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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 282 results for Ephraim Gottlieb Krüger

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The Virgin with arms crossed over her chest looking at the sleeping infant Christ, in an oval frame, after Reni, Ephraim Gottlieb Krüger German, Engraving — The Virgin with arms crossed over her chest looking at the sleeping infant Christ, in an oval frame, after Reni
Multiple artists/makers
1770–1834

Box, Wilhelm Krüger German, Cover: tortoiseshell and piqué work; box: gilt silver, German, Dresden and probably Gmünd — Box
Wilhelm Krüger
Benjamin Ephraim Krüger
18th century

Morning, from the series The Times of the Day, Philipp Otto Runge German, Engraving, second state of two — Morning, from the series The Times of the Day
Multiple artists/makers
1807

Day, from the series The Times of the Day, Philipp Otto Runge German, Engraving, second state of two — Day, from the series The Times of the Day
Multiple artists/makers
1807

Evening, from the series The Times of the Day, Philipp Otto Runge German, Engraving, second state of two — Evening, from the series The Times of the Day
Multiple artists/makers
1807

Night, from the series The Times of the Day, Philipp Otto Runge German, Engraving, second state of two — Night, from the series The Times of the Day
Multiple artists/makers
1807

Des Marcus Vitruvius Pollio Baukunst, aus der Römischen Urschrift übersetzt von August Rode

Multiple artists/makers

1796

Des Marcus Vitruvius Pollio Baukunst, aus der Römischen Urschrift übersetzt von August Rode

Multiple artists/makers

1796

Des Marcus Vitruvius Pollio Baukunst, aus der Römischen Urschrift übersetzt von August Rode

Multiple artists/makers

1796

Des Marcus Vitruvius Pollio Baukunst, aus der Römischen Urschrift übersetzt von August Rode

Multiple artists/makers

1796

Des Marcus Vitruvius Pollio Baukunst, aus der Römischen Urschrift übersetzt von August Rode

Multiple artists/makers

1796

Des Marcus Vitruvius Pollio Baukunst, aus der Römischen Urschrift übersetzt von August Rode

Multiple artists/makers

1796

Des Marcus Vitruvius Pollio Baukunst, aus der Römischen Urschrift übersetzt von August Rode

Multiple artists/makers

1796

Lion (one of a pair), Johann Gottlieb Kirchner German, Hard-paste porcelain, German, Meissen — Lion (one of a pair)
Johann Gottlieb Kirchner
Meissen Manufactory
ca. 1732

Coffeepot, Ephraim Brasher American, Silver, American — Coffeepot
Ephraim Brasher
1780–90

Tongs, Ephraim Brasher American, Silver, American — Tongs
Ephraim Brasher
ca. 1800

Punch Bowl, Ephraim Brasher American, Silver, American — Punch Bowl
Ephraim Brasher
1785–1800

Tobias Takes Leave of his Father, Ferdinand Anton Krüger German, Steel engraving — Tobias Takes Leave of his Father
Ferdinand Anton Krüger
Carl Gottlieb Peschel
1829

Ephraim Brasher

ca. 1770

Untitled (Your Seeing Is Believing), Barbara Kruger American, Gelatin silver print — Untitled (Your Seeing Is Believing)
Barbara Kruger
1984

Basset Horn in F, Johann Gottlieb Freyer German, Boxwood, ivory, brass, German — Basset Horn in F
Johann Gottlieb Freyer
ca. 1800

Self-Portrait with Books, Ephraim Rubenstein American, Oil on canvas — Self-Portrait with Books
Ephraim Rubenstein
1984–85

Wedding knife, fork and sheath, Ephraim How British, Ivory, steel, silver, aggregate inlay, British or Dutch — Wedding knife, fork and sheath
Ephraim How
third quarter 17th century

Knife, Ephraim How or British, Steel, ivory, British — Knife
Ephraim How
John How
18th century

Townsend Road, Charles Ephraim Burchfield American, Watercolor over graphite on paper — Townsend Road
Charles Ephraim Burchfield
1957

October in the Woods, Charles Ephraim Burchfield American, Watercolor, opaque watercolor, chalk, and charcoal on joined papers, mounted on paperboard — October in the Woods
Charles Ephraim Burchfield
1938–63

The False Front, Charles Ephraim Burchfield American, Watercolor and opaque watercolor over graphite on paper — The False Front
Charles Ephraim Burchfield
1920–21

Abstract Composition, Charles Ephraim Burchfield American, Watercolor on paper — Abstract Composition
Charles Ephraim Burchfield
ca. 1955

The Pigeon Barn, Charles Ephraim Burchfield American, Watercolor with opaque watercolor on paper — The Pigeon Barn
Charles Ephraim Burchfield
1946

Thunderheads in June, Charles Ephraim Burchfield American, Watercolor over graphite on paper mounted on board — Thunderheads in June
Charles Ephraim Burchfield
1915

House on the S.E. Corner of Fourth and Vine Streets, Salem, Charles Ephraim Burchfield American, Opaque watercolor and watercolor on paper mounted on board — House on the S.E. Corner of Fourth and Vine Streets, Salem
Charles Ephraim Burchfield
1917

August Afternoon, Charles Ephraim Burchfield American, Watercolor, opaque watercolor, and graphite on paper, mounted on cardboard — August Afternoon
Charles Ephraim Burchfield
1927

November Evening, Charles Ephraim Burchfield American, Oil on canvas — November Evening
Charles Ephraim Burchfield
1934

Dandelion Seed Balls and Trees, Charles Ephraim Burchfield American, Watercolor and gouache over graphite on paper — Dandelion Seed Balls and Trees
Charles Ephraim Burchfield
1917

Two Cabins, Charles Ephraim Burchfield American, Watercolor and graphite on paper — Two Cabins
Charles Ephraim Burchfield
1918

The Coming of Spring, Charles Ephraim Burchfield American, Watercolor on six sheets of paper, mounted on presswood — The Coming of Spring
Charles Ephraim Burchfield
1917–43

Clover Field in June, Charles Ephraim Burchfield American, Watercolor on paper — Clover Field in June
Charles Ephraim Burchfield
1947

Cool Note, Adolph Gottlieb American, Oil on canvas — Cool Note
Adolph Gottlieb
1964

Large oval box (one of a pair), Gottlieb Satzger, Silver gilt, German, Augsburg — Large oval box (one of a pair)
Gottlieb Satzger
1775–77

Plate (one of two), Gottlieb Menzel, Silver gilt, German, Augsburg — Plate (one of two)
Gottlieb Menzel
1730