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Showing 4,601 results for François Langlois

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Declaration of War on Spain by Louis XIII: The King as Hercules, Abraham Bosse French, Etching; second state of four — Declaration of War on Spain by Louis XIII: The King as Hercules
Abraham Bosse
François Langlois
ca. 1635

Louis XIII as Hercules, Abraham Bosse French, Etching; third state of four (Join-Lambert and Préaud) — Louis XIII as Hercules
Abraham Bosse
François Langlois
ca. 1635

Seven vases, the vase in the middle decorated with the face of Medusa, Plate 1 from "Collection of Various Vases" (Raccolta di Vasi Diversi), Stefano della Bella Italian, Etching — Seven vases, the vase in the middle decorated with the face of Medusa, Plate 1 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
François Langlois
ca. 1650–56

Seven vases, the vase in the middle formed by three infants, each holding an ewer, plate 3 from "Collection of Various Vases" (Raccolta di Vasi Diversi), Stefano della Bella Italian, Etching — Seven vases, the vase in the middle formed by three infants, each holding an ewer, plate 3 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
François Langlois
ca. 1650–56

Eight vases, the largest one in the middle with three sculptures in the round of two nymphs and a triton, plate 2 from "Collection of Various Vases" (Raccolta di Vasi Diversi), Stefano della Bella Italian, Etching — Eight vases, the largest one in the middle with three sculptures in the round of two nymphs and a triton, plate 2 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
François Langlois
ca. 1650–56

Six vases, and two sketches of vases on the extremities, plate 5 from "Collection of Various Vases" (Raccolta di Vasi Diversi), Stefano della Bella Italian, Etching — Six vases, and two sketches of vases on the extremities, plate 5 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
François Langlois
ca. 1650–56

Eight vases, the largest one in center with sculptures of a nymph and a faun, plate 4 from "Collection of Various Vases" (Raccolta di Vasi Diversi), Stefano della Bella Italian, Etching — Eight vases, the largest one in center with sculptures of a nymph and a faun, plate 4 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
François Langlois
ca. 1650–56

Eight vases, a clepsydra in center decorated with two skulls with laurel wreaths, plate 6 from "Collection of Various Vases" (Raccolta di Vasi Diversi), Stefano della Bella Italian, Etching — Eight vases, a clepsydra in center decorated with two skulls with laurel wreaths, plate 6 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
François Langlois
ca. 1650–56

Combat on a bridge, a horseman and two footsoldiers battle with swords at bottom right, one footsoldier on the ground to left of the horseman, various soldiers with swords on the bridge in the background, French coat of arms displayed in center of bridge, title page from "Varie Figure", Stefano della Bella Italian, Etching; first state of four — Combat on a bridge, a horseman and two footsoldiers battle with swords at bottom right, one footsoldier on the ground to left of the horseman, various soldiers with swords on the bridge in the background, French coat of arms displayed in center of bridge, title page from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645

The Castel Sant'Angelo and the Pont Sant'Angelo in Rome, various boats unloading to right, two pilgrims with children seated to left, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four — The Castel Sant'Angelo and the Pont Sant'Angelo in Rome, various boats unloading to right, two pilgrims with children seated to left, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645

March of an army on a plain, the commander in chief in front, his aides behind him, a trumpeter on horseback at right, a plain with various figures and horses in the background, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four — March of an army on a plain, the commander in chief in front, his aides behind him, a trumpeter on horseback at right, a plain with various figures and horses in the background, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645

A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four — A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645

A riding school, a horseman with sword jumping directed by another man with a sword in center, a man standing next to his horse to right, various horsemen, the school, and two dogs in the background, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four — A riding school, a horseman with sword jumping directed by another man with a sword in center, a man standing next to his horse to right, various horsemen, the school, and two dogs in the background, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645

A galley embarking at center, seen from behind, the stern of another galley to right under a fire, eight men in a rowboat to left, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four — A galley embarking at center, seen from behind, the stern of another galley to right under a fire, eight men in a rowboat to left, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645

Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Frontispiece, from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Frontispiece, from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Corbeau et ses Petits (The Raven and his Young), plate 5 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Corbeau et ses Petits (The Raven and his Young), plate 5 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Tulipes et le Soleil (The Tulips and the Sun), plate 6 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Les Tulipes et le Soleil (The Tulips and the Sun), plate 6 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching — Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48

Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Corbeau et ses Petits (The Raven and its Young), plate 5 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Le Corbeau et ses Petits (The Raven and its Young), plate 5 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Tulipes et le Soleil (The Tulips and the Sun), plate 6 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Les Tulipes et le Soleil (The Tulips and the Sun), plate 6 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Tombeau (The Tomb), plate 20 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Tombeau (The Tomb), plate 20 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

La Religieuse Tenant La Sainte Croix (The Nun Holds the Cross), plate 21 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — La Religieuse Tenant La Sainte Croix (The Nun Holds the Cross), plate 21 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Narcisse se Mirant dans l'Eau (Narcissus Looking at Himself in the Water), plate 22 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Narcisse se Mirant dans l'Eau (Narcissus Looking at Himself in the Water), plate 22 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Jardinier Émondant un Arbuste (The Gardener Pruning a Shrub), plate 26 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Jardinier Émondant un Arbuste (The Gardener Pruning a Shrub), plate 26 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Une Ecrevisse Regardant le Soleil (A Crayfish Looking at the Sun), plate 18 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Une Ecrevisse Regardant le Soleil (A Crayfish Looking at the Sun), plate 18 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Un Aigle Jetant une Vieille Plume (An Eagle Dropping an Old Feather), plate 15 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Un Aigle Jetant une Vieille Plume (An Eagle Dropping an Old Feather), plate 15 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Une Grue Volant (A Flying Crane), plate 16 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Une Grue Volant (A Flying Crane), plate 16 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Frontispiece, plate 1 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Frontispiece, plate 1 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

L'Oeil Vigilant (The Vigilant Eye), plate 2 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — L'Oeil Vigilant (The Vigilant Eye), plate 2 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Bergers Défendant leur Troupeau (The Shepherds Defending their Herd), plate 4 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Les Bergers Défendant leur Troupeau (The Shepherds Defending their Herd), plate 4 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1625–31

L'Oiseau Posé sur un Chardon en Fleurs (The Bird Standing on Thistle Flower), plate 13 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — L'Oiseau Posé sur un Chardon en Fleurs (The Bird Standing on Thistle Flower), plate 13 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1625–31