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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 507 results for Ephraim How

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Knife, Ephraim How or British, Steel, ivory, British — Knife
Ephraim How
John How
18th century

Wedding knife, fork and sheath, Ephraim How British, Ivory, steel, silver, aggregate inlay, British or Dutch — Wedding knife, fork and sheath
Ephraim How
third quarter 17th century

Punch Bowl, Ephraim Brasher American, Silver, American — Punch Bowl
Ephraim Brasher
1785–1800

Coffeepot, Ephraim Brasher American, Silver, American — Coffeepot
Ephraim Brasher
1780–90

Tongs, Ephraim Brasher American, Silver, American — Tongs
Ephraim Brasher
ca. 1800

Pair of side chairs, Thomas How British, Walnut and walnut veneer, parcel-gilt, the seat rails of beech; gilded lead mounts on the knees and front rail; verre églomisé panel mounted on the splat; covered in contemporary tent stitch embroidery on canvas needlework not original to the chair, British — Pair of side chairs
Thomas How
ca. 1724–36

Pedestal, Thomas How British, Walnut and walnut veneer, parcel gilt; gilt lead; verre églomisé, British — Pedestal
Thomas How
ca. 1725–35

Ephraim Brasher

ca. 1770

Self-Portrait with Books, Ephraim Rubenstein American, Oil on canvas — Self-Portrait with Books
Ephraim Rubenstein
1984–85

The Pigeon Barn, Charles Ephraim Burchfield American, Watercolor with opaque watercolor on paper — The Pigeon Barn
Charles Ephraim Burchfield
1946

Abstract Composition, Charles Ephraim Burchfield American, Watercolor on paper — Abstract Composition
Charles Ephraim Burchfield
ca. 1955

Townsend Road, Charles Ephraim Burchfield American, Watercolor over graphite on paper — Townsend Road
Charles Ephraim Burchfield
1957

Thunderheads in June, Charles Ephraim Burchfield American, Watercolor over graphite on paper mounted on board — Thunderheads in June
Charles Ephraim Burchfield
1915

The False Front, Charles Ephraim Burchfield American, Watercolor and opaque watercolor over graphite on paper — The False Front
Charles Ephraim Burchfield
1920–21

House on the S.E. Corner of Fourth and Vine Streets, Salem, Charles Ephraim Burchfield American, Opaque watercolor and watercolor on paper mounted on board — House on the S.E. Corner of Fourth and Vine Streets, Salem
Charles Ephraim Burchfield
1917

October in the Woods, Charles Ephraim Burchfield American, Watercolor, opaque watercolor, chalk, and charcoal on joined papers, mounted on paperboard — October in the Woods
Charles Ephraim Burchfield
1938–63

November Evening, Charles Ephraim Burchfield American, Oil on canvas — November Evening
Charles Ephraim Burchfield
1934

Two Cabins, Charles Ephraim Burchfield American, Watercolor and graphite on paper — Two Cabins
Charles Ephraim Burchfield
1918

The Coming of Spring, Charles Ephraim Burchfield American, Watercolor on six sheets of paper, mounted on presswood — The Coming of Spring
Charles Ephraim Burchfield
1917–43

August Afternoon, Charles Ephraim Burchfield American, Watercolor, opaque watercolor, and graphite on paper, mounted on cardboard — August Afternoon
Charles Ephraim Burchfield
1927

Dandelion Seed Balls and Trees, Charles Ephraim Burchfield American, Watercolor and gouache over graphite on paper — Dandelion Seed Balls and Trees
Charles Ephraim Burchfield
1917

Clover Field in June, Charles Ephraim Burchfield American, Watercolor on paper — Clover Field in June
Charles Ephraim Burchfield
1947

Box, Wilhelm Krüger German, Cover: tortoiseshell and piqué work; box: gilt silver, German, Dresden and probably Gmünd — Box
Wilhelm Krüger
Benjamin Ephraim Krüger
18th century

Charles Ephraim Burchfield

ca. 1955

Design for Cover of Book Catalogue of Emil Hirsh, Munich, Ephraim Mose Lilien Austrian, Pen and brush(?) and black ink over traces of pencil corrected with white on cardboard. — Design for Cover of Book Catalogue of Emil Hirsh, Munich
Ephraim Mose Lilien
late 19th–early 20th century

The Virgin with arms crossed over her chest looking at the sleeping infant Christ, in an oval frame, after Reni, Ephraim Gottlieb Krüger German, Engraving — The Virgin with arms crossed over her chest looking at the sleeping infant Christ, in an oval frame, after Reni
Multiple artists/makers
1770–1834

Nursery Rhymes of New York City

Multiple artists/makers

1931

Negative silhouette of Kean and Edgar

Charlotte How

1820–35

Negative silhouette of William Shakespeare

Charlotte How

William Shakespeare

1820–35

Negative silhouette of Prince Leopold of Saxe-Coburg

Charlotte How

Leopold I, King of the Belgians

1820–35

Negative silhouette of Lady Macbeth

Charlotte How

1820–35

Negative silhouette of Judas Iscariot

Charlotte How

1820–35

Negative silhouette of two figures next to an Austrian lamp

Charlotte How

1820–35

Negative silhouette of the Virgin Mary

Charlotte How

1820–35

Multiple artists/makers

ca. 1839

Portrait of Ephraim Bonus, physician, Jan Lievens Dutch, Etching; fifth state — Portrait of Ephraim Bonus, physician
Jan Lievens
Ephraim Bonus
17th century

Charles Ephraim Burchfield

1952

Summer Benediction

Charles Ephraim Burchfield

1953

Lieder des Ghetto

Multiple artists/makers

1920

Carolina Village (Camden, South Carolina)

Charles Ephraim Burchfield

Julius Lankes

1924