Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 5,245 results for Francesco Guardi

Sort by:

Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal, Francesco Guardi Italian, Pen and brown ink, light brown wash, on two sheets of paper, joined. — Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal
Francesco Guardi
1780–93

The Grand Canal above the Rialto, Francesco Guardi Italian, Oil on canvas — The Grand Canal above the Rialto
Francesco Guardi
late 1760s

Venice: The Dogana and Santa Maria della Salute, Francesco Guardi Italian, Oil on wood — Venice: The Dogana and Santa Maria della Salute
Francesco Guardi

The Antechamber of the Sala del Maggior Consiglio, Francesco Guardi Italian, Oil on canvas — The Antechamber of the Sala del Maggior Consiglio
Francesco Guardi
ca. 1765–68

The Ridotto Pubblico at Palazzo Dandolo, Francesco Guardi Italian, Oil on canvas — The Ridotto Pubblico at Palazzo Dandolo
Francesco Guardi
ca. 1765–68

The Villa Loredan, Paese, Francesco Guardi Italian, Oil on canvas — The Villa Loredan, Paese
Francesco Guardi
early 1780s

The Island of San Michele, Venice, Francesco Guardi Italian, Oil on canvas — The Island of San Michele, Venice
Francesco Guardi
1770s

Fantastic Landscape, Francesco Guardi Italian, Oil on canvas — Fantastic Landscape
Francesco Guardi
ca. 1765

Fantastic Landscape, Francesco Guardi Italian, Oil on canvas — Fantastic Landscape
Francesco Guardi
ca. 1765

Venice from the Bacino di San Marco, Francesco Guardi Italian, Oil on canvas — Venice from the Bacino di San Marco
Francesco Guardi
ca. 1765–75

Piazza San Marco, Francesco Guardi Italian, Oil on canvas — Piazza San Marco
Francesco Guardi
late 1760s

Santa Maria della Salute, Francesco Guardi Italian, Oil on canvas — Santa Maria della Salute
Francesco Guardi
mid- to late 1760s

Venice: The Rialto, Francesco Guardi Italian, Oil on wood — Venice: The Rialto
Francesco Guardi

A Colonnade, Partly Ruined, with Figures, Francesco Guardi (?) Italian, Pen and brown ink, brown and gray wash — A Colonnade, Partly Ruined, with Figures
Francesco Guardi
Giacomo Guardi
ca. 1780–90

Capriccio with a Circular Tower, Two Houses, and a Bridge, Francesco Guardi Italian, Oil on paper, laid down on Masonite, Italian — Capriccio with a Circular Tower, Two Houses, and a Bridge
Francesco Guardi
18th century

Fantastic Landscape, Francesco Guardi Italian, Oil on canvas — Fantastic Landscape
Francesco Guardi
ca. 1765

Capriccio with a Square Tower and Two Houses, Francesco Guardi Italian, Oil on paper, laid down on Masonite, Italian — Capriccio with a Square Tower and Two Houses
Francesco Guardi
18th century

Capriccio with an Island, a Tower, and Houses, Francesco Guardi Italian, Oil on paper, laid down on Masonite, Italian — Capriccio with an Island, a Tower, and Houses
Francesco Guardi
18th century

Panorama of Venice from the Bacino di San Marco, Including the Project for the Proposed Teatro Manin, Francesco Guardi Italian, Pen and brown ink, gray wash, and a little body color — Panorama of Venice from the Bacino di San Marco, Including the Project for the Proposed Teatro Manin
Francesco Guardi
ca. 1788–93

Figure Studies, Francesco Guardi Italian, Pen and brown ink, light and dark brown and grayish brown wash — Figure Studies
Francesco Guardi
ca. 1765–70

A Venetian Capriccio: A Rio Leading to a Bridge, Francesco Guardi Italian, Pen and brown ink, brown wash — A Venetian Capriccio: A Rio Leading to a Bridge
Francesco Guardi
ca. 1780–85

An Architectural Capriccio, with Classical Ruins, Francesco Guardi Italian, Pen and brown ink, brown wash — An Architectural Capriccio, with Classical Ruins
Francesco Guardi
ca. 1780–85

