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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 5,177 results for Francesco Allegrini

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Design for a Garden Fête with a Semi-circular Wall and Statues in Niches., Francesco Allegrini Italian, Pen and brown ink, brush and brown wash over traces of graphite; some strokes cancelled with white gouache — Design for a Garden Fête with a Semi-circular Wall and Statues in Niches.
Francesco Allegrini
1615–79

Religious Scene (Job and His Comforters?), Francesco Allegrini Italian, Pen and brown ink; framing lines in black chalk, and in pen and brown ink on mount — Religious Scene (Job and His Comforters?)
Francesco Allegrini
1624–63

Standing Male Figure with Cloak and Staff, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Standing Male Figure with Cloak and Staff
Francesco Allegrini
1624–63

Unidentified Scene: Figures in a Landscape, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink — Unidentified Scene: Figures in a Landscape
Francesco Allegrini
1624–63

Cavalry Engagement, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Cavalry Engagement
Francesco Allegrini
1624–63

Landscape with a Fortified Building, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount — Landscape with a Fortified Building
Francesco Allegrini
Carracci School
1624–63

Group of Figures Copied from Michelangelo's Last Judgment, Francesco Allegrini Italian, Pen and brown ink, over traces of black chalk; framing lines in pen and brown ink on mount — Group of Figures Copied from Michelangelo's Last Judgment
Francesco Allegrini
Michelangelo Buonarroti
1624–63

Landscape with Figures: The Silver Age, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in black chalk, and in pen and brown ink on mount — Landscape with Figures: The Silver Age
Francesco Allegrini
1624–63

The Rape of Europa, Francesco Allegrini Italian, Pen and brown ink; framing lines in black chalk, and in pen and brown ink on mount — The Rape of Europa
Francesco Allegrini
1624–63

Unidentified Subject (Two Falling Figures and Two Standing Women in a Landscape), Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Unidentified Subject (Two Falling Figures and Two Standing Women in a Landscape)
Francesco Allegrini
1624–63

Cain Slaying Abel, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Cain Slaying Abel
Francesco Allegrini
1624–63

Group of Horsemen, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount — Group of Horsemen
Francesco Allegrini
1624–63

The Death of Polyxena, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; double framing lines in pen and brown ink on mount — The Death of Polyxena
Francesco Allegrini
1624–63

Group of Five Allegorical Figures, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink — Group of Five Allegorical Figures
Francesco Allegrini
1624–63

Figures, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount — Figures
Francesco Allegrini
1624–63

King Solomon Receiving the Queen of Sheba, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount — King Solomon Receiving the Queen of Sheba
Francesco Allegrini
1624–63

The Rape of the Sabines, Francesco Allegrini Italian, Pen and brown ink, over a little black chalk. Framing lines in pen and brown ink on mount — The Rape of the Sabines
Francesco Allegrini
1624–63

Figures, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount — Figures
Francesco Allegrini
1624–63

Horse, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount — Horse
Francesco Allegrini
1624–63

Horse, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount — Horse
Francesco Allegrini
1624–63

Horses' Heads, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount — Horses' Heads
Francesco Allegrini
1624–63

Cavalry Engagement, Francesco Allegrini Italian, Pen and brown ink — Cavalry Engagement
Francesco Allegrini
1624–63

Boar Hunt, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount — Boar Hunt
Francesco Allegrini
1624–63

Horsemen Hunting, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash — Horsemen Hunting
Francesco Allegrini
1624–63

The Arrest of Christ, Francesco Allegrini Italian, Pen and brown ink — The Arrest of Christ
Francesco Allegrini
1624–63

Figures before a Palace or Temple, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over a little red chalk; raming lines in pen and brown ink on mount — Figures before a Palace or Temple
Francesco Allegrini
1624–63

Battle Scene, Francesco Allegrini Italian, Pen and brown ink, brush and red wash — Battle Scene
Francesco Allegrini
1624–63

The Departure of Aeneas Announced to Dido?, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in red chalk — The Departure of Aeneas Announced to Dido?
Francesco Allegrini
1624–63

Seated Female Nude and Dancing Female Figure, Francesco Allegrini Italian, Pen and brown ink — Seated Female Nude and Dancing Female Figure
Francesco Allegrini
1624–63

Aeneas and Achates Entering Dido's Palace in a Cloud, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in black chalk, and in pen and brown ink on mount — Aeneas and Achates Entering Dido's Palace in a Cloud
Francesco Allegrini
1624–63

The Death of Dido, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink on mount — The Death of Dido
Francesco Allegrini
1624–63

Aeneas Carrying Anchises in the Burning of Troy, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount — Aeneas Carrying Anchises in the Burning of Troy
Francesco Allegrini
1624–63

Lot and His Daughters, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in red chalk, and pen and brown ink on mount — Lot and His Daughters
Francesco Allegrini
1624–63

Two Monastic Figures Standing before a Church, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Two Monastic Figures Standing before a Church
Francesco Allegrini
1624–63

Unidentified Subject (Nine Figures and a Horse), Francesco Allegrini Italian, Pen and brown ink, over red chalk; framing lines in pen and brown ink on mount — Unidentified Subject (Nine Figures and a Horse)
Francesco Allegrini
1624–63

Four Flying Angels (recto); Two Flying Figures (verso), Francesco Allegrini Italian, Pen and brown ink, brush and brown wash (recto); two flying figures in pen and brown ink (verso) — Four Flying Angels (recto); Two Flying Figures (verso)
Francesco Allegrini
1624–63

Procession of Musicians, Francesco Allegrini Italian, Pen and brown ink — Procession of Musicians
Francesco Allegrini
1624–63

The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso), Francesco Allegrini Italian, Pen and brown ink, over red chalk — The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso)
Francesco Allegrini
1624–63

Two Horses, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Two Horses
Francesco Allegrini
1624–63

Two Standing Male Figures in Antique Military Costume, Francesco Allegrini Italian, Pen and brown ink, brush with brown and blue wash. Framing lines in pen and brown ink on mount — Two Standing Male Figures in Antique Military Costume
Francesco Allegrini
1624–63