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Showing 130 results for Fujiwara Chikanobu

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Beauty of the Season; Spring, Fujiwara Chikanobu Japanese, Hanging scroll; ink on paper, Japan — Beauty of the Season; Spring
Fujiwara Chikanobu
18th century

Sake bottle, Yu Fujiwara Japanese, Earthenware; round body with short, narrow neck and everted lip; flat base with maker's initial; partially covered with clear glaze and area of purple glaze with orange hue (Bizen ware), Japan — Sake bottle
Yu Fujiwara
mid-20th century

A Poem of Lament, one of the “Uzura Fragments” (Uzura-gire), Fujiwara Akisuke Japanese, Section of a page from a bound booklet mounted as a hanging scroll; ink on paper patterned with mica powder, Japan — A Poem of Lament, one of the “Uzura Fragments” (Uzura-gire)
Fujiwara Akisuke
13th century

Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi, Fujiwara no Nobuzane Japanese, Section of a handscroll mounted as a hanging scroll; ink on paper, Japan — Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi
Fujiwara no Nobuzane
13th century

Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), known as the “Imaki Fragment” (Imaki-gire), Fujiwara no Norinaga Japanese, Page from a booklet, mounted as hanging scroll; ink on paper, Japan — Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), known as the “Imaki Fragment” (Imaki-gire)
Fujiwara no Norinaga
12th century

Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire), Fujiwara no Sadayori Japanese, Page from book, mounted as hanging scroll; ink on paper, Japan — Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire)
Fujiwara no Sadayori
early 12th century

Poems about Plum Blossoms, from the “Sekido-bon Version of Collection of Poems Ancient and Modern”, Fujiwara no Yukinari Japanese, Page from a bound booklet mounted as a hanging scroll; ink on dyed paper, Japan — Poems about Plum Blossoms, from the “Sekido-bon Version of Collection of Poems Ancient and Modern”
Fujiwara no Yukinari
mid- to late 11th century

Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū)

, Fujiwara no Tameyori Japanese, Page from a booklet mounted as a hanging scroll; ink on paper, Japan — Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū)
Fujiwara no Tameyori
13th century

Poems about the Arrival of Autumn, from Newly Selected Collection of Poems to Sing (Shinsen rōeishū), one of the “Yamana Fragments” (Yamana-gire), Fujiwara no Mototoshi Japanese, Hanging scroll; ink on paper with gold and silver flecks, Japan — Poems about the Arrival of Autumn, from Newly Selected Collection of Poems to Sing (Shinsen rōeishū), one of the “Yamana Fragments” (Yamana-gire)
Fujiwara no Mototoshi
ca. 1116–22

Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire), Fujiwara no Sadayori Japanese, Page from a bound booklet mounted as a hanging scroll; ink on mica paper with gold flecks, Japan — Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire)
Fujiwara no Sadayori
early 12th century

Crane, Tortoise, Pine, and Bamboo under a Rising Sun, Kano Chikanobu Japanese, Hanging scroll; ink and color on silk, Japan — Crane, Tortoise, Pine, and Bamboo under a Rising Sun
Kano Chikanobu
17th–18th century

Birds and Flowers of Autumn and Winter, Kano Chikanobu Japanese, Six-panel folding screen; ink and color on silk, Japan — Birds and Flowers of Autumn and Winter
Kano Chikanobu
early 18th century

Eagle, Kano Chikanobu Japanese, Hanging scroll; ink and color on silk, Japan — Eagle
Kano Chikanobu
17th–18th century

Beauty, Kano Chikanobu Japanese, Hanging scroll; ink and color on paper<br/>Reverse side: ink and color on silk, Japan — Beauty
Kano Chikanobu
17th–18th century

Chiyoda Inner Palace: No.20 Flower Arranging in Turn (Chiyoda no Ōoku: Chanoyu mawaribana), Hashimoto Chikanobu Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Chiyoda Inner Palace: No.20 Flower Arranging in Turn (Chiyoda no Ōoku: Chanoyu mawaribana)
Hashimoto Chikanobu
August 1895

