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Showing 4,609 results for François Langlois

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Plate 18: A cartouche containing an empty crest, two lionesses, one to left and one in center, an infant to right, from "Collection of various caprices and new inventions of cards and ornaments" (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti), Stefano della Bella Italian, Etching — Plate 18: A cartouche containing an empty crest, two lionesses, one to left and one in center, an infant to right, from "Collection of various caprices and new inventions of cards and ornaments" (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti)
Stefano della Bella
François Langlois
1646

Plate 9: the Arch of Constantine to left, part of the Colosseum to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching — Plate 9: the Arch of Constantine to left, part of the Colosseum to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48

Plate 10: a horse lying down, a cow and two goats, two seated shepherds, a waterfall and a mountain in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching — Plate 10: a horse lying down, a cow and two goats, two seated shepherds, a waterfall and a mountain in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48

Plate 7: a triple waterfall, a dead tree to right, a mountain and a herd of cows to right in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching — Plate 7: a triple waterfall, a dead tree to right, a mountain and a herd of cows to right in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48

Plate 1: various fragments of ancient monuments, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching — Plate 1: various fragments of ancient monuments, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48

Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone, various animals and people in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching — Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone, various animals and people in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48

Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching — Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48

La Religieuse Tenant La Sainte Croix (The Nun Holds the Cross), plate 21 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — La Religieuse Tenant La Sainte Croix (The Nun Holds the Cross), plate 21 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Narcisse se Mirant dans l'Eau (Narcissus Looking at Himself in the Water), plate 22 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Narcisse se Mirant dans l'Eau (Narcissus Looking at Himself in the Water), plate 22 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Soleil Levant (The Rising Sun), plate 19 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Le Soleil Levant (The Rising Sun), plate 19 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Tombeau (The Tomb), plate 20 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Le Tombeau (The Tomb), plate 20 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Narcisse se Mirant dans l'Eau (Narcissus Looking at Himself in the Water), plate 22 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Narcisse se Mirant dans l'Eau (Narcissus Looking at Himself in the Water), plate 22 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Jardinier Émondant un Arbuste (The Gardener Pruning a Shrub), plate 26 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Jardinier Émondant un Arbuste (The Gardener Pruning a Shrub), plate 26 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Frontispiece, plate 1 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Frontispiece, plate 1 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

L'Oeil Vigilant (The Vigilant Eye), plate 2 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — L'Oeil Vigilant (The Vigilant Eye), plate 2 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Chandelier (The Candelabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Le Chandelier (The Candelabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1625–31

A galley embarking at center, seen from behind, the stern of another galley to right under a fire, eight men in a rowboat to left, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four — A galley embarking at center, seen from behind, the stern of another galley to right under a fire, eight men in a rowboat to left, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645

A ship disembarking to left, two galley slaves stand and one sits next to a barrel to right, various other figures on the shore, a mountain to right in the background, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four — A ship disembarking to left, two galley slaves stand and one sits next to a barrel to right, various other figures on the shore, a mountain to right in the background, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645

Plate 17: A cartouche with a marble center, an infant on either side holding a garland over the horns of a ram in center, from "Collection of various caprices and new inventions of cards and ornaments" (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti), Stefano della Bella Italian, Etching — Plate 17: A cartouche with a marble center, an infant on either side holding a garland over the horns of a ram in center, from "Collection of various caprices and new inventions of cards and ornaments" (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti)
Stefano della Bella
François Langlois
1646

Plate 2: A cannon to the left, a town in the background, from "Various Military Caprices" (Varii capricci militari), Stefano della Bella Italian, Etching — Plate 2: A cannon to the left, a town in the background, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella
François Langlois
ca. 1641

Plate 5: A Pikeman standing at right next to a canon, other military figures in the background, from "Various Military Caprices" (Varii capricci militari), Stefano della Bella Italian, Etching — Plate 5: A Pikeman standing at right next to a canon, other military figures in the background, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella
François Langlois
ca. 1641

Plate 6: A battery of cannons firing on a town, from "Various Military Caprices" (Varii capricci militari), Stefano della Bella Italian, Etching — Plate 6: A battery of cannons firing on a town, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella
François Langlois
ca. 1641

Plate 3: An officer giving orders to a soldier in centre foreground, cannon at left, from "Various Military Caprices" (Varii capricci militari), Stefano della Bella Italian, Etching — Plate 3: An officer giving orders to a soldier in centre foreground, cannon at left, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella
François Langlois
ca. 1641

Plate 4: A military encampment with a soldier standing on a parapet to the right beating a drum, from "Various Military Caprices" (Varii capricci militari), Stefano della Bella Italian, Etching — Plate 4: A military encampment with a soldier standing on a parapet to the right beating a drum, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella
François Langlois
ca. 1641

Plate 8: the Colosseum, two herds being directed towards the amphitheater in the foreground, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching — Plate 8: the Colosseum, two herds being directed towards the amphitheater in the foreground, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48

Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Frontispiece, from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Frontispiece, from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Une Sirène entre deux Vaisseaux (A Siren Between Two Ships), plate 17 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Une Sirène entre deux Vaisseaux (A Siren Between Two Ships), plate 17 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Tombeau (The Tomb), plate 20 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Tombeau (The Tomb), plate 20 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

La Religieuse Tenant La Sainte Croix (The Nun Holds the Cross), plate 21 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — La Religieuse Tenant La Sainte Croix (The Nun Holds the Cross), plate 21 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Une Ecrevisse Regardant le Soleil (A Crayfish Looking at the Sun), plate 18 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Une Ecrevisse Regardant le Soleil (A Crayfish Looking at the Sun), plate 18 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Soleil Levant (The Sun Rising), plate 19 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Soleil Levant (The Sun Rising), plate 19 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Un Aigle Jetant une Vieille Plume (An Eagle Dropping an Old Feather), plate 15 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Un Aigle Jetant une Vieille Plume (An Eagle Dropping an Old Feather), plate 15 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35