Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,414 results for Fernando Coustellier y Vital

Sort by:

Fan, Fernando Coustellier y Vital, Hand-colored etching on paper; painted parchment (verso); ivory, silver, French, Paris — Fan
Fernando Coustellier y Vital
Between 1816 and 1830

Dancing in Colombia, Fernando Botero Colombian, Oil on canvas — Dancing in Colombia
Fernando Botero
1980

Evening ensemble, Fernando Sanchez, cotton, silk, American — Evening ensemble
Fernando Sanchez
spring/summer 1993

Evening bodysuit, Fernando Sanchez, cotton, American — Evening bodysuit
Fernando Sanchez
spring/summer 1993

Robe, Fernando Sanchez, synthetic, silk, American — Robe
Fernando Sanchez
late 20th century

Man on Horseback, Fernando Botero Colombian, Bronze — Man on Horseback
Fernando Botero
1984

Head of Christ, Fernando Yáñez de la Almedina Spanish, Oil on poplar — Head of Christ
Fernando Yáñez de la Almedina
ca. 1506

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Dress, Oscar de la Renta, LLC. American, silk, synthetic — Dress
Multiple artists/makers
fall/winter 2021–22

Juan de Pareja (ca. 1608–1670), Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas — Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1650

CAYC : [gacetilla], Centro de Arte y Comunicación — CAYC : [gacetilla]
Centro de Arte y Comunicación
November 3rd, 1974

"Image Dress", Y-3 Japanese and German, synthetic/viscose blend, rubber, Japanese — "Image Dress"
Y-3
Yohji Yamamoto
spring/summer 2003

Athletic suit, Y-3 Japanese and German, a) polyester/cotton blend, rubber; b) cotton, polyester; c) polyester/cotton blend, rubber, nylon, Japanese — Athletic suit
Y-3
Yohji Yamamoto
spring/summer 2003

Shoes, Y-3 Japanese and German, a,b) ultrasuede, leather, polyester, Japanese — Shoes
Y-3
Yohji Yamamoto
spring/summer 2003

Boots, Y-3 Japanese and German, a,b) leather, plastic, rubber, nylon, polyester, Japanese — Boots
Y-3
Yohji Yamamoto
spring/summer 2003

Figure-top spoon, Y. Posthumus, Silver, Dutch, Leeuwarden — Figure-top spoon
Y. Posthumus
ca. 1790

Dress, Y/Project French, polyester, elastine, silk, polyamide, French — Dress
Y/Project
Glenn Martens
spring/summer 2020

Dress, Y/Project French, polyester, acetate, metal, French — Dress
Y/Project
Glenn Martens
spring/summer 2020

Portrait of Jéronimo Antonio Gil set within an oval, Fernando Selma Spanish, Engraving — Portrait of Jéronimo Antonio Gil set within an oval
Multiple artists/makers
ca. 1790 [reprinted 1938]

View of the ruins of the interior of the Church of Nuestra Senora del Carmen in Saragossa bombed by the invading French army during the Napoleonic war, Fernando Brambila Spanish, Etching and aquatint — View of the ruins of the interior of the Church of Nuestra Senora del Carmen in Saragossa bombed by the invading French army during the Napoleonic war
Fernando Brambila
Juan Galvez
1808–14

View of the Convent of San José in Saragossa set alight after bombing by the invading French army during the Napoleonic war in Spain, Fernando Brambila Spanish, Etching and aquatint — View of the Convent of San José in Saragossa set alight after bombing by the invading French army during the Napoleonic war in Spain
Fernando Brambila
Juan Galvez
1808–14

Chalice and Paten, Antonio Forcada y la Plaza, Silver gilt, Mexican — Chalice and Paten
Antonio Forcada y la Plaza
late 18th and early 19th century

Bullfight, Eugenio Lucas y Padilla Spanish, Brush and black ink with wash, Spanish — Bullfight
Eugenio Lucas y Padilla
Velázquez (Diego Rodríguez de Silva y Velázquez)
19th century

Shiva Gangadhara, "Bearer of the Ganga", Y. G. Srimati Indian, Watercolor on paper, India (Chennai) — Shiva Gangadhara, "Bearer of the Ganga"
Y. G. Srimati
dated 1945

Mahakali, Y. G. Srimati Indian, Watercolor on paper, India — Mahakali
Y. G. Srimati
1980

Saraswati, Goddess of Learning and Music, Y. G. Srimati Indian, Watercolor on paper, India (Chennai) — Saraswati, Goddess of Learning and Music
Y. G. Srimati
1947–48

Parashurama, Rama with the Battle Ax, Y. G. Srimati Indian, Watercolor on paper, India (Chennai) — Parashurama, Rama with the Battle Ax
Y. G. Srimati
1946

Eklavya Practicing Archery before an Icon of Dronacharya, Y. G. Srimati Indian, Watercolor on paper, India (Chennai) — Eklavya Practicing Archery before an Icon of Dronacharya
Y. G. Srimati
ca. 1945–46

[Courtyard of the Lions, Alhambra, Granada], Señan y Gonzalez Spanish, Albumen silver print from glass negative — [Courtyard of the Lions, Alhambra, Granada]
Señan y Gonzalez
1880s–90s

[Moorish Vase, Granada], Señan y Gonzalez Spanish, Albumen silver print from glass negative — [Moorish Vase, Granada]
Señan y Gonzalez
1880s–90s

Faces #10, Y. Z. Kami Iranian-American, Oil on canvas — Faces #10
Y. Z. Kami
1992

Faces #53, Y. Z. Kami Iranian-American, Oil on canvas — Faces #53
Y. Z. Kami
1993

Woman with Lotus, Y. G. Srimati Indian, Watercolor on paper, India (Chennai) — Woman with Lotus
Y. G. Srimati
dated August 27, 1951

Apsara with Harp, Y. G. Srimati Indian, Watercolor on paper, India (Chennai) — Apsara with Harp
Y. G. Srimati
ca. 1944

Saint Tyagaraja Singing Hymns in Praise of Lord Rama, Y. G. Srimati Indian, Watercolor on paper, India (Chennai) — Saint Tyagaraja Singing Hymns in Praise of Lord Rama
Y. G. Srimati
1952–55

Endless Prayers XXVIII, Y. Z. Kami Iranian-American, Mixed media on paper — Endless Prayers XXVIII
Y. Z. Kami
2009

[Cowboy George R. Brown, Lagos, Mexico], Maya y Sciandra Mexican, Collodion print — [Cowboy George R. Brown, Lagos, Mexico]
Maya y Sciandra
1883

Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947