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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 207 results for François Jules Collignon
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The Cottage (La Chaumière)
François Jules Collignon
1800–50
Evening dress
Nina Ricci
1959–60
Evening ensemble
Nina Ricci
ca. 1958
The Queen of Sheba before Solomon
François Collignon
1631
An allegory with Innocent X who is seated on horsback on the right, figures represting Rome in the lowe left
François Collignon
ca.1645–55
Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section
François Collignon
1650–1700
The Martyrs of Gorchum
François Collignon
1630–87
Plate 6: Two studies of children, from "Collection of various doodles and etching proofs" (Recueil de divers griffonnements et preuves d'eauforte)
Stefano della Bella
ca. 1646
An allegory of painting
François Collignon
17th century
Plate 6: view of a village with a horse trough in center, horses and houses to either side, a church in center background
François Collignon
1636–61
Plate 4: five grotesque heads, from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques)
Stefano della Bella
ca. 1642–43
Evening ensemble
House of Lanvin
fall/winter 1967–68
Jacket
House of Lanvin
1968
Suit
House of Lanvin
1974
"Peasant"
House of Lanvin
1980s
Suit
House of Lanvin
ca. 1980
Skirt
House of Lanvin
ca. 1970
Caftan
House of Lanvin
ca. 1970
Evening dress
House of Lanvin
ca. 1974
Evening dress
House of Lanvin
ca. 1969
The death of Saint Anne with various family members surrounding her and angels overhead
Cesare Fantetti
1670–80
Title Page Designed for the Sale of the Series of Paysages Gravés pour Jean de Médicis, from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
François Collignon
ca. 1618
Self-Portrait
Pietro Testa
ca. 1645
Plate 1: a cartouche with a lion head with wings at top center, a putto holding a blank escutcheon to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 2: a cartouche with a child seen from the back to left and a child seen from the front to right, each playing with the head of a sheep crowned with flowers, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 3: a cartouche with a woman with wings ending in a serpent's tail to left, seen from the front, a similar woman seen from the back to right, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 10: a cartouche with the heads of two lions in profile to left and right in the center, two chimera heads to either side below with their mouths around empty escutcheons, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 8: a cartouche with the head of an old man at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 9: a cartouche with the head of a ram at top center, flowers at top left and right, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 4: a cartouche with the head of a cherub at top center, leaves and flowers to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 11: a cartouche with fruits, flowers, and leaves at top, a mask of a faun in profile to either side with a festoon of fruits and flowers in each of their mouths, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 12: a cartouche with an empty escutcheon at top center, a head of a lion in profile to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Crucifixion
Robert van Audenaerde
1670–90
The Holy Trinity; Christ on the cross flanked by two angels, the Holy Spirit as a dove and God in heaven above the cross, a rectangular composition with half-circle at the top, after Reni
Robert van Audenaerde
1683–87
Callot figures; a dwarf man playing the drum at left, a beefeater in center, a flute player to right, from "Six grotesques" (Six pièces de figures grotesques)
Agostino Mitelli II
1684
Callot figures; a dwarf man with a spear at left walking towards the right, another dwarf man with a pegleg firing a musket at right, from "Six grotesques" (Six pièces de figures grotesques)
Agostino Mitelli II
1684
Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing the guitar and a dwarf woman dancing with a tambourine to right, from Six grotesques (Six pièces de figures grotesques)
Agostino Mitelli II
1684