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Showing 180 results for Etchū no kami Fujiwara Takahira

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Blade for a Sword (Katana), Etchū no kami Fujiwara Takahira Japanese, Steel, Japanese — Blade for a Sword (Katana)
Etchū no kami Fujiwara Takahira
dated June 1622

Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), known as the “Imaki Fragment” (Imaki-gire), Fujiwara no Norinaga Japanese, Page from a booklet, mounted as hanging scroll; ink on paper, Japan — Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), known as the “Imaki Fragment” (Imaki-gire)
Fujiwara no Norinaga
12th century

Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū)

, Fujiwara no Tameyori Japanese, Page from a booklet mounted as a hanging scroll; ink on paper, Japan — Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū)
Fujiwara no Tameyori
13th century

Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire), Fujiwara no Sadayori Japanese, Page from book, mounted as hanging scroll; ink on paper, Japan — Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire)
Fujiwara no Sadayori
early 12th century

Poems about the Arrival of Autumn, from Newly Selected Collection of Poems to Sing (Shinsen rōeishū), one of the “Yamana Fragments” (Yamana-gire), Fujiwara no Mototoshi Japanese, Hanging scroll; ink on paper with gold and silver flecks, Japan — Poems about the Arrival of Autumn, from Newly Selected Collection of Poems to Sing (Shinsen rōeishū), one of the “Yamana Fragments” (Yamana-gire)
Fujiwara no Mototoshi
ca. 1116–22

Poems about Plum Blossoms, from the “Sekido-bon Version of Collection of Poems Ancient and Modern”, Fujiwara no Yukinari Japanese, Page from a bound booklet mounted as a hanging scroll; ink on dyed paper, Japan — Poems about Plum Blossoms, from the “Sekido-bon Version of Collection of Poems Ancient and Modern”
Fujiwara no Yukinari
mid- to late 11th century

Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire), Fujiwara no Sadayori Japanese, Page from a bound booklet mounted as a hanging scroll; ink on mica paper with gold flecks, Japan — Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire)
Fujiwara no Sadayori
early 12th century

Poems from Collection of Ki no Tsurayuki (Tsurayuki shū), Latter Part, from the Nishi-Honganji Anthology of Thirty-Six Poets, also known as one of the Ishiyama fragments (Ishiyama-gire)
, Fujiwara no Sadanobu Japanese, Page from a bound booklet mounted as a hanging scroll; ink on paper decorated with silver, Japan — Poems from Collection of Ki no Tsurayuki (Tsurayuki shū), Latter Part, from the Nishi-Honganji Anthology of Thirty-Six Poets, also known as one of the Ishiyama fragments (Ishiyama-gire)
Fujiwara no Sadanobu
ca. 1112

Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi, Fujiwara no Nobuzane Japanese, Section of a handscroll mounted as a hanging scroll; ink on paper, Japan — Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi
Fujiwara no Nobuzane
13th century

Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire), Fujiwara no Yukinari (Kōzei) Japanese, Page from a booklet mounted as a hanging scroll; ink on paper, Japan — Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire)
Fujiwara no Yukinari (Kōzei)
11th century

Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation", Fujiwara no Yukinari (Kōzei) Japanese, Handscroll section mounted as a hanging scroll; ink on paper, Japan — Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation"
Fujiwara no Yukinari (Kōzei)
early 11th century

One Round from a Poetry Contest, Fujiwara no Teika (Sadaie) Japanese, Hanging scroll; ink on paper, Japan — One Round from a Poetry Contest
Fujiwara no Teika (Sadaie)
late 12th century

Waka Poems, Fujiwara no Teika (Sadaie) Japanese, Hanging scroll; ink on paper, Japan — Waka Poems
Fujiwara no Teika (Sadaie)
first half 13th century

Sword guard (<i>Tsuba</i>) Depicting Crests and Arabesques (家紋散唐草文鐔), Koike Izumi no Kami Naomasa Japanese, Iron, brass, copper, Japanese — Sword guard (Tsuba) Depicting Crests and Arabesques (家紋散唐草文鐔)
Koike Izumi no Kami Naomasa
late 16th–early 17th century

Sword guard (<i>Tsuba</i>) Depicting Crests and Arabesques (家紋散唐草文鐔), Koike Izumi no Kami Naomasa Japanese, Iron, brass, copper, Japanese — Sword guard (Tsuba) Depicting Crests and Arabesques (家紋散唐草文鐔)
Koike Izumi no Kami Naomasa
late 16th–early 17th century

Tea Scoop (Chashaku), Sen no Rikyū Japanese, Bent and carved bamboo, Japan — Tea Scoop (Chashaku)
Sen no Rikyū
1580s

Letter about Sake, Sen no Rikyū Japanese, Hanging scroll; ink on paper, Japan — Letter about Sake
Sen no Rikyū
ca. 1583

Four Poems from the Sekido Version of the Collection of Poems Ancient and Modern (Sekido-bon Kokin wakashū)
, Fujiwara no Yukinari 藤原行成 Japanese, Two pages from a booklet mounted as hanging scroll; ink on dyed paper, Japan — Four Poems from the Sekido Version of the Collection of Poems Ancient and Modern (Sekido-bon Kokin wakashū)
Fujiwara no Yukinari 藤原行成
mid- to late 11th century