Seven Gods of Good Fortune and Chinese Children, Kano Chikanobu Japanese, Six-panel folding screen; ink, color, and gilt on paper; Reverse side: ink, color, and gold on paper, Japan — Seven Gods of Good Fortune and Chinese Children
Kano Chikanobu
17th–18th century

The Third Princess and a Cat, from the "New Herbs I" (Wakana I)
chapter The Tale of Genji (Genji monogatari}, Matsuno Chikanobu Japanese, Hanging scroll; ink and color on paper, Japan — The Third Princess and a Cat, from the "New Herbs I" (Wakana I) chapter The Tale of Genji (Genji monogatari}
Matsuno Chikanobu
18th century

Half Mask (Menpō) with Gorget

Zenshō Fujiwara

ca. 1615–1868

Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire), Fujiwara no Yukinari (Kōzei) Japanese, Page from a booklet mounted as a hanging scroll; ink on paper, Japan — Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire)
Fujiwara no Yukinari (Kōzei)
11th century

Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation", Fujiwara no Yukinari (Kōzei) Japanese, Handscroll section mounted as a hanging scroll; ink on paper, Japan — Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation"
Fujiwara no Yukinari (Kōzei)
early 11th century

One Round from a Poetry Contest, Fujiwara no Teika (Sadaie) Japanese, Hanging scroll; ink on paper, Japan — One Round from a Poetry Contest
Fujiwara no Teika (Sadaie)
late 12th century

“Ceremonial Attire” from the series An Array of Auspicious Customs of Eastern Japan (Azuma fūzoku, fukuzukushi: Tairei fuku), Yōshū (Hashimoto) Chikanobu Japanese, Triptych of woodblock prints; ink and color on paper, Japan — “Ceremonial Attire” from the series An Array of Auspicious Customs of Eastern Japan (Azuma fūzoku, fukuzukushi: Tairei fuku)
Yōshū (Hashimoto) Chikanobu
ca. 1889

Blossoming Cherry Trees in Ueno Park (Ueno kōen kaika zu), Yōshū (Hashimoto) Chikanobu Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Blossoming Cherry Trees in Ueno Park (Ueno kōen kaika zu)
Yōshū (Hashimoto) Chikanobu
1888

Emperor among Court Ladies, Yōshū (Hashimoto) Chikanobu Japanese, Woodblock print; ink and color on paper, Japan — Emperor among Court Ladies
Yōshū (Hashimoto) Chikanobu
ca. 1880

Western Clothing from the series An Array of Auspicious Customs of Eastern Japan (Azuma fūzoku, fukuzukushi-Yōfuku), Yōshū (Hashimoto) Chikanobu Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Western Clothing from the series An Array of Auspicious Customs of Eastern Japan (Azuma fūzoku, fukuzukushi-Yōfuku)
Yōshū (Hashimoto) Chikanobu
1889

Illustration of the Honored Commanders, Receiving the Emperor's Gift Cup (Kunkō no shō tenpai o tamau no zu), Yōshū (Hashimoto) Chikanobu Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Illustration of the Honored Commanders, Receiving the Emperor's Gift Cup (Kunkō no shō tenpai o tamau no zu)
Yōshū (Hashimoto) Chikanobu
September, 1877

View of the Gift of the Emperor's Gift Cup, Yōshū (Hashimoto) Chikanobu Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — View of the Gift of the Emperor's Gift Cup
Yōshū (Hashimoto) Chikanobu
Sept. 5, 1877 (Meiji 10)

View of the Gift of the Emperor's Gift Cup, Yōshū (Hashimoto) Chikanobu Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — View of the Gift of the Emperor's Gift Cup
Yōshū (Hashimoto) Chikanobu
Sept. 5, 1877 (Meiji 10)

Illustration of the Inquisition of Ōyama Tsunayoshi (Ōyama Tsunayoshi kyūmon no zu), Yōshū (Hashimoto) Chikanobu Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Illustration of the Inquisition of Ōyama Tsunayoshi (Ōyama Tsunayoshi kyūmon no zu)
Yōshū (Hashimoto) Chikanobu
August, 1877

Oyama Tsunayoshi's Cross Examination, Yōshū (Hashimoto) Chikanobu Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Oyama Tsunayoshi's Cross Examination
Yōshū (Hashimoto) Chikanobu
August 27, 1877 (Meiji 10)

Oyama Tsunayoshi's Cross Examination, Yōshū (Hashimoto) Chikanobu Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Oyama Tsunayoshi's Cross Examination
Yōshū (Hashimoto) Chikanobu
August 27, 1877 (Meiji 10)

Illustration of the Imperial Excursion to see the Charini's Circus (Charine daikyokuba goyūran no zu), Yōshū (Hashimoto) Chikanobu Japanese, Woodblock print; ink and color on paper, Japan — Illustration of the Imperial Excursion to see the Charini's Circus (Charine daikyokuba goyūran no zu)
Yōshū (Hashimoto) Chikanobu
November, 1886

Illustration of the Ceremony Issuing the Constitution (Kenpō happu shiki no zu), Yōshū (Hashimoto) Chikanobu Japanese, Woodblock print; ink and color on paper, Japan — Illustration of the Ceremony Issuing the Constitution (Kenpō happu shiki no zu)
Yōshū (Hashimoto) Chikanobu
1889

A Mirror of Japan’s Nobility, Yōshū (Hashimoto) Chikanobu Japanese, Triptych of woodblock prints (nishiki-e); ink and color on paper, Japan — A Mirror of Japan’s Nobility
Yōshū (Hashimoto) Chikanobu
August 8th, 1887

Leaders of the Pacification of the Kagoshima Rebels Celebrating with Cups of Wine from the Emperor (Kagoshima zokuto chinsei ni yotte shoshō tenhai chōdai no zu), Yōshū (Hashimoto) Chikanobu Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Leaders of the Pacification of the Kagoshima Rebels Celebrating with Cups of Wine from the Emperor (Kagoshima zokuto chinsei ni yotte shoshō tenhai chōdai no zu)
Yōshū (Hashimoto) Chikanobu
September 20th, 1877

Visit of the Empress to the Third National Industrial Promotional Exhibition at Ueno Park (Ueno dai sankai naikoku kangyō hakuran kai gyokō no zu), Yōshū (Hashimoto) Chikanobu Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Visit of the Empress to the Third National Industrial Promotional Exhibition at Ueno Park (Ueno dai sankai naikoku kangyō hakuran kai gyokō no zu)
Yōshū (Hashimoto) Chikanobu
1889

Illustration of the Commanders who Pacified Western Japan, Receiving the Emperor's Gift Cups (Saigoku chinbu shoshō tenpai o tamau no zu), Yōshū (Hashimoto) Chikanobu Japanese, Woodblock print; ink and color on paper, Japan — Illustration of the Commanders who Pacified Western Japan, Receiving the Emperor's Gift Cups (Saigoku chinbu shoshō tenpai o tamau no zu)
Yōshū (Hashimoto) Chikanobu
July, 1877

Mirror of Portraits of All Sovereigns in the World (Sejō kakkoku shaga teiō kagami), Yōshū (Hashimoto) Chikanobu Japanese, Woodblock print; ink and color on paper, Japan — Mirror of Portraits of All Sovereigns in the World (Sejō kakkoku shaga teiō kagami)
Yōshū (Hashimoto) Chikanobu
April, 1879

View of the Horse Track at Shinobazu in Ueno Park (Ueno shinobazu keiba zu), Yōshū (Hashimoto) Chikanobu Japanese, Triptych of woodblock prints; ink and color on paper, Japan — View of the Horse Track at Shinobazu in Ueno Park (Ueno shinobazu keiba zu)
Yōshū (Hashimoto) Chikanobu
1885

A Dance Party: Enjoying Cherry Blossom Viewing at Ueno (Tōbukai Ueno ōka yūran no zu), Yōshū (Hashimoto) Chikanobu Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Dance Party: Enjoying Cherry Blossom Viewing at Ueno (Tōbukai Ueno ōka yūran no zu)
Yōshū (Hashimoto) Chikanobu
March, 1887