The Fenice Theater in Venice (recto); Fragment of a Larger Drawing Representing Part of a Column and a Cornice (verso), Francesco Guardi (recto) Italian, Pen and brown ink, brush with brown and gray wash over traces of black chalk (recto); pen and brown ink, brush and gray wash (verso) — The Fenice Theater in Venice (recto); Fragment of a Larger Drawing Representing Part of a Column and a Cornice (verso)
Francesco Guardi
Giacomo Guardi
1712–1835

Capriccio with Roman Ruins, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over graphite; framing lines in pen and brown ink drawn by the artist; sheet glued onto secondary paper support — Capriccio with Roman Ruins
Francesco Guardi
18th century

Architectural Fantasy: Figures on a Grand Staircase, Francesco Guardi Italian, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink — Architectural Fantasy: Figures on a Grand Staircase
Francesco Guardi
1712–93

The Fire at San Marcuola (recto); Roman Ruins (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); framing lines in pen and brown ink<br/>Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink at the left, top and bottom border in graphite at the right border (verso) — The Fire at San Marcuola (recto); Roman Ruins (verso)
Francesco Guardi
1712–93

The Piazzetta, Looking Toward San Giorgio Maggiore (recto); Two Columns (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash (recto). Framing lines in pen and brown ink. Pen and brown ink sketch of two columns (verso) — The Piazzetta, Looking Toward San Giorgio Maggiore (recto); Two Columns (verso)
Francesco Guardi
1712–93

The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso), Francesco Guardi Italian, Pen and brown ink, brush with brown and gray wash, over red chalk (recto); at upper border appear two feet wearing pointed shoes, pricked for transfer and executed in brush and brown, blue, and yellow wash (verso) — The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso)
Francesco Guardi
1712–93

Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and brown wash (verso) — Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso)
Francesco Guardi
1712–93

Architectural Capriccio: Courtyard of a Palace, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over graphite or lead or black chalk. Framing lines in pen and brown ink. A few red chalk marks — Architectural Capriccio: Courtyard of a Palace
Francesco Guardi
1712–93

Design for a Framing Motif, Francesco Guardi Italian, Pen and brown ink, brush with light and dark green watercolor (?), over graphite or lead or black chalk — Design for a Framing Motif
Francesco Guardi
1712–93

The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); red chalk, pen and brown ink, brush and brown wash (verso) — The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso)
Francesco Guardi
1712–93

Lagoon Capriccio with an Obelisk, Francesco Guardi Italian, Pen and brown ink, brush and gray wash, over black chalk — Lagoon Capriccio with an Obelisk
Francesco Guardi
ca. 1750–70

Bullbaiting in a Venetian Piazza, Francesco Guardi Italian, Pen and brown ink — Bullbaiting in a Venetian Piazza
Francesco Guardi
1712–93

View of Piazza with Basilica of San Marco, Francesco Guardi Italian, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink at left and right margins. Pricked for transfer — View of Piazza with Basilica of San Marco
Francesco Guardi
1712–93

Studies of Walking Figures, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, on blue paper faded to blue-brown. Another figure in black chalk at lower left of drawing — Studies of Walking Figures
Francesco Guardi
1712–93

Capriccio with a Seaport and Classical Ruins, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk — Capriccio with a Seaport and Classical Ruins
Francesco Guardi
1712–93

The Arcade of the Libreria, Looking Toward San Giorgio Maggiore, Francesco Guardi Italian, Pen and brown ink, brush and brown wash — The Arcade of the Libreria, Looking Toward San Giorgio Maggiore
Francesco Guardi
1712–93

The Bucintoro Moving to the Left (recto); The Bucintoro Moving to the Right (verso), Francesco Guardi Italian, Pen and brown ink, brush with brown and red wash (recto); pen and brown ink (verso) — The Bucintoro Moving to the Left (recto); The Bucintoro Moving to the Right (verso)
Francesco Guardi
1712–93

The Villa Loredan, near Treviso, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, touches of white gouache, over black chalk — The Villa Loredan, near Treviso
Francesco Guardi
ca. 1778