Beauty of the Season; Spring, Fujiwara Chikanobu Japanese, Hanging scroll; ink on paper, Japan — Beauty of the Season; Spring
Fujiwara Chikanobu
18th century

Half Mask (Menpō) with Gorget, Zenshō Fujiwara Japanese, Iron, lacquer, silk, Japanese — Half Mask (Menpō) with Gorget
Zenshō Fujiwara
ca. 1615–1868

Sake bottle, Yu Fujiwara Japanese, Earthenware; round body with short, narrow neck and everted lip; flat base with maker's initial; partially covered with clear glaze and area of purple glaze with orange hue (Bizen ware), Japan — Sake bottle
Yu Fujiwara
mid-20th century

A Poem of Lament, one of the “Uzura Fragments” (Uzura-gire), Fujiwara Akisuke Japanese, Section of a page from a bound booklet mounted as a hanging scroll; ink on paper patterned with mica powder, Japan — A Poem of Lament, one of the “Uzura Fragments” (Uzura-gire)
Fujiwara Akisuke
13th century

Endless Prayers XXVIII, Y. Z. Kami Iranian-American, Mixed media on paper — Endless Prayers XXVIII
Y. Z. Kami
2009

Faces #10, Y. Z. Kami Iranian-American, Oil on canvas — Faces #10
Y. Z. Kami
1992

Faces #53, Y. Z. Kami Iranian-American, Oil on canvas — Faces #53
Y. Z. Kami
1993

"One Titty Dress (OTD)", No Sesso American, nylon, metal, plastic, American — "One Titty Dress (OTD)"
Multiple artists/makers
fall/winter 2022–23

Figure: Female (Mwana Hiti), Wood, glass beads, Kami people — Figure: Female (Mwana Hiti)
Kami people
20th century

Poem about Cherry Blossoms from Collection of Elegant Flowers (Reikashū), one of the Scented-Paper Fragments (Kōshi-gire), Kodai no Kimi Japanese, Hanging scroll; ink on paper, Japan — Poem about Cherry Blossoms from Collection of Elegant Flowers (Reikashū), one of the Scented-Paper Fragments (Kōshi-gire)
Kodai no Kimi
late 11th century

Hotei with a Child, Ono no Ozū (Ono no Tsū) Japanese, Hanging scroll; ink on paper, Japan — Hotei with a Child
Ono no Ozū (Ono no Tsū)
1624

Hotei and a Child

, Ono no Ozū (Ono no Tsū) Japanese, Hanging scroll; ink on paper, Japan — Hotei and a Child
Ono no Ozū (Ono no Tsū)
dated 1624 (Genna 10)

Shōsōin fragment, Kochi-no-Tanushi Japanese, Silk tabby, Japan — Shōsōin fragment
Kochi-no-Tanushi
dated 756

Tea Scoop (chashaku), Sen no Rikyū Japanese, Wood, Japan — Tea Scoop (chashaku)
Sen no Rikyū
probably early 17th century

Two Poems from the Collection of Ancient and Modern Poems (Kokin wakashū), Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan — Two Poems from the Collection of Ancient and Modern Poems (Kokin wakashū)
Ike no Taiga
1734

Pine Tree and Calligraphy, Ike no Taiga Japanese, Album leaves mounted as hanging scrolls; ink on paper, Japan — Pine Tree and Calligraphy
Ike no Taiga
Minagawa Kien
late 18th–early 19th century

Orchid Pavilion Gathering; Autumn Harvest Festival, Ike no Taiga Japanese, Pair of six-panel folding screens; ink and color on paper, Japan — Orchid Pavilion Gathering; Autumn Harvest Festival
Ike no Taiga
ca. 1763

Heart Sutra (Hannya Shingyō) and Landscape, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan — Heart Sutra (Hannya Shingyō) and Landscape
Ike no Taiga

Page from the Illustrations and Explanations of the Three Jewels (Sanbō ekotoba), known as the Tōdaiji Fragment (Tōdaiji-gire), Minamoto no Toshiyori Japanese, Detached page from a book mounted as a hanging scroll; ink on mica paper, Japan — Page from the Illustrations and Explanations of the Three Jewels (Sanbō ekotoba), known as the Tōdaiji Fragment (Tōdaiji-gire)
Minamoto no Toshiyori
1120

Taiga Hall Painting Album (Taigadō gafu), Ike no Taiga Japanese, Woodblock printed book (orihon, accordion-style); ink and color on paper, Japan — Taiga Hall Painting Album (Taigadō gafu)
Ike no Taiga
Murase Kotei
1803

Spring Clouds Arising from the Gorge, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan — Spring Clouds Arising from the Gorge
Ike no Taiga
1770

Landscape and Couplet of Chinese Verse, Ike no Taiga Japanese, Pair of hanging scrolls; ink on paper, Japan — Landscape and Couplet of Chinese Verse
Ike no Taiga
late 18th century