta, Silver, Italian, Palermo
Giacomo Serpotta
1762
The Courtyard of the Doges' Palace, Giacomo Guardi  Italian, Pen and brown ink, brown wash
Giacomo Guardi
ca. 1784–1835
Capriccio with a Statue of a Warrior and a Ruined Castle on the Shore of the Lagoon, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1780–90
Piazza San Marco, Looking toward the Basilica, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
Piazza San Marco, Looking toward the Church of San Gemignano, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
The Clock Tower of San Marco, from the Front of the Basilica, Giacomo Guardi  Italian, Pen and brown ink, brown-gray wash
Giacomo Guardi
after 1793
Campo Santi Giovanni e Paolo, Looking Toward the Scuola di San Marco, Giacomo Guardi  Italian, Pen and brown ink, brown-gray wash
Giacomo Guardi
ca. 1804–28
The Island of Povegila, with British Naval Officers Embarking, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
before 1797 or 1814–15
The Rio dei Greci, with the Ponte della Pieta in the Distance, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
The Porto di Lido, with the Fortezza Sant'Andrea on the Left, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28