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Showing 2,968 results for Enrique Castro-Cid

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Untitled, Enrique Castro-Cid Chilean, Colored pencil, graphite and matte opaque paint on board — Untitled
Enrique Castro-Cid
1967

Mandrágora, Braulio Arenas Chilean — Mandrágora
Multiple artists/makers
1941

A partir de cero, Enrique Molina Argentine — A partir de cero
Enrique Molina
1952–56

Escape from Fantasylandia : an illegal alien's survival guide, Enrique Chagoya American — Escape from Fantasylandia : an illegal alien's survival guide
Enrique Chagoya
2011

Jar, Enrique Luis Ventosa, Tin-glazed earthenware, Mexican — Jar
Enrique Luis Ventosa
1900–1912

Rescate de un Automovil Accidentado, Enrique Metinides Mexican, Gelatin silver print — Rescate de un Automovil Accidentado
Enrique Metinides
1966

L.W., Enrique Martinez Celaya American, born Cuba, Watercolor and opaque watercolor on paper — L.W.
Enrique Martinez Celaya
2003

Where am I?, Enrique Martinez Celaya American, born Cuba, Watercolor and opaque watercolor on paper — Where am I?
Enrique Martinez Celaya
2003

Look (Sebastián), Enrique Martinez Celaya American, born Cuba, Tar, oil, watercolor, graphite, cut and pasted paper on Japanese paper — Look (Sebastián)
Enrique Martinez Celaya
2003

Tree of Signs, Miguel Castro Leñero Mexican, Oil and sand on canvas — Tree of Signs
Miguel Castro Leñero
1987

The Headache, A Print after George Cruikshank, Enrique Chagoya American, Etching with digitally printed color on gampi paper chine collé; printer's proof; 5/10 — The Headache, A Print after George Cruikshank
Multiple artists/makers
2010

Elvis Meets the Virgin of Guadalupe, Enrique Chagoya American, Monotype with Xerox transfer — Elvis Meets the Virgin of Guadalupe
Enrique Chagoya
1994

Hand of Power, Enrique Chagoya American, Lithograph, litho-engraving and woodcut — Hand of Power
Enrique Chagoya
1997

Mexico y sus Alrededores. Colección de monumentos, trajes y paisajes, Casimiro Castro Mexican, Lithographs and letterpress — Mexico y sus Alrededores. Colección de monumentos, trajes y paisajes
Multiple artists/makers
1855–56

Multiple artists/makers

1964

Multiple artists/makers

1959

Plate 40: Belisario Domínguez Palencia protesting against the regime of the dictator Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 40: Belisario Domínguez Palencia protesting against the regime of the dictator Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 42: allegory relating to the departure from Mexico of Victoriano Huerta, jeering, pointing figures, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 42: allegory relating to the departure from Mexico of Victoriano Huerta, jeering, pointing figures, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 45: the begining of the American intervention on 21 April 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 45: the begining of the American intervention on 21 April 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading many supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading many supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 51: Victoriano Huerta fleeing the country and carrying a pistol, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 51: Victoriano Huerta fleeing the country and carrying a pistol, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 39: the assisination of Serapio Rendon, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 39: the assisination of Serapio Rendon, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 64: the assassination of General Alvaro Obregon, 18 July 1928, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 64: the assassination of General Alvaro Obregon, 18 July 1928, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 71: Cristeros against free education for the workers, one such worker being shot, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 71: Cristeros against free education for the workers, one such worker being shot, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 76: the people marching with banners for the right to education, land and irrigation, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 76: the people marching with banners for the right to education, land and irrigation, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

The strike of Rio Blanco: textile workers take up the fight, 7 January 1907 (La huelga de Rio Blanco: los obreros textiles se lanzan a la lucha. 7 de enero de 1907), Plate 41 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The strike of Rio Blanco: textile workers take up the fight, 7 January 1907 (La huelga de Rio Blanco: los obreros textiles se lanzan a la lucha. 7 de enero de 1907), Plate 41 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Epilogue to the strike of Rio Blanco, 8 January 1907 (Epilogo de la huelga de Rio Blanco. 8 de enero de 1907), Plate 42 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Epilogue to the strike of Rio Blanco, 8 January 1907 (Epilogo de la huelga de Rio Blanco. 8 de enero de 1907), Plate 42 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Aquiles Serdan and his family beginning the armed revolution, 18 November 1910 (Aquiles Serdan y su familia inician en puebla la revolucion armada, 18 de noviembre de 1910), Plate 62 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Aquiles Serdan and his family beginning the armed revolution, 18 November 1910 (Aquiles Serdan y su familia inician en puebla la revolucion armada, 18 de noviembre de 1910), Plate 62 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Assasination of Serapio Rendon by Victoriano Huerta, 22 August 1913 (Asesinato el diputado Serapio Rendon por Victoriano Huerta, 22 de Agosto de 1913), Plate 77 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Assasination of Serapio Rendon by Victoriano Huerta, 22 August 1913 (Asesinato el diputado Serapio Rendon por Victoriano Huerta, 22 de Agosto de 1913), Plate 77 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Victoriano Huerta, flag bearer of the reactionary forces (Victoriano Huerta, estandarte de la reaccion), Plate 80 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Victoriano Huerta, flag bearer of the reactionary forces (Victoriano Huerta, estandarte de la reaccion), Plate 80 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The Yankee intervention, 21 April 1914 (La intervencion Yanqui, 21 de abril de 1914), Plate 83 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The Yankee intervention, 21 April 1914 (La intervencion Yanqui, 21 de abril de 1914), Plate 83 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Victoriano Huerta abandoning the country on 20 June 1914 (Victoriano Huerta abandona el pais, 20 de Julio de 1914), Plate 89 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Victoriano Huerta abandoning the country on 20 June 1914 (Victoriano Huerta abandona el pais, 20 de Julio de 1914), Plate 89 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Carrillo Puerto, symbol of the southeastern revolution (Carrillo Puerto, símbolo de la revolución del sureste), Plate 97 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Carrillo Puerto, symbol of the southeastern revolution (Carrillo Puerto, símbolo de la revolución del sureste), Plate 97 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Assassination of Álvaro Obregón led by the clerical opposition. July 18, 1928 (Asesinato del general Álvaro Obregón dirigido por la reacción clerical. 18 de julio de 1928), Plate 102 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Assassination of Álvaro Obregón led by the clerical opposition. July 18, 1928 (Asesinato del general Álvaro Obregón dirigido por la reacción clerical. 18 de julio de 1928), Plate 102 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The Cristeros against teaching in the countryside (Los cristeros contra la enseñanza en el campo), Plate 108 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The Cristeros against teaching in the countryside (Los cristeros contra la enseñanza en el campo), Plate 108 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The demands of the people and the threat of reactionaries (Las demandas del pueblo y la amenaza de la reacción), Plate 113 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The demands of the people and the threat of reactionaries (Las demandas del pueblo y la amenaza de la reacción), Plate 113 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Return to Goya's "Caprichos"

Enrique Chagoya

Segura Publishing Company, Inc.

